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Average Price: $2,376

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$300

$801+

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Description

Unleash the power of classic rock with the Marshall Super Lead 100-Watt Head. Revered by guitar legends for its robust sound and remarkable tonal versatility, this amplifier head is a cornerstone in the evolution of rock music. Known for its iconic all-valve design, it delivers a timeless, harmonically rich tone that has defined the sound of generations.

The Super Lead 100-Watt Head features a quartet of EL34 power valves, providing an unmistakable punch and dynamic range. Its dual-channel capability allows for seamless transitions between clean and overdriven tones, making it perfect for any style—from the crisp, articulate sounds of blues to the heavy, saturated tones of metal. The addition of three ECC83 preamp valves ensures that your sound remains pristine, even at high gain levels.

Built with the touring musician in mind, the Marshall Super Lead 100-Watt Head is housed in a robust, road-ready casing that can withstand the rigors of life on the road. Its master volume control offers precise adjustments, making it easier than ever to dial in your perfect sound. Whether you're playing in a small club or a large stadium, this amplifier head has the power and flexibility to meet your needs.

Key Features:

  • 100-watt all-valve head
  • EL34 power valves and ECC83 preamp valves
  • Dual-channel design for clean and overdriven tones
  • Master volume control for precise sound adjustments
  • Road-ready construction with a durable casing
  • Ideal for a range of music styles from blues to metal
Guitar Hangar - Lessons, Rentals, Repairs, and More

Guitar Hangar - Lessons, Rentals, Repairs, and More

Vintage Marshall Super Lead 100 Watt Amp Head Demo | Guitar Hangar

Video thumbnail for Vintage Marshall Super Lead 100 Watt Amp Head Demo | Guitar Hangar by Guitar Hangar - Lessons, Rentals, Repairs, and More

Vintage Marshall Super Lead 100 Watt Amp Head Demo | Guitar Hangar

Guitar Hangar - Lessons, Rentals, Repairs, and More

Guitar Hangar - Lessons, Rentals, Repairs, and More

Video thumbnail for Vintage 1972 Marshall Super Lead 100 Amp Head Demo AC/DC and More! by Brad

Vintage 1972 Marshall Super Lead 100 Amp Head Demo AC/DC and More!

Brad

Brad

Reviews

Owner Insights

We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Marshall Super Lead 100-Watt Head.

Build quality

  • The presence of a laydown power transformer is notably rare, seen in some 1975 models.

    Source
  • The circuit board is not made of aluminum; it's the front control panel with volume and tone knobs that has this finish.

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Features and functionality

  • Older models typically have four speaker outputs, while some later versions, like a 1975, feature only two.

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  • The Super Bass typically has a shared cathode on the first gain stage, while the Super Lead has a split cathode, offering slightly more gain.

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  • Anti-slip pads are recommended to prevent the amp from moving due to its powerful vibrations when cranked up.

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Setup and maintenance

  • Checking the transformers and pots for date codes can help pinpoint the production year of the amp.

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Mods and upgrades

  • Switching from 6550 to EL34 power tubes is recommended by owners to achieve the classic Marshall tone.

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  • Modifying a Super Lead to switch to a Super Bass setup involves changing the V1A cathode cap/resistor, tonestack, and PI coupling caps.

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  • A master volume mod, typically bypassable, is often added to these amps for better volume control without sacrificing authenticity.

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  • Adding an effects loop and an extra speaker output are common mods that enhance the Super Lead's functionality.

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User experience

  • A Fryette Power Station can effectively attenuate the Super Lead’s volume, making it more suitable for home use without sacrificing tone.

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Comparisons

  • The Super Bass, with higher headroom, is described as a step towards Hiwatt-like clarity, but still retains a thicker, JTM45-like tonal character.

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  • The OR50 is considered by some to surpass the Rockerverb in sound quality, though the OR100 with its switchable power levels offers unique convenience.

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Use cases and applications

  • The Super Bass is noted for its suitability in achieving Malcolm Young’s rhythm guitar tone, as heard on AC/DC's "Ball Breaker" album.

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  • It's noted that the amp can be impractically loud, making it challenging to achieve natural overdrive at manageable volumes.

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Critic Reviews

Legendary Tones - 100 Watt Marshall Super Lead

legendarytones.com

The Marshall Super Lead 100-Watt Head is heralded as the quintessential amplifier for iconic rock tones, revered by legends like Hendrix and Page. Its simple, hand-wired design and dynamic distortion characteristics make it a staple for achieving classic soundscapes. However, its lack of pre-amp or gain control requires ear-splitting volumes to unlock its full potential, limiting its practicality in today's volume-conscious environments. Despite this, its historical significance and tonal prowess still make it a coveted piece for those who can accommodate its demands.

positive

5.0 out of 5

Based on 1 Review and 10 Ratings

5 star
4 star
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1 star
nikkiangelus

An OK-sounding vintage amp.

Let's face it: You can never quite go wrong with a Marshall since it's been the quintessential rock tone for what, 50-60 years now? This particular amp would be great if it wasn't for the outdated design, though. It looks and sounds good, but has only one measly channel. In order to push any drive out of it, you have to crank it all the way up to 11 and this motherfucker LOUD! There's no way a sane person would use it live without reamping it.

In a nutshell: The vintage points are cool and it's hot crunch sounds great in the studio, but there are a tons of newer amps that are capable of doing the same thing without bursting an eardrum.

jimmarchi1

ummm, a superlead has 2 channels, normal and bright? I've owned many, used to be my amp of choice when I played big venues, definitely 2 channels, split cathodes into a mixer gain stage, shared cathode follower tweed bassman EQ and then into the power section. do you mean it doesn't have independent EQ? Its just for fien tailoring, this is an amp where you start with everything but presence at 10 and turn down from there until it sounds right in the room you're playing.

jimmarchi1

its really loud, yes, but in a 500+ seat venue you don't even need any attenuation, its just enough level where you don't need to waste floor wedge headroom on your own guitar sound and you can have it full of kick, snare and bass guitar

its a specific tool for a specific job.... I got rid of my superleads because in my current situation, even with a little hotplate attenuation, the rooms they would be in are so small that any living thing standing directly in line with the cab will evaporate into the atmosphere as plasma... but in a big space where the sound can diffuse and there's a few hundred tightly packed bodies absorbing up the high frequency reflections? not that loud.... I would also debate that there are master volume amps that cop the sound.... I've heard close but the feel is never there and if you DO wanna turn up in a big space then you lose something because of all the extra preamp gain. Some of the Soldano's get close to a JMP version and the bogner stuff gets plexi-ish in the right mode or whatever, but this is one of those eleusive sounds, especially because every superlead sounds different. I've never used 2 that sounded the same. I ahd 4 of them in the studio at once and every single one was very different whereas an 800, 900 or a 90 Laney is pretty consistent amp to amp even with different tubes and biasing.

also, you can rebias this amp (and almost any other EL34 amp that runs 700v or less plate voltage) for JJ's very robust 6V6es and run it at 1/2 impedance to make it a fire breathing 30 watter. I've tried this toconvert one of my 50 waters into a 15 watt head for home recording with great results. Its an easy, non-destructive mod.

Artist usage

Add artist
See how James Hetfield uses Marshall Super Lead 100-Watt Head

James Hetfield

Singer, Guitarist

Metallica

...
Verified via guitarworld

Metallica producer Greg Fidelman has revealed that James Hetfield relied on a “legendary” Marshall head – modded by Eddie Van Halen’s amp guru José Arredondo – for almost every track on Metallica’s new album, 72 Seasons.

Fidelman is interviewed by Total Guitar as part of its huge cover feature on the metal legends’ new record and was responding to a prompt about the band’s more British-style tone on the record when he mentioned the guitar amp.

“James has always had one of the legendary José Arredondo-modded Marshalls, a late-’60s/early-’70s Superlead head,” says Fidelman.

“When we did Hardwired... [To Self Destruct in 2016] it wasn’t working very well. When we started this album, I had a re-invigorated interest in this head. I was talking with Dave Friedman, who is very familiar with those old José mods, and he fixed it.

“When I got it back, I told James I thought it sounded insane, and he got really excited about it. It ended up on every song. I think that’s what you’re hearing.”

See how Billie Joe Armstrong uses Marshall Super Lead 100-Watt Head

Billie Joe Armstrong

Singer, Guitarist

Green Day

...
Verified via YouTube

At 9:00 in this rig rundown of Green Day, you can see that on the back of the Marshall heads it says "Super Lead 100" and it is one of what is probably many amplifiers that Billie uses that has the "Dookie Mod" installed in it.

See how Joe Satriani uses Marshall Super Lead 100-Watt Head

Joe Satriani

Guitarist

Mark Knopfler’s Guitar Heroes

...
Verified via Bananas at Large®

2008 and 2016 models, both with the “Dexter Satch Mod”, are listed for sale on Bananas at Large’s website. The second one can be found here.

See how Jeff Beck uses Marshall Super Lead 100-Watt Head

Jeff Beck

Guitarist

Mark Knopfler’s Guitar Heroes

...
Verified via guitarworld

Beck had switched to Marshall Super Leads by this point, aided by a wah pedal and a mysterious boost pedal that’s often discussed by Beck gear cognoscenti.

See how Josh Klinghoffer uses Marshall Super Lead 100-Watt Head

Josh Klinghoffer

Singer, Guitarist

Pearl Jam

...
Verified via Premierguitar

In an article by Premier Guitar, Josh Klinghoffer's Marshall Super Lead 100-Watt Head, a classic amplifier from the '60s, is featured in the gear section.

See how Frank Iero uses Marshall Super Lead 100-Watt Head

Frank Iero

Singer, Guitarist

My Chemical Romance

...
Verified via YouTube

At 13:33 in the Premier Guitar YouTube video titled "My Chemical Romance Rig Rundown with Frank Iero, Ray Toro & Mikey Way," Frank Iero's technician, James Bowman, is shown discussing the amplifiers used by Frank Iero. He specifically highlights a pair of purple-colored Marshall Super Lead 100-Watt Heads as part of Iero's setup.

See how Graham Coxon uses Marshall Super Lead 100-Watt Head

Graham Coxon

Guitarist

Blur

...
Verified via Photo

As shown in this Guitar Geek rig diagram, Graham uses two Marshall Super Lead amp heads.

See how Michael Clifford uses Marshall Super Lead 100-Watt Head

Michael Clifford

Singer, Guitarist

5 Seconds Of Summer

...
Verified via YouTube

At 0:28 seconds you can see him stood in front of a wall of Marshall playing through a Marshall Super Lead

See how Omar Rodríguez-López uses Marshall Super Lead 100-Watt Head

Omar Rodríguez-López

Guitarist, Bassist

At the Drive-In

...
Verified via YouTube

At around the 1:45 mark in the YouTube video titled "The Mars Volta - At The Drive In - Omar Rodriguez Lopez - Gear Rundown - Guitars, Amps, Pedals" by Future Sound Music, it is shown that Omar Rodríguez-López uses the Marshall Super Lead 100-Watt Head.

See how Vic Fuentes uses Marshall Super Lead 100-Watt Head

Vic Fuentes

Singer, Guitarist

Pierce the Veil

...
Verified via YouTube

The white amp displayed in the video is based off of an old Marshall super lead that was built by Vic's guitar tech. With various mods mentioned including, a gain mod, and a tone mod to tighten up the distortion. Vic explicitly states that he likes to keep the amp mostly a secret.

See how Mark Morton uses Marshall Super Lead 100-Watt Head

Mark Morton

Guitarist

Lamb of God

...
Verified via Photo

Mark Morton showcases a 1969 Marshall Super Lead 100-Watt Head with a matching 4x12 cabinet in an Instagram post, highlighting its use alongside an early 1969 Gibson Les Paul Standard.

See how Keith Urban uses Marshall Super Lead 100-Watt Head

Keith Urban

Guitarist, Bassist

Artists of Then, Now & Forever

...
Verified via Premier Guitar

Keith Urban utilizes the Marshall Super Lead 100-Watt Head to achieve his signature tone. According to John Bohlinger from Premier Guitar's "Keith Urban Rig Rundown for High and Alive Tour 2025," Urban’s setup includes a pair of 100-watt Marshall Super Lead JMPs which are crucial in delivering overdriven tones. These amplifiers are consistently cranked with the gain set around 7, driving a vintage checkerboard Marshall 4x12 cabinet loaded with Celestion G12H-150 Redbacks.

Genre Usage

Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.

Used With

Based on how musicians on Equipboard use Marshall Super Lead 100-Watt Head, it is most commonly used with the following gear.

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Community setups

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jimmarchi1

jimmarchi1

Gear IQ 41029

fazliemreguven

fazliemreguven

Gear IQ 238

1 alternative for Marshall Super Lead 100-Watt Head, curated by the Equipboard community.

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