Orbital

its used at time 23.32

look at the clip at 016

"the faithful 909, thats been with us for.. oof donker years"

Included in equipment list

Included in equipment list

Included in equipment list

Included in equipment list

Included in equipment list

Included in equipment list

Included in equipment list

Included in equipment list

Included in equipment list

Included in equipment list

Included in equipment list

Included in equipment list

Included in drum machine list

Included in equipment list

Included in equipment list

Included in equipment list

ipads you can miss them time 24-51

Included in equipment list

0:14 into this video of Orbital's Paul Hartnoll talking about the synths in his studio, you can spot his Doepfer A-100 Analog Modular System.

Paul Hartnoll's MacBeth Studio Systems M5N can be spotted at 1:21 into this video interview of him in his studio. He has two units side by side.

Its on the monitors in the background

Orbital's Paul Hartnoll talks about his experience with the Bass Station II synth:

"…having spent years using Novation stuff, I know the quality of it. But with all these modular synths that I’ve got, big polysynths and things like that, I tend to think, really what’s another little mono synth gonna do for me? I have to say I was incredibly surprised when I started playing with it, and it has sat here and it’s helped me finish my album. I used it the 1st time and thought ‘Oh, thats good.’ I got a baseline out of it which was just what I needed at the time, instead of turning to the System 100 M (which is what I’ve been going to recently). It really did nail the job. And I’ve been going to it ever since for bass and lead, actually. It’s been pretty amazing! It’s got a really nice bouncy sort of sound - rubbery kind of sound. Some synths you find you have to really push them into a mix. But this, just kind of sits in there. The overdrive before the filter is amazing. I’ve been finding that just gives you that extra punch. It’s been really good for basslines, bass sounds. It’s instantly got that bit of velocity to it as well if you want it. For me the first thing I noticed about it - apart from helping me troubleshoot the last few tracks of my album - I found this has been doing nearly all the basslines in that job. Not ALL the baselines in the album, but all the ones that are broken that need fixing. I haven't had to go out to the modulars yet, which is saying a lot!"

At the 0:19 mark of this video of Paul Hartnoll in his studio, you can see his ARP 2600 Modular Synthesizer (with an Orbital sticker on the casing for good measure).

In this Roland Users Group article, the Hartnoll brothers are asked about "What Roland gear made it onto The Blue Album?" They reply, "God almighty. The 303, the 808, the 909, the Jupiter-6, the SH-09, which is still a personal favorite of mine... The Jupiter-6 has also been a favorite. It was semi-customized with two outputs before I bought it. That synth was our workhorse. All of our early albums just thrived on the Jupiter-6. I remember doing things for TV, and people would come up and try to put gaffer tape over the logo. I’d say, ‘What are you doing?’ I can honestly say that I’m not the kind of person who likes to display corporate logos and things like that, but I’ve always felt quite proud of the word Roland across my gear."