Miyavi

In the image sourced from Freethetone, Miyavi's stage setup includes the Marshall JVM210H 100-Watt Tube Amplifier Head among three sets of amplifiers. He selects an acrylic resin board based on the stage size for optimal performance.

Miyavi's main amp. Most of the sound comes out of this amp. Though he may use a Marshall amp in some lives as substitution of the Super Sonic.

The Super-Sonic series: High-performance, no-nonsense tube amps that create unmistakable Fender clean tones and expressive modern high-gain tones without masking the tonal character of the player’s guitar. The new 100-watt Super-Sonic Twin combo contains several sonically versatile new features, including an Arena/Club switch that takes the power down to 25 watts (to preserve its great high-volume tube tone at lower “club gig” volume levels); a Notch Tune control that lets you move the midrange notch and fine-tune the distortion characteristics for a variety of American and British amp sounds; a rear-panel damping control that lets you select “normal,” “loose” or “tight” speaker response for sounds ranging from warm and loose to tight and focused; and the new Fender Automatic Bias control, which lets you easily set the output tubes to the recommended factory setting and to your preference of “hotter” or “cooler” bias with no need for meters or tools.

Another amp of Miyavi's equipments. All sound through the two Timefactors, Roland SP-555, and Korg Kaoss Pad comes out of this amp.

Miyavi uses the Marshall Super Lead 1959 amplifier as the final output in his effects chain, which concludes with a Fuzz Factory. This setup is documented in an image shared on Instagram.

In this video we can see MIYAVI playingt the new Fender American Acoustasonic Telecaster through a Fender Bassbreaker™ 30R.

December 16, 2017 MIYAVI uses the ’64 Custom Deluxe Reverb in Japan.