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Average Price: $1,200
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$500
$1501+
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Description
Laying claim to the mantle of a modern classic, the Moog Sub 37 Paraphonic Analog Synthesizer is an evolution in the art of sound creation. A generous extension of the Moog Sub Phatty, it seamlessly blends the vintage charm of analog sound manipulation with 21st century reliability. For the first time in decades, Moog offers polyphony with a distinctive 2-note paraphonic Duo Mode. With an impressive array of 40 knobs and 74 switches, this 37-key synthesizer is an electronic canvas for both seasoned maestros and emerging sound artists. Its capacity to store 256 presets ensures a vast library of sonic possibilities at your fingertips.
Key Features:
- 37-key analog synthesizer
- 2-note paraphonic Duo Mode, a first from Moog in decades
- An array of controls: 40 knobs and 74 switches
- Memory capacity for 256 presets
- Blends classic analog tweak-ability with modern reliability
Product specs
| Analog/Digital | analog |
Videos
Kraft Music
Kraft Music - Moog Sub 37 Analog Synthesizer Demo
Reviews
PROS
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Unmatched Moog sound quality; thick, beefy, sweet, and melodic
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High-quality build and design; solid, substantial, and visually pleasing
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Intuitive front panel with big knobs; minimal menu diving required
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Saveable patches with easy access to banks and patches
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Duo-phonic capability expands sound possibilities
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Rich modulation controls for texture and variation in sound
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Excellent keybed and doubles as a polyphonic MIDI controller
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Versatile with great overdrive, sequencer, and arpeggiator
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Almost one knob per function for hands-on control
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Inspires creativity; from fat basses to cutting leads
CONS
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Weird MIDI implementation; issues with syncing to external clock without workarounds
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Modulation matrix can be confusing, requiring some menu diving
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Some users found the sound too smooth/mellow, lacking excitement
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Buttons may not always respond on the first press
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Limited CV connectivity for external control
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Moog Sub 37 Paraphonic Analog Synthesizer.
User experience
Features and functionality
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Subsequent 37 offers a rich, raw sound ideal for bass and sound design, but not suitable for polyphonic chords due to its paraphonic capabilities.
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The Subsequent 37's mixer offers more headroom, enabling both cleaner and overdriven tones, enhancing its tonal versatility.
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The Subsequent 37 includes more CV inter-connectivity, offering expanded modular integration options.
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The Subsequent 37's mixer section includes on/off buttons for each oscillator, providing more control over sound shaping.
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Comparisons
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Users compare the Sub 37's tone favorably against the Rev 2, noting the Moog’s inherent "sweet spot" sound quality.
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The Sub 37 is noted for its inherent grittier sound, while the Subsequent 37 can achieve both cleaner and dirtier sounds due to its extended Multidrive range.
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The Sub 37 has a darker sound profile, while the Subsequent 37 is slightly brighter, affecting tonal preference in lead sounds.
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Software and compatibility
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The Sub 37's patch memory feature allows for extensive sound design and access to numerous free online patches, enhancing creative potential.
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Use cases and applications
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The Sub 37 is praised for its versatility across genres, from house to orchestral, making it a long-term choice for varied musical exploration.
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Critic Reviews
5.0 out of 5
Based on 25 Reviews and 194 Ratings
236
Definition of the monosynth
I wanted one of these for years. I bought one and am not disappointed. I still feel like I am scratching the surface with this synth since the modulation controls are the richest (most sources) I have ever seen. If you want texture and variation in a sound and avoid sounding like a loop or a VST, then this is your synth. But you have to earn it. You can simply go sonically crazy with it and the filter is fantastic. I will admit that osc sync could be better (it is better on a Moog Prodigy), but this is paraphonic. You can play one voice along with the sequencer, turns those knobs and blast off. While technically two-osc, you can make sounds with the dual hi freq LFO's, the sub-osc, and the self-resonating filter. Knock yourself out.
Oh, and the keyboard is excellent and also works as a polyphonic midi controller.
Only complaint is the buttons don't always respond first time. Luckily there is a knob for that.
240
Has forever earned a spot on my desk
The Sub37 is one of those instruments that inspires every time I play it, so much so that it now has a permanent place on my desk, rather than racked up against a wall. The keybed is responsive and very playable, with those tall black keys feeling super comfortable. The sound is thick and creamy, even when pushed to the limit, so overdrive is very useable too. You get typically velvety Moog sounds and the filter is sublime. This is a versatile beast even without the arp/seq but they really top it off. The arpegiator has all the options you'd need but the sequencer is the jewel in this wooden cheeked crown. So easy to use and makes developing a new piece of music a joyful experience, even if the final track might be recorded on a different synth.
1539
Voyager killer
This is a truly amazing analog synth. This is my first Moog, and while I wasn't really drooling over the previous Phattys and couldn't afford the Voyager or anything above that, I definitely got excited when this came out as it seemed to have tons of functionality and was priced reasonably. When the Mother-32 came out I nearly picked one of those up, but then the opportunity presented itself for me to get a great deal on a Sub 37 which I just couldn't pass up. Really happy I went for it, as I think this will last me a very long time. Amazing high quality sound and some seriously advanced routing options, especially when you expand it with the Sub editor software (very recommended!!!). In duo/paraphonic mode you can get some really interesting sounds and happy accidents. Plug this thing into a nice reverb or delay unit, and you will be in heaven. Also, it looks really sexy! My only complaint is the limited CV connectivity, but there are at least a few options there. The only reason to get a Voyager over this would be the additional oscillator it has, but honestly the extensive routing options on the Sub make it eclipse the Voyager in my mind (and I know I am not alone in this thinking!). Could not be happier with this thing.
3582
Future classic Moog
One of the best sounding Moog synths ever, definately the best sounding of the "modern" Moog synths. Easily beats the Voyagers in sound (and price). With all the hands on controls (almost one knob per function) it's the best incarnation of the "Phattys" as well. With it's sub-1500€ price tag, it's even the best value for money Moog. Why only 4 stars? It's still a lot of money for a mono synth (Novation, Arturia and now Behringer offer a lot more bang for the buck) and some functions still need to be accessed by a key combination which is not always easy to remember if you do not access it frequently (which messes op my "flow"). Still a future classic!
Edit: After 5 years, I feel I need to revisit my score and give it the 5th star it really deserves.
By now the Sub 37 has become a vintage classic and it just kept growing on me.
Prices even briefly dropped below a 1000€ but seem to be on the rise again so grab it while they're still relatively low.
41029
I am green with envy.
3582
@jim: you should: you have every reason to :-D
41029
I settled for a sub phatty so I could get an ARP too. I wanted the 37.
41029
I'm less envious since picking up a used studio electronics SE1. What a great riff on the model D.
268
I'm not saying it's a bad synth but personally I was disappointed
I know lots of people love this and rave about it. It's certainly solidly built with a nicely knobby interface that won't have you menu diving that often (although still sometimes you will have to). I just don't find it that exciting given the price (It does seem to be more expensive in the UK than USA though). Maybe I just don't have enough experience with it yet. It seems a bit boring that all the patches you can make with it seem really smooth and mellow even if you crank up the resonance and drive and open the filter. I suppose I can use it to make smooth mellow sounds... A bit of an expensive option to make GenericPad04JupiterRisingLOLScifi though.
458
Powerful behemoth of analog synthesis
Built like a tank, heavy and sturdy, all English owner's manual book, striking design, big Moog logo --everything about this Moog Sub 37 Tribute Edition screams high quality and catering to the needs of synthesizer performers.
I purrs, it roars, it launches into outer space. Intuitive controls and knob-per-function interface make this machine fun and easy to use to generate cool sounds. I especially like how I can utilize this Moog Sub 37 to create those old 1960s science fiction tones. 256 presets for rapid music making.
278
Love love love this synth.
Love love love this synth. I still love my voyager more tbh even though this thing can get a lot different of sounds than my voyager. It is a very impressive build for a synthesizer. I use the Audio input into this thing every once and a while as well. (this is something that is a lot easier with two musicians in the studio). I really hope to see a polyphonic moog in the future that borrows a lot of ideas from this guy.
187
FINALLY HAVE IT!!
HUEHUEHUEHUE!! I spent months exploring this machine at my guitar center. It has what the sub phatty has and more! Love the feel of the keys and it's limitless capabilities! I had a moog mini synth plugin. But with this, it's more hands on so you can get more creative with it.
143
My number one favorite analog synth
I use the bass more than anything. I craft leads easily with this. It really helps to learn your instrument. I also love to make arps or sequence parts from this Moog
Artist usage
Add artist
Deadmau5 posted a picture of the Moog Sub 37 to Instagram saying, "Fresh outta the box and onto the table for some messing around. Moog never fails to fuel inspiration."
In Avicii's "dining room studio", the synthesizer in the foreground is the Moog Sub 37 Tribute Edition Analog Synthesizer. Avicii captions the photo, "New toy in my dining room studio! #moogsub37tribute" (posted April 2015).
In their 2016 performance at lollapalooza Brazil, Kevin's keyboardist Jay is seen using a Moog Sub 37 at 45:30 and elsewhere in the performance. This is an upgrade from the Moog Sub Phatty they previously used.
In an Instagram post by avonkorff, a Moog Sub 37 Paraphonic Analog Synthesizer is visible above the Moog One - 8 in the recording studio. Given the synthesizer sounds in Muse's recent single, it's likely Matthew Bellamy utilized this model during production.
Check the Moog Sub 37 at 4:44. Old (remake) and new gear (like Ableton Push 2) works together creating awesome harmony. Nice.
Carl Cox utilizes the Moog Sub 37 Paraphonic Analog Synthesizer in his production work, as featured on the Loopmasters page for "Carl Cox Collective - My Life In Music."
Album Usage
The Moog Sub 37 Paraphonic Analog Synthesizer has been featured on the following albums:
A Westside Story
Rich Kidz (2024)
One More Time
Shiba San (2024)
Pulsar
L’Impératrice (2024)
Open Your Eyes
Funkin Matt (2024)
NEVER ENOUGH
Daniel Caesar (2023)
Sand, Moon & Stars
Carl Cox (2021)
We Will Always Love You
The Avalanches (2020)
Interstellar Love (feat. Leon Bridges)
The Avalanches (2020)
Seven Pieces for Synthesizer
Martin Stürtzer (2019)
All Or Nothing
Lost Frequencies & Axel Ehnström (2017)
Hamburg
Third Son (2017)
The Kleenrz
Kenny Segal & Self Jupiter (2012)
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Moog Sub 37 Paraphonic Analog Synthesizer, it is most commonly used with the following gear.
Community setups
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