Mitch Easter

Photos of Mitch Easter playing a Rickenbacker 330.

“'Break Through' is a ’68 SG Special plugged straight into a 1975 Marshall 100-watt Super Lead with 6550s, and the lead lines are a ’79 Tokai Les Paul Reborn through a Carr Mercury."

"'Break Through' is a ’68 SG Special plugged straight into a 1975 Marshall 100-watt Super Lead with 6550s, and the lead lines are a ’79 Tokai Les Paul Reborn through a Carr Mercury."

“'Break Through' is a ’68 SG Special plugged straight into a 1975 Marshall 100-watt Super Lead with 6550s, and the lead lines are a ’79 Tokai Les Paul Reborn through a Carr Mercury."

Feature on the official Mu-Tron artist page.

Feature on the official Mu-Tron artist page.

In the video "Gear Club Episode #94: The Gear and the Garage with Mitch Easter," at 4:14, co-host John, who has worked at Mitch Easter's Fidelitorium studio, discusses using Sennheiser MD 421 and e604 microphones on the bass drum and inside the toms, based on Mitch Easter's recommendation.

In the Gear Club Podcast episode titled "The Gear and the Garage with Mitch Easter" at 5:37, Mitch Easter confirms the presence of an AMEK Angela 28-Input 24-Bus Inline Recording / Mixing Console in his Fidelitorium studio.

In the Gear Club Podcast episode titled "The Gear and the Garage with Mitch Easter," Mitch Easter discusses his preference for using the JBL Studio 530 bookshelf speakers in his studio for nearfield monitoring. This conversation occurs at 17:40 in the video interview hosted on YouTube by Gear Club Podcast. He states:

I swear I like them as well as anything I've had in that room they get loud they've got enough base they got enough top they don't sound weird.

In the Gear Club Podcast episode titled "The Gear and the Garage with Mitch Easter," Mitch Easter mentions using JBL 4401 Control Monitor Speakers at 18:33 while comparing them with his JBL Studio 530 bookshelf speakers.

In the Gear Club Podcast episode titled "The Gear and the Garage with Mitch Easter," Mitch Easter is seen at 20:09 discussing his preference for mixing on Amphion One15 Passive Studio Monitors in his old shed, as opposed to primarily using the JBL Studio 530 speakers in his Fidelitorium studio. This information is provided by the Gear Club Podcast, hosted on YouTube.

In the Gear Club Podcast episode titled "The Gear and the Garage with Mitch Easter," at the 3:18 mark, a photograph of the control room in Mitch Easter’s Fidelitorium studio clearly shows a pair of Avantone Pro MixCube Active Powered Studio Monitors placed on top of the mixing desk.