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Average Price: $2,376
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$300
$801+
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Description
Unleash the power of classic rock with the Marshall Super Lead 100-Watt Head. Revered by guitar legends for its robust sound and remarkable tonal versatility, this amplifier head is a cornerstone in the evolution of rock music. Known for its iconic all-valve design, it delivers a timeless, harmonically rich tone that has defined the sound of generations.
The Super Lead 100-Watt Head features a quartet of EL34 power valves, providing an unmistakable punch and dynamic range. Its dual-channel capability allows for seamless transitions between clean and overdriven tones, making it perfect for any style—from the crisp, articulate sounds of blues to the heavy, saturated tones of metal. The addition of three ECC83 preamp valves ensures that your sound remains pristine, even at high gain levels.
Built with the touring musician in mind, the Marshall Super Lead 100-Watt Head is housed in a robust, road-ready casing that can withstand the rigors of life on the road. Its master volume control offers precise adjustments, making it easier than ever to dial in your perfect sound. Whether you're playing in a small club or a large stadium, this amplifier head has the power and flexibility to meet your needs.
Key Features:
- 100-watt all-valve head
- EL34 power valves and ECC83 preamp valves
- Dual-channel design for clean and overdriven tones
- Master volume control for precise sound adjustments
- Road-ready construction with a durable casing
- Ideal for a range of music styles from blues to metal
Videos
Guitar Hangar - Lessons, Rentals, Repairs, and More
Vintage Marshall Super Lead 100 Watt Amp Head Demo | Guitar Hangar
Reviews
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Marshall Super Lead 100-Watt Head.
Build quality
Features and functionality
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Older models typically have four speaker outputs, while some later versions, like a 1975, feature only two.
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The Super Bass typically has a shared cathode on the first gain stage, while the Super Lead has a split cathode, offering slightly more gain.
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Anti-slip pads are recommended to prevent the amp from moving due to its powerful vibrations when cranked up.
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Setup and maintenance
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Checking the transformers and pots for date codes can help pinpoint the production year of the amp.
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Mods and upgrades
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Switching from 6550 to EL34 power tubes is recommended by owners to achieve the classic Marshall tone.
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Modifying a Super Lead to switch to a Super Bass setup involves changing the V1A cathode cap/resistor, tonestack, and PI coupling caps.
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A master volume mod, typically bypassable, is often added to these amps for better volume control without sacrificing authenticity.
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Adding an effects loop and an extra speaker output are common mods that enhance the Super Lead's functionality.
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User experience
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A Fryette Power Station can effectively attenuate the Super Lead’s volume, making it more suitable for home use without sacrificing tone.
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Comparisons
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The Super Bass, with higher headroom, is described as a step towards Hiwatt-like clarity, but still retains a thicker, JTM45-like tonal character.
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The OR50 is considered by some to surpass the Rockerverb in sound quality, though the OR100 with its switchable power levels offers unique convenience.
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Use cases and applications
Critic Reviews
5.0 out of 5
Based on 1 Review and 10 Ratings
703
An OK-sounding vintage amp.
Let's face it: You can never quite go wrong with a Marshall since it's been the quintessential rock tone for what, 50-60 years now? This particular amp would be great if it wasn't for the outdated design, though. It looks and sounds good, but has only one measly channel. In order to push any drive out of it, you have to crank it all the way up to 11 and this motherfucker LOUD! There's no way a sane person would use it live without reamping it.
In a nutshell: The vintage points are cool and it's hot crunch sounds great in the studio, but there are a tons of newer amps that are capable of doing the same thing without bursting an eardrum.
41029
ummm, a superlead has 2 channels, normal and bright? I've owned many, used to be my amp of choice when I played big venues, definitely 2 channels, split cathodes into a mixer gain stage, shared cathode follower tweed bassman EQ and then into the power section. do you mean it doesn't have independent EQ? Its just for fien tailoring, this is an amp where you start with everything but presence at 10 and turn down from there until it sounds right in the room you're playing.
41029
its really loud, yes, but in a 500+ seat venue you don't even need any attenuation, its just enough level where you don't need to waste floor wedge headroom on your own guitar sound and you can have it full of kick, snare and bass guitar
its a specific tool for a specific job.... I got rid of my superleads because in my current situation, even with a little hotplate attenuation, the rooms they would be in are so small that any living thing standing directly in line with the cab will evaporate into the atmosphere as plasma... but in a big space where the sound can diffuse and there's a few hundred tightly packed bodies absorbing up the high frequency reflections? not that loud.... I would also debate that there are master volume amps that cop the sound.... I've heard close but the feel is never there and if you DO wanna turn up in a big space then you lose something because of all the extra preamp gain. Some of the Soldano's get close to a JMP version and the bogner stuff gets plexi-ish in the right mode or whatever, but this is one of those eleusive sounds, especially because every superlead sounds different. I've never used 2 that sounded the same. I ahd 4 of them in the studio at once and every single one was very different whereas an 800, 900 or a 90 Laney is pretty consistent amp to amp even with different tubes and biasing.
also, you can rebias this amp (and almost any other EL34 amp that runs 700v or less plate voltage) for JJ's very robust 6V6es and run it at 1/2 impedance to make it a fire breathing 30 watter. I've tried this toconvert one of my 50 waters into a 15 watt head for home recording with great results. Its an easy, non-destructive mod.
Artist usage
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Metallica producer Greg Fidelman has revealed that James Hetfield relied on a “legendary” Marshall head – modded by Eddie Van Halen’s amp guru José Arredondo – for almost every track on Metallica’s new album, 72 Seasons.
Fidelman is interviewed by Total Guitar as part of its huge cover feature on the metal legends’ new record and was responding to a prompt about the band’s more British-style tone on the record when he mentioned the guitar amp.
“James has always had one of the legendary José Arredondo-modded Marshalls, a late-’60s/early-’70s Superlead head,” says Fidelman.
“When we did Hardwired... [To Self Destruct in 2016] it wasn’t working very well. When we started this album, I had a re-invigorated interest in this head. I was talking with Dave Friedman, who is very familiar with those old José mods, and he fixed it.
“When I got it back, I told James I thought it sounded insane, and he got really excited about it. It ended up on every song. I think that’s what you’re hearing.”
At 9:00 in this rig rundown of Green Day, you can see that on the back of the Marshall heads it says "Super Lead 100" and it is one of what is probably many amplifiers that Billie uses that has the "Dookie Mod" installed in it.
2008 and 2016 models, both with the “Dexter Satch Mod”, are listed for sale on Bananas at Large’s website. The second one can be found here.
Beck had switched to Marshall Super Leads by this point, aided by a wah pedal and a mysterious boost pedal that’s often discussed by Beck gear cognoscenti.
In an article by Premier Guitar, Josh Klinghoffer's Marshall Super Lead 100-Watt Head, a classic amplifier from the '60s, is featured in the gear section.
At 13:33 in the Premier Guitar YouTube video titled "My Chemical Romance Rig Rundown with Frank Iero, Ray Toro & Mikey Way," Frank Iero's technician, James Bowman, is shown discussing the amplifiers used by Frank Iero. He specifically highlights a pair of purple-colored Marshall Super Lead 100-Watt Heads as part of Iero's setup.
As shown in this Guitar Geek rig diagram, Graham uses two Marshall Super Lead amp heads.
At 0:28 seconds you can see him stood in front of a wall of Marshall playing through a Marshall Super Lead
At around the 1:45 mark in the YouTube video titled "The Mars Volta - At The Drive In - Omar Rodriguez Lopez - Gear Rundown - Guitars, Amps, Pedals" by Future Sound Music, it is shown that Omar Rodríguez-López uses the Marshall Super Lead 100-Watt Head.
The white amp displayed in the video is based off of an old Marshall super lead that was built by Vic's guitar tech. With various mods mentioned including, a gain mod, and a tone mod to tighten up the distortion. Vic explicitly states that he likes to keep the amp mostly a secret.
Mark Morton showcases a 1969 Marshall Super Lead 100-Watt Head with a matching 4x12 cabinet in an Instagram post, highlighting its use alongside an early 1969 Gibson Les Paul Standard.
Keith Urban utilizes the Marshall Super Lead 100-Watt Head to achieve his signature tone. According to John Bohlinger from Premier Guitar's "Keith Urban Rig Rundown for High and Alive Tour 2025," Urban’s setup includes a pair of 100-watt Marshall Super Lead JMPs which are crucial in delivering overdriven tones. These amplifiers are consistently cranked with the gain set around 7, driving a vintage checkerboard Marshall 4x12 cabinet loaded with Celestion G12H-150 Redbacks.
Album Usage
The Marshall Super Lead 100-Watt Head has been featured on the following albums:
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Marshall Super Lead 100-Watt Head, it is most commonly used with the following gear.
Community setups
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