Larry Mullen, Jr.

From Mullen's drum tech Sam O’Sullivan: "Larry’s kit is called the PHX, the Phoenix. It’s an amazing Yamaha kit which is a hybrid of different woods - maple, ash, kapur, jatoba - from different countries, and the sound is absolutely phenomenal."

According to the website U2: Stage And Studio, Larry Mullen, Jr. used a "14" Ludwig (hammered) Black Beauty snare drum" during U2's 360° Tour.

According to this transcription of a February 1982 issue of U2 Magazine, "Larry has a somewhat unusual drum set up. Not that the kit itself was unusual, but it was arranged in an unusual manner and had several unusual extras. The basic kit is a very impressive all black Tama Fiberstar - all single headed, and including a 24" kick drum, 16" and 18" floor toms, and a selection of rather deep rack toms. The snare was a Ludwig 14"x61 " steel shell and he also has a pair of Latin Percussion Timbale. The cymbals comprised Zildjian 18" thin ride; 18" thin crash; 18" medium crash; 18" pang and 21" ride, with Paiste 14" hi-hats on a Premier Trilock pedal. The rest of the stands are Tama. The kit is miked using Sennheiser 421's for the kick and the floor toms, Shure SM57's for rack toms and snare, Electro-voice RE10 on the hi-hat and AKG D190's on the rest. No overhead mikes."

According to Larry Mullen, Jr.'s Paiste artist page, he uses the 16" Signature Power Crash.

According to Larry Mullen, Jr.'s Paiste artist page, he uses the 17" Signature Power Crash.

According to Larry Mullen, Jr.'s Paiste artist page, he uses the 18" Signature Power Crash.

According to Larry Mullen, Jr.'s Paiste artist page, he uses the 18" Signature Full Crash.

According to Larry Mullen, Jr.'s Paiste artist page, he uses the 22" Signature Power Ride.

According to Larry Mullen, Jr.'s Paiste artist page, he uses the 14" Signature Heavy Hi-Hat.

According to this transcription of a February 1982 issue of U2 Magazine, "Larry has a somewhat unusual drum set up. Not that the kit itself was unusual, but it was arranged in an unusual manner and had several unusual extras. The basic kit is a very impressive all black Tama Fiberstar - all single headed, and including a 24" kick drum, 16" and 18" floor toms, and a selection of rather deep rack toms. The snare was a Ludwig 14"x61 " steel shell and he also has a pair of Latin Percussion Timbale. The cymbals comprised Zildjian 18" thin ride; 18" thin crash; 18" medium crash; 18" pang and 21" ride, with Paiste 14" hi-hats on a Premier Trilock pedal. The rest of the stands are Tama. The kit is miked using Sennheiser 421's for the kick and the floor toms, Shure SM57's for rack toms and snare, Electro-voice RE10 on the hi-hat and AKG D190's on the rest. No overhead mikes."

According to this transcription of a February 1982 issue of U2 Magazine, "Larry has a somewhat unusual drum set up. Not that the kit itself was unusual, but it was arranged in an unusual manner and had several unusual extras. The basic kit is a very impressive all black Tama Fiberstar - all single headed, and including a 24" kick drum, 16" and 18" floor toms, and a selection of rather deep rack toms. The snare was a Ludwig 14"x61 " steel shell and he also has a pair of Latin Percussion Timbale. The cymbals comprised Zildjian 18" thin ride; 18" thin crash; 18" medium crash; 18" pang and 21" ride, with Paiste 14" hi-hats on a Premier Trilock pedal. The rest of the stands are Tama. The kit is miked using Sennheiser 421's for the kick and the floor toms, Shure SM57's for rack toms and snare, Electro-voice RE10 on the hi-hat and AKG D190's on the rest. No overhead mikes."

According to this transcription of a February 1982 issue of U2 Magazine, "Larry has a somewhat unusual drum set up. Not that the kit itself was unusual, but it was arranged in an unusual manner and had several unusual extras. The basic kit is a very impressive all black Tama Fiberstar - all single headed, and including a 24" kick drum, 16" and 18" floor toms, and a selection of rather deep rack toms. The snare was a Ludwig 14"x61 " steel shell and he also has a pair of Latin Percussion Timbale. The cymbals comprised Zildjian 18" thin ride; 18" thin crash; 18" medium crash; 18" pang and 21" ride, with Paiste 14" hi-hats on a Premier Trilock pedal. The rest of the stands are Tama. The kit is miked using Sennheiser 421's for the kick and the floor toms, Shure SM57's for rack toms and snare, Electro-voice RE10 on the hi-hat and AKG D190's on the rest. No overhead mikes."

According to the website U2 Atomic, Larry Mullen, Jr. used a Shure Beta 52 to mike his B-stage bass drum during U2's Joshua Tree tour.