Neeraj Khajanchi

Neeraj Khajanchi uses the Golden Age Project GA-8000 Large-diaphragm Tube Condenser Microphone, as mentioned in a tweet by @kingneeraj. The tweet reflects on a nostalgic recording session, noting that the same microphone was used a decade ago, underscoring its enduring quality and relevance. Known for its active semiconductor cooling system and ability to capture high-frequency details with clarity, the GA-8000 is favored in modern hip-hop, pop, and R&B productions.

Neeraj Khajanchi uses the Brauner VM1 Multipattern Valve Tube Microphone, as mentioned in a tweet by @kingneeraj. The tweet reflects on a recording session, highlighting the microphone's role in capturing high-resolution sound with its versatile pattern control and crystal-clear audio quality.

Neeraj Khajanchi uses the Chandler Limited REDD Microphone, a vacuum tube condenser mic renowned for its vintage sound. This microphone, a collaboration between EMI/Abbey Road Studios and Chandler Limited, blends traditional large-diaphragm characteristics with the iconic REDD console's vintage tone. Neeraj's tweet reflects on using this microphone, evoking a sense of nostalgia from a decade ago when he first used it during a recording session with Namie Amuro.

Neeraj Khajanchi uses the Neumann U67 condenser microphone, a reissue known for capturing the coveted "67 sound" reminiscent of the 1960s. This premium microphone, utilized by Khajanchi in a recent recording session, features switchable directivity and a frequency range of 20Hz-20kHz, making it ideal for professional studio work. The source of this information is a tweet by Neeraj, where he mentions using the same microphone he employed a decade ago, highlighting its enduring quality and relevance in his recordings.

Neeraj Khajanchi uses the FLEA 47 microphone, a meticulously crafted replica of the classic U47. This microphone features the F7 capsule, a replica of the original M7 capsule, and utilizes TELEFUNKEN EF12 or E80F tubes, known for their longevity and sound quality. The FLEA 47 is versatile, suitable for various recording applications, and is constructed with a nickel-plated duraluminium body. The microphone set includes a wooden box, cable, shock mount, and power supply. Neeraj recently mentioned on Twitter that he used this microphone during a recording session, highlighting its continued relevance in his studio work.

Neeraj Khajanchi used the Upton Microphones 251 Large Diaphragm Multipattern Tube Condenser Microphone during a recent recording session, as mentioned in a tweet by @kingneeraj. This microphone is renowned for its faithful reproduction of the classic Telefunken Ela M 251 sound, which was originally manufactured by AKG in the 1960s. The Upton 251, featuring a meticulously developed CK12 capsule and T14 transformer, is celebrated for its exceptional quality, making it a sought-after choice for capturing vintage microphone tones.

Neeraj Khajanchi has highlighted his use of the SP-MP500, an API 500 series compatible mic preamp module, known for its flat frequency response and exceptional fidelity. In a recent Twitter post, he praised its unparalleled transient response and noted its key features, including a 3dB step gain selector, +66dB gain, and a machined aluminum panel, making it both functional and aesthetically pleasing.

Neeraj Khajanchi uses the A Designs REDDI (v2) 2-channel Tube Instrument Direct Box, as indicated in a tweet from his account, @kingneeraj. This direct box is renowned for its ability to prevent phase shift and enhance the detail and presence of electronic instruments, including basses and stereo keyboards. Its bright red steel chassis is equipped with Neutrik XLR and 1/4" combo input jacks, balanced XLR outputs, a 0-16dB level control, and a ground lift switch. The REDDI-V2's all-tube circuitry and custom-made transformer deliver a wide frequency range (20Hz - 60kHz) and high sound quality.

Neeraj Khajanchi uses the API 560, a 10-band graphic equalizer known for its distinctive API sound and precision filtering. Originally developed for API mixing consoles in the 1960s and 70s, the 560 is celebrated for its compact size, high headroom, and ease of use. The reissued version incorporates modern technology while faithfully reproducing the original's design and acoustic characteristics. This unit's "proportional Q" design allows for precise audio adjustments, making it valuable for both studio and live settings. Neeraj shared his acquisition on Twitter, highlighting the unit’s unique blend of traditional and contemporary engineering.

Neeraj Khajanchi uses the Chandler Limited Little Devil Compressor, a versatile FET compressor known for its all-discrete, transformer-balanced design. This unit, inspired by the Germanium Compressor and NEVE 2264, features element-based compression curves by Zener and Germanium and includes a sidechain/filter with multiple frequency options. It’s compatible with all API 500 power racks and offers a Mix function for blending dry and wet sounds. Neeraj shared his ownership of this high-quality, American-made gear on Twitter.

Neeraj Khajanchi uses the API 500V, a versatile rack accessory for studio environments. It can accommodate up to ten API standard modules, making it ideal for integrating outboard EQ or mic pre modules. This setup is equipped with XLR input/output jacks and features a rugged chassis for durability. Neeraj mentioned purchasing this gear on Twitter, highlighting its recent addition to his studio collection.

Neeraj Khajanchi utilizes the Chandler Limited Little Devil EQ 500 Series 4-band Parametric Equalizer in his studio setup, as evidenced by his recent Twitter post. This versatile EQ offers switchable base frequencies at 60Hz and 110Hz, along with Hi-Mid and Lo-Mid EQ curves adjustable up to +/-18dB. Its API 500 compatible design features a traditional British-style, inductor-based section with multiple frequency selections, including a treble EQ at 12kHz and a vintage shelf EQ for treble and bass.

Neeraj Khajanchi uses the Chandler Limited TG12345 MKIV 500 Series Curve Bender Equalizer in his studio setup. This API500-compatible mono equalizer module, known for its "musical magic" and smooth texture, draws inspiration from the historic EMI TG12345 recording console. It features an intuitive control set with "Presence" and "Bass" adjustments, offering versatile frequency options. Neeraj mentioned his acquisition of this gear on Twitter, highlighting its role in his creative process.

Neeraj Khajanchi has added the Great River MP-500NV 500 Series Mic Preamplifier to his studio setup. This preamp is known for its ability to emulate the vintage sound of 1970s consoles. Khajanchi shared this update on Twitter, highlighting his latest gear acquisition.

Neeraj Khajanchi received the WesAudio ngBusComp as a birthday gift, as shared on his Twitter account. The ngBusComp is a next-generation stereo bus compressor known for its legendary sound, enhanced with digital recall and seamless DAW integration. This "full analog" compressor offers features like dual mono, stereo, and M/S modes, true analog sound, and total recall with plug-in control. With its advanced capabilities, including selectable output circuits and sidechain filters, the ngBusComp provides versatile and precise compression options suitable for professional studio recording.

Neeraj Khajanchi uses the Sony MDR-CD900ST headphones, a professional studio monitor model renowned for its advanced technology and exceptional sound quality. This is mentioned in a tweet by the artist, highlighting his focus on mixing and engineering.

Neeraj Khajanchi uses the AKG Quincy Jones Signature Series Q701 headphones, as mentioned in his Twitter post. These high-end open-air dynamic headphones are known for their high resolution and natural sound reproduction, making them ideal for recording and monitoring. Notable features include a flat wire voice coil, two-layer diaphragm, 3D foam earpads, and a genuine leather headband.

Neeraj Khajanchi, renowned for his work at NK SOUND TOKYO, utilizes the Audeze LCD-X Reference-Level Planar Magnetic Headphones. Featured in a YouTube video by ロサンゼルス音楽情報RA'Z CHANNEL, these headphones are noted for their low distortion, enhanced dynamics, and three-dimensional imaging, making them ideal for high-quality audio production. The open-back design and efficient planar magnetic drivers allow for a spacious sound without the need for a high-powered amp, catering to Neeraj's professional recording needs.

In a YouTube video by ロサンゼルス音楽情報RA'Z CHANNEL, Neeraj Khajanchi is shown using the Beyerdynamic DT 990 PRO headphones at his studio, NK SOUND TOKYO. These open-back headphones are renowned for their expansive sound field and precise audio reproduction, making them ideal for mixing and mastering. With a frequency range of 5 to 35,000Hz and a sensitivity of 96dB, the DT 990 PRO offers a well-balanced output from deep lows to transparent highs. The headphones feature a comfortable fit with large ear pads and a flexible headband, and they are crafted by hand in Germany with replaceable parts.

Neeraj Khajanchi is seen using the Sennheiser HD 650 headphones in a feature by ロサンゼルス音楽情報RA'Z CHANNEL on YouTube. Known for their high-resolution sound quality and comfort, the HD 650s offer a rich bass unexpected from open-back headphones, making them versatile for all music genres. These dynamic, open-type headphones have an impedance of 300Ω and a frequency response of 10 - 39,500Hz, ensuring a detailed listening experience.

In a YouTube video titled "わーだーさんのスタジオ訪問記〜NK SOUND TOKYO編〜," Neeraj Khajanchi is seen using the Ultrasone PRO 550 headphones. These closed dynamic headphones feature a 50mm Mylar driver, designed for professional monitoring with a frequency response of 10-22,000Hz, 64Ω impedance, and a 102dB output sound pressure level. The headphones also include a folding mechanism and weigh 295g, making them a versatile choice for studio use.

Neeraj Khajanchi utilizes the Prism Sound ADA-8XR Audio Interface with a 16-channel D/A for his Pro Tools HDX setup. This versatile interface offers customizable I/O configurations, supporting both analog and digital modules, and is compatible with various connection types, including FireWire and Thunderbolt. The interface supports sample rates up to 192kHz with a 24-bit quantization bitrate. This information is verified through a post by Neeraj on Twitter, where he shares his studio setup details.

Neeraj Khajanchi utilizes the McDSP APB-16 Analog Processing Box in his studio setup, as highlighted on his Twitter account. This versatile device merges software flexibility with analog quality, offering various processing options such as compressors, mastering limiters, and transient enhancers, all controllable via AAX, AU, or VST3 plug-ins.

Neeraj Khajanchi uses the Lavry Engineering AD122-96, a high-quality A/D converter known for its exceptional 24-bit digital audio conversion and 127dB dynamic range, ideal for recording and mastering studios. This model, part of Lavry's renowned Gold series, offers unparalleled detail and performance across various sampling rates. Neeraj's endorsement of this equipment is highlighted in a tweet from his account, where he discusses its role in his professional setup at NK SOUND TOKYO.

■Parametric Equalizer

BAX EQ was inspired by Peter Baxandall's traditional tone control, which has surpassed millions of hi-fi systems. The Dangerous Music design team carved a unique sound into this 1950s system, making it a new tool for recording, mixing and mastering in the 21st century.

Main features

・Silky, musical sound with consistent phase ・Step control with emphasis on precision and reproducibility ・Smooth shelving curve ・7-position high-pass/low-pass filter for accurate phase High/low frequency select 5db cut/boost controllable in 1/2dB increments Suitable for recording, mixing, mastering any situation No excessive processing of the sound source

Specification

Frequency Response: +- 0.1dB from 10Hz to 20kHz +- 0.2dB from 1Hz to 80kHz

Maximum level: >+28dBu

Noise floor: <-92dBu band limited from 22Hz-22kHz

THD+N: <0.002%

IMD: <0.003%

Crosstalk rejection: >105dB

Replacement Fuses: USA 500mA fast blow for 120V Europe 250mA fast blow for 240V

Input Impedance:25K Ohms Output Impedance:50 Ohms

Neeraj Khajanchi uses the Prism Sound Dream AD-2, a high-end A-D converter, as part of his studio setup. This device supports various input and output formats, including symmetrical XLR, AES/EBU, ADAT/TOSLINK, and RCA, and offers advanced features such as strong dithering options and multiple presets. Khajanchi shared this upgrade to his rack on Twitter, showcasing his commitment to high-quality sound processing.

Neeraj Khajanchi utilizes the SPL IRON Mastering Compressor as part of his upgraded studio rack setup. This is evidenced by his tweet, where he mentions enhancing his equipment at NKSOUNDTOKYO, alongside other high-end brands.

Neeraj Khajanchi is associated with the Chandler Limited RS660 Tube Compressor/Limiter, as seen in a tweet by user @kingneeraj. This piece of studio recording gear, inspired by the iconic Fairchild 660 used at EMI's Abbey Road Studios, offers advanced analog sound and dynamic control. The RS660 integrates the vintage charm of the Fairchild with modern flexibility, making it ideal for recording, mixing, and mastering.

Neeraj Khajanchi uses the Manley Reference Gold condenser microphone, as highlighted in a Twitter post by user kingneeraj. This microphone is renowned for its speed, airiness, and superior ultra-high frequency response. It features Manley Labs transformers for high sound quality and a nickel-laminated mu-metal case to prevent hum and interference. The microphone's directivity is adjustable between omni, cardioid, and figure-8 patterns, making it versatile for recording.

Artist Neeraj Khajanchi is associated with the Sym Proceed SP-MP2 preamp, as evidenced by a tweet from his Twitter account, @kingneeraj. The tweet features a photo implying his use of this high-quality studio recording gear.