Headhunterz

The Akai Professional MPD24 USB MIDI Pad Controller can be seen in Headhunterz' studio setup in a photo he posted to Twitter.

We spotted an Akai APC20 Controller in a video of Headhunterz in the studio.

Headhunterz posted a photo on Twitter where the Akai MPK49 USB MIDI Keyboard can be spotted.

Headhunterz tweets to Kaskade about switching from an Apogee Duet to the RME Babyface USB Audio Interface.

The Apogee Duet 2 USB Audio Interface can be seen in a photo of Headhunterz' studio setup.

"Compressor test was awesome! The differences were huge but my choice was easily made: 2 Distressors & 2 Trakkers."

"Compressor test was awesome! The differences were huge but my choice was easily made: 2 Distressors & 2 Trakkers."

"New retina macbook in da hizzle. Love it."

We spotted Headhunterz sitting on a Herman Miller Aeron Chair in a video of him in the studio.

Vicoustic Flexi Wood A50 can be seen on the front studio wall in this picture from facebook.

Vicoustic Cinema Round Premium is the black fabric covered acoustic treatment panel located on the front wall in this studio picture.

Super Bass Extreme panels from Vicoustic can be seen in Headhunterz's studio.

In this instagram photo Headhunterz show's off his Crane Song HEDD 192 "One of my favorite tools in the kitchen."

In this video at 27:51 he use manley massive.

In this magazine on page 66, in his selected list there is.

In this magazine on page 67, he is using.

In this photo you can see lpk25.

Near the start of the video you can see the clarity m on the desk

Headhunterz applies distortion to a vocal track using the Ohmicide plugin, as seen at the 1:27 mark of the video "Creating the main part of my new track: 'From Within'"

On the artist page on the reFX site, Willem Rebergen of Headhunterz writes, "As for the plugins I have been a big fan of Nexus and Metrum and of course never to forget the Vanguard, with which I learned to make my very first sounds. A big thanks to Refx & Vengeance for these gems!"

On the artist page on the reFX site, Willem Rebergen of Headhunterz gives his testimonial and writes, "...and of course never to forget the Vanguard, with which I learned to make my very first sounds."

26 minutes into Producer Master Class with Computer Music Magazine, Willem opens the FabFilter Pro-Q on-screen to demonstrate how little he needed to adjust the EQ on one of his favorite synthesizers.

"And then, my favourite probably to go compressor is the Oxford, Whenever I switch this on and start taking down the Threshold it already sounds amazing." (26:10)

"This is uh, probably the same as I used on the bells, maybe even a little bit on the vocal here and then, this is[...] the big 'verb' of the project." (30:20)

"The delay, in this case, is the UAD Tape Echo, and I have to be honest... it's not a stereo delay but it sounds so awesome. You can't compare it, really, to a plugin, the way it filters out is just great."(30:32)

"These are some crazy edits, and to do that, I used iZotope Stutter, and that's a really funny plugin, I compare it a little bit to the (Sugar Bytes) Effectrix, but it... works different. You can just scroll with them, you can just... scroll through the presets while it's playing." (32:05)

"I used the iZotope Vinyl... to make it sound a little bit like it's been played through a really old system and to make it a little thinner..." (33:50)