Noveller

In a user-uploaded image from Guitar.com, Noveller is seen using the Electro-Harmonix Metal Muff with Top Boost pedal during a 2011 gear review.

"But, starting with my album No Dreams, I broke away from the guitar-only records and started incorporating other instruments. While I was on the Iggy tour, I preordered the Electro-Harmonix MEL9 pedal. When I got back from the U.S. dates, it was waiting for me, and I used that so much on the new record, specifically, “Lone Victory Tonight” and “Emergence.”"

"My current setup includes 12 pedals. As flawed as it is, I couldn’t play without my Line 6 DL4 pedal. It’s how I create my loops and other trickery."

"I have eight in my current set-up, but I’m constantly swapping things out. I try not to add any, because I’m trying to be as compact and efficient as possible. Recently, I got the Eventide H-9, and it’s a square, white pedal with an LED screen. It’s really awesome; it allows me to access any preset Eventide has ever created and it can do reverb, delay, pitch shifting, harmonizing, it can do all these crazy things. It’s a compositional tool in itself."

"I’m also using the flute sound doing these pitch dives with the Boss PS5 pedal. I use the MEL9 cello sound on “Trails and Trials,” and the brass sound on “Loan Victory Tonight.”

"The Red Panda lineup that I used in my last video. They all fit together so beautifully. Some of the most creative tools out there. "

She's using the Empress Effects Zoia pedal in this video. She states that she's using the pedal.

Tell us about the Death By Audio Total Sonic Annihilation pedal "It has a send, return, output and input. I have it as the first pedal in my chain; the guitar goes directly into it. Then I have the Tube Screamer and Boss Bass overdrive pedal. Normally I also have an Electro-Harmonix Metal muff in the mix, but it is glitching out on me right now. I run all of the distortion pedals in the loop. The send goes to the Tube Screamer, then into the Bass Overdrive, then into my Tuner and back into the return. The output goes out into my volume pedal, then into the rest of my chain. The Annihilation has a switch and one knob on it. I keep the knob in a general region that will produce a feedback tone I need for one song. If I had different distortions in the loop, or different settings on the distortions, it would change the frequency of the feedback tone. Basically it just makes a feedback loop—some nasty sounds with whatever you are sending."

In the user-uploaded photo from Guitar, Noveller is shown using the Morley Little Alligator Volume Pedal during a performance.

In the photo titled "noveller_sarah2.jpg" from Guitar, Noveller's signal chain includes the Electro-Harmonix Freeze Sound Retainer.

"I am either using the Earthquaker devices Rainbow machine, or sometimes, in addition, the Soundtoys crystallizer plug-in. Sometimes I add that after the fact, but for the most part, it’s the Rainbow machine. I did get an Earthquaker Sea Machine and that’s my first chorus pedal. I am excited about that."

"I am either using the Earthquaker devices Rainbow machine, or sometimes, in addition, the Soundtoys crystallizer plug-in. Sometimes I add that after the fact, but for the most part, it’s the Rainbow machine. I did get an Earthquaker Sea Machine and that’s my first chorus pedal. I am excited about that."

"This week I got two Way Huge pedals: the Saucy Box overdrive and the Supa-Puss analog delay. I put both of those on there with the Spruce Effects Salt Water Fuzz and the Levitation reverb by Earthquaker. Of course, my Boomerang looper is also on there."

In the user-uploaded photo from Guitar, Noveller is shown using an Ibanez Tone-Lok TS7 Tube Screamer, highlighting its role in her setup.

In the provided photo from Guitar, Noveller is shown using the Moog Moogerfooger MF-105 MuRF, highlighting its role in her setup.

"This week I got two Way Huge pedals: the Saucy Box overdrive and the Supa-Puss analog delay. I put both of those on there with the Spruce Effects Salt Water Fuzz and the Levitation reverb by Earthquaker. Of course, my Boomerang looper is also on there."

"This week I got two Way Huge pedals: the Saucy Box overdrive and the Supa-Puss analog delay. I put both of those on there with the Spruce Effects Salt Water Fuzz and the Levitation reverb by Earthquaker. Of course, my Boomerang looper is also on there."