In [this archived version of a December 2000 article from *Sound On Sound*](https://web.archive.org/web/20150606082550/http://www.soundonsound.com/sos/dec00/articles/underworld.asp), there is a sidebar toward the bottom that lists Hyde's then-current studio gear: ·Access Virus synth. ·Akai S3200 sampler. ·Behringer Composer compressor/limiter. ·Behringer Ultrafex 2 enhancer. ·Clavia Nord Lead synth. ·Joe Meek VC1 voice channel. ·Novation DrumStation drum module. ·Sherman Filterbank. ·Sony MP5 multi-effects. ·Spirit Absolute 4P monitors. ·Waldorf Microwave XT synth. ·Yamaha SPX90 multi-effects.more
Gareth Jones' hardware: "Akai S3200; Novation SuperNova, BassStation and DrumStation, Nord Micro Modular; Doepfer MAQ 16/3, Regelwerk, MS404 and Pocket Control; Apogee 500e A/D; Focusrite ISA115HD and ISA 131; TC Finalizer; B&K 4006 mics; Schoeps Collete series mics; Genelec 1029A monitors; Sherman Filterbank; Line6 POD; Roland RE-501 Chorus Echo; Waldorf 4-Pole filter; Apple G3 PowerBook; Digigram VX pocket; E-Magic Unitor II; and the wonderful MT4. My Soundcraft Spirit Folio Notepad is in daily use. Palm Pilot is also a major part of my life, and my Creative Nomad MP3 player and Sony CD Walkman are great tools."more
"The first Señor coconut album, *El Gran Baile*, was more about combining audio tracks and cutting and pasting samples together to create a Latin atmosphere — it wasn't about songs or melodies. In those days I used an Akai S3200 sampler, Akai MPC3000 sequencer and an Akai eight-track digital recorder for overdubbing. It was a very minimal setup."more
According to this article on the making of Goldie's *Timeless* album from the [June 1998 issue of *Sound on Sound* magazine](https://web.archive.org/web/20150416233330/http://www.soundonsound.com/sos/jun98/articles/goldie.html), Playford's studio gear includes an S3200 sampler.more
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