Luke Reynolds

"This will be my favorite electric guitar on the road, this is a 1961 Silvertone Jupiter." - Luke Reynolds fat 6:30 of this "Rig Rundown" with Premier Guitar.

Premier Guitar writes "Next up is Reynolds’ 2002 Gibson ES-355, which is strung with D’Addario .011s and has Lollar pickups—an Imperial humbucker in the bridge, and a Charlie Christian in the neck. Reynolds replaced the nut and added a Tune-o-matic bridge, Bigsby, and Grover Vintage Deluxe tuners." in this article. This guitar is shown at 12:00 of this "Rig Rundown".

At 10:47 Mr. Reynolds shows off his root beer colored 2014 Bedell Earthsong Orchestra model. He also explains why when it comes to acoustics he exclusively plays Bedell Earthsong guitars.

Jazzmaster can be seen in this instagram post.

Coodercaster seen in this instagram post.

Custom 17" Steve Reynolds custom archtop guitar. 2001.

At 15:32 Luke brings out his Vox AC15H1TV amp that's used on tour. Luke puts some love into the amp and says "I just replaced the speaker with a made in Kentucky Eminence 12 inch, and went through and replaced all the power tubes and pre-amp tubes."

A great overhead shot of Luke's pedalboard is shown at 18:30 of this "Rig Rundown". In the lower right corner sits the Peterson Stomp Classic strobe tuner. Luke says about the tuner "I am completely addicted to (it), I can’t live without."

"I rely heavy on this Soul Food right here" - Luke Reynolds at 18:30 of this "Rig Rundown".

Luke starts to talk about how he sets up and runs his pedalboard at 19:25 and starts with the Boss GE-7. "The only pedal that stays on 100% of the time is this EQ pedal - for just a little bit of mid boost at the end of your signal change."

At 19:56 Luke plays us a lick through his Fuzz Factory and mentions that he uses it both live and in the studio.

Luke has what looks to be an older vintage model of the ZVex Super Duper pedal. At 20:22 Luke mentions that he uses this for a clean channel.

Luke quickly mentions his volume pedal at 21:30, and Premier Guitar confirms it as an Ernie Ball specifically in this accompanying article.

We get to hear how Luke uses The MXR Carbon Analog Delay at 21:35.

As the camera zooms in on the Line 6 Verbzilla at 22:00, Luke plays us what this particular effect sounds like.

The Boss CS-3 Compressor is on top of the Voodoo Lab Pedal Power 2+ Power Supply at 20:14 of this video. This article writes "A Voodoo Lab Pedal Power 2 Plus supplies the juice, and Mogami cables tie everything together."

At 18:30 on the left side at the bottom of the pedalboard is the Line 6 DL4 Delay Modeler.

At 18:30 Mr. Reynolds displays his pedalboard and in the right corner directly to the left of the ZVex Fuzz Factory sits the Boss CS-3 Compressor.

"I have another Klon Centaur clone. Carissa Snatcher in Greenpoint, Brooklyn builds these Klon Centaur clones called Snatchtronics and I have her version of the Centaur clone on my studio board."

"In all honesty, there's so many wonderful delays out there right now. I like my vintage Memory Man still."

Visible in this Instagram post by Guster.

Visible in this Instagram post by Guster.

At the 1:18 mark Mr. Reynolds displays a 1965 short-scale Teisco NB4 (strung with La Bella flatwounds) that was rebuilt and rewired by Reynolds’ father. More information can be found at Premier Guitar.

At 4:02 Luke displays another bass he uses while on tour, a 1973 Fender P. Luke says about this bass "I prefer as much grit as possible on a bass so I love overdriving it at the head and then also with fuzz in addition."

Used in the production of Guster's Evermotion. Visible at 1:47.

1967 Daphne Blue Fender Mustang bass seen in this instagram post.

1966 Harmony H22 bass as seen in this instagram post.