Luke Slater

Planetary Assault Systems/Luke Slater using Elektron Analog Four live

Per this Attack Magazine feature, dated Dec 2, 2019:

Not only can he effortlessly rattle off his equipment list from a 20-years-previous tour, but he subsequently rattles off every piece of kit used in making his early Peacefrog records: “An Allen & Heath GS3, which is a 16 channel analogue board; an Akai S950, a TR-909, a chord reverb and a Korg Mono/Poly, a DX7, a Digital Audio Tape machine, and a pair of NS-10s,”

" Planetary Assault Systems/Luke Slater using Roland TR-909 Synced to Macs"

Per this Attack Magazine feature, Dec 2, 2019:

In the ‘90s, he toured with “like half a ton” of gear: “There was four SH-101s, a Jupiter-6, a 24 channel desk, a DX7, a vocoder, and everything was linked up via MIDI,” Slater says.

Per this Attack Magazine feature, Dec 2, 2019:

In the ‘90s, he toured with “like half a ton” of gear: “There was four SH-101s, a Jupiter-6, a 24 channel desk, a DX7, a vocoder, and everything was linked up via MIDI,” Slater says.

Per this photo from a June 28, 2018 feature for Future Music Magazine, a DX100 can be seen next to the black and Orange Arp Odyssey.

We use [Ableton] Live for our “live” shows amongst other equipment. I’’m also using Vestax VCM-600’s for the live show; these are great pieces of kit, very hands-on.

We use [Ableton] Live for our “live” shows amongst other equipment.

Per this Attack Magazine feature, Dec 2, 2019:

Not only can he effortlessly rattle off his equipment list from a 20-years-previous tour, but he subsequently rattles off every piece of kit used in making his early Peacefrog records: “An Allen & Heath GS3, which is a 16 channel analogue board; an Akai S950, a TR-909, a chord reverb and a Korg Mono/Poly, a DX7, a Digital Audio Tape machine, and a pair of NS-10s,”

Per this Attack Magazine feature, dated Dec 2, 2019:

Not only can he effortlessly rattle off his equipment list from a 20-years-previous tour, but he subsequently rattles off every piece of kit used in making his early Peacefrog records: “An Allen & Heath GS3, which is a 16 channel analogue board; an Akai S950, a TR-909, a chord reverb and a Korg Mono/Poly, a DX7, a Digital Audio Tape machine, and a pair of NS-10s,”

Per this Attack Magazine feature, Dec 2, 2019:

In the ‘90s, he toured with “like half a ton” of gear: “There was four SH-101s, a Jupiter-6, a 24 channel desk, a DX7, a vocoder, and everything was linked up via MIDI,” Slater says.

Per this Attack Magazine feature, dated Dec 2, 2019:

Not only can he effortlessly rattle off his equipment list from a 20-years-previous tour, but he subsequently rattles off every piece of kit used in making his early Peacefrog records: “An Allen & Heath GS3, which is a 16 channel analogue board; an Akai S950, a TR-909, a chord reverb and a Korg Mono/Poly, a DX7, a Digital Audio Tape machine, and a pair of NS-10s,”

Per this photo from a June 28, 2018 feature for Future Music Magazine, the artist can be seen with an OP-1.

Per this photo from a June 28, 2018 feature for Future Music Magazine, a Minimoog Model D can be seen in the background.

Per this photo from a June 28, 2018 feature for Future Music Magazine, the artist can be seen with a 25 key CME Xkey.

Per this photo from a June 28, 2018 feature for Future Music Magazine, a Korg Arp Odyssey in Mk3 black and orange can be seen in the background. This can be distinguished from an original MK3 odyssey by it's size relative to the Yamaha DX next to it, and the fact that it features metal end-caps (body side-metal) that have a bit of a lip/overhang. In the Odyssey's original run, that metal lip/flash on the end-caps was only on the Mk1 and 2 -- most MK3s, from what I can find online, had flush-styled sides.

Per this photo from a June 28, 2018 feature for Future Music Magazine, a TR-707 can be seen on the top shelf in the photo background.

Per this photo from a June 28, 2018 feature for Future Music Magazine, a DrumTraks can be seen on the third shelf in the background.

Per this photo from a June 28, 2018 feature for Future Music Magazine, the very righthand corner of a TR-808 can be seen next to the Sequential DrumTraks on the third shelf. The tiny bit of 808 showing is next to his shoulder. The distinctive white Tap-input button and the 4 white step buttons on the righthand side of the 808 are what give it away.