Neil Landstrumm

Per his Attack Magazine interview:

" What else have I got? I have a Crane Song STC-8 outboard mastering compressor. I have a 909, but that just collects dust. I’ve got a nice Midas desk, and I’ve got a DX200, which I quite like."

Per Attack Magazine, Neil doesn't use his 909 much anymore:

"What else have I got? I have a Crane Song STC-8 outboard mastering compressor. I have a 909, but that just collects dust. I’ve got a nice Midas desk, and I’ve got a DX200, which I quite like."

Per Attack Magazine:

"Yeah, (my current setup is) kind of the big pieces and I never tire of them. I always come back to the core of the 808, the Jupiter-6 and the Pro-One."

Per his Attack Magazine interview:

"There’s two distinct setups, one for live and one for studio. The studio setup is the Jupiter-6, which I bought in a pawn shop in 1994 in Edinburgh and I think is my favourite piece, a Jupiter-8, an OSCar, a Sequential Circuits Pro-One…"

Per his interview with Attack Magazine:

"Yeah, it’s kind of the big pieces and I never tire of them. I always come back to the core of the 808, the Jupiter-6 and the Pro-One. The Jupiter-8, actually, although it’s a lovely piece and I think it’s the best looking synth, it’s a bit limited. It’s lovely and rich and does all those very 80s synth-pop sounds and can sound quite Radiophonic Workshop, but it can’t self-oscillate. It’s almost like it can’t get over the point you want it to."

Per Attack Magazine:

"There’s two distinct setups, one for live and one for studio. The studio setup is the Jupiter-6, which I bought in a pawn shop in 1994 in Edinburgh and I think is my favourite piece, a Jupiter-8, an OSCar, a Sequential Circuits Pro-One… The 808 is kind of the core to trigger the analogues. What else have I got? I have a Crane Song STC-8 outboard mastering compressor. I have a 909, but that just collects dust. I’ve got a nice Midas desk, and I’ve got a DX200, which I quite like."

Per Attack Magazine:

"There’s two distinct setups, one for live and one for studio. The studio setup is the Jupiter-6, which I bought in a pawn shop in 1994 in Edinburgh and I think is my favourite piece, a Jupiter-8, an OSCar, a Sequential Circuits Pro-One… The 808 is kind of the core to trigger the analogues. What else have I got? I have a Crane Song STC-8 outboard mastering compressor. I have a 909, but that just collects dust. I’ve got a nice Midas desk, and I’ve got a DX200, which I quite like... It sold terribly. For some reason, Yamaha decided to put a one-bar sequencer in it, but it’s the heart of two or three DX7s, so it’s incredibly powerful as a module. It’s so difficult to use – FM synthesisers all are – but it’s so powerful for bass, particularly the sort of Detroity techno stuff."

Per his Attack Magazine interview:

"There’s two distinct setups, one for live and one for studio. The studio setup is the Jupiter-6, which I bought in a pawn shop in 1994 in Edinburgh and I think is my favourite piece, a Jupiter-8, an OSCar, a Sequential Circuits Pro-One…"