Stephan Bodzin
Stephan Bodzin's Keyboards and Synthesizers
He uses moog sub 37 for production and also seen with hardware in live setups
He is showing us his new percussion synth, a Kick Lancet.
In a video on his official Facebook page, Stephan Bodzin is shown using the Moog Sub Phatty synthesizer.
In this Instagram post, by Stephan Bodzin, a Korg Volca Keys can be seen.
Stephan got a Moog One right on the release day.
S: Powers of Ten is your homage to Bob Moog. What does Moog mean to you, in relation to the album and how important has his products been to you and your musical journey? If you had to sum up your favourite thing about a Moog synth, what would it be?
SB: Bob Moog was the inventor of some the most exciting and powerful synth engines ever built - the minimoog and the moog modular - and has always been one of my heroes. When I was a little boy of 4 years I started playing on those machines as my father owned a unbelievable collection of analogue gear those days. The warm sound of a moog just touched me so much, I can´t help it, I grew up with that.
The favourite thing about a moog is the very unique warmth and pressure of its sound engines. It’s totally different from any other synth, it´s just more alive, it´s more powerful, it’s breathing, it has soul. Most of the basslines on the album weren’t even equalised much or edited dynamics-wise. The sub37 just did a great job, it’s one of the best moogs ever built.
Stated by Stephan Bodzin this DJMag interview regarding the album and liveshows for 'Boavista':
"I also have the Moog Matriarch semi-modular synthesizer. I love the complex possibilities of this synth. Its character is so different to the Sub37 and it also played an important role in producing the ‘Boavista’ album. For me what’s very important is that this synth doesn't save any presets. That means I have to create any sound from scratch and very much live. This will lead to random results, random errors and random highlights too, I assume.”
This is a community-built gear list for Stephan Bodzin.
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