Rob Playford (AKA Timecode)

According to this article on the making of Goldie's Timeless album from the June 1998 issue of Sound on Sound magazine, Playford's studio gear includes a MidiVerb III unit.

According to this article on the making of Goldie's Timeless album from the June 1998 issue of Sound on Sound magazine, Playford's studio gear includes an Alesis 3630.

According to this article on the making of Goldie's Timeless album from the June 1998 issue of Sound on Sound magazine, Playford says, "...there have always been things I like to constantly upgrade. It used to be my samplers. I went from the S950 to the S1000, then up to the S1100, and finally to a S3200. I can't see myself upgrading again soon."

According to this article on the making of Goldie's Timeless album from the June 1998 issue of Sound on Sound magazine, Playford's studio gear includes a Sabre board.

According to this article on the making of Goldie's Timeless album from the June 1998 issue of Sound on Sound magazine, Playford's studio gear includes an S3200 sampler.

According to this article on the making of Goldie's Timeless album from the June 1998 issue of Sound on Sound magazine, Playford says, "...there have always been things I like to constantly upgrade. It used to be my samplers. I went from the S950 to the S1000, then up to the S1100, and finally to a S3200. I can't see myself upgrading again soon."

According to this article on the making of Goldie's Timeless album from the June 1998 issue of Sound on Sound magazine, Playford's studio gear includes a Quadraverb unit.

According to this article on the making of Goldie's Timeless album from the June 1998 issue of Sound on Sound magazine, Playford's studio gear includes a Composer compressor/expander.

According to this article on the making of Goldie's Timeless album from the June 1998 issue of Sound on Sound magazine, Playford's studio gear includes an Ultrafex II unit.

According to this article on the making of Goldie's Timeless album from the June 1998 issue of Sound on Sound magazine, Playford's studio gear includes a Vortex effects unit.

According to this article on the making of Goldie's Timeless album from the June 1998 issue of Sound on Sound magazine, Playford's studio gear includes a Drumstation unit.

According to this article on the making of Goldie's Timeless album from the June 1998 issue of Sound on Sound magazine, Playford's studio gear includes an M7 sonic modulator.

According to this article on the making of Goldie's Timeless album from the June 1998 issue of Sound on Sound magazine, Playford's studio gear includes an MP5 multi-effects unit.

According to this article on the making of Goldie's Timeless album from the June 1998 issue of Sound on Sound magazine, Playford's studio gear includes a Stereo Vitalizer.

According to this article on the making of Goldie's Timeless album from the June 1998 issue of Sound on Sound magazine, Playford's studio gear includes a Vintage Keys module.

According to this article on the making of Goldie's Timeless album from the June 1998 issue of Sound on Sound magazine, Playford recalls, "Diane Charlemagne came over and did the vocals, and we put them onto DAT and sampled the parts we wanted. I also reprocessed them; I think I put them through a [BBE] Sonic Maximiser, to get that airiness in there. But it wasn't actually until I put them into the song that I thought, 'no, brilliant, they work perfectly'".

According to this article on the making of Goldie's Timeless album from the June 1998 issue of Sound on Sound magazine, Playford says, "...there have always been things I like to constantly upgrade. It used to be my samplers. I went from the S950 to the S1000, then up to the S1100, and finally to a S3200. I can't see myself upgrading again soon."