Stuart Price

I don’t mind if the SH101’s going straight into the Neve or if it’s going in via a guitar Pod or going direct into the soundcard. I don’t really mind — it’s whatever cable’s nearest. And then you stumble upon the area of chance, which is ‘Well, I wasn’t planning on plugging this synth into the guitar amp, but because the cable’s there I did it and it was miked up and I recorded it.

"I love the Yamaha TX7, the Casio CZ-101, the ARP 2600, Ensoniq Mirage, Roland MKS-50, and the EMS VCS3. I like to have them around mainly for inspiration. In my experience, turning away and just focusing on a different object in front of you can yield good results."

In an interview with Universal Audio, when asked if he has a collection of vintage synthesizers, Stuart Price says, "Yes. But personally I only like to use a handful at a time to prevent tracks from becoming too general with a touch of everything. You need to live with each one for a while to get to its secrets. I love the Yamaha TX7... I like to have them around mainly for inspiration. In my experience, turning away and just focusing on a different object in front of you can yield good results." (original article source here)

At his home studio (dubbed “50” for the street address where he lives), Price would often access his bank of vintage synths — including a Moog Polymoog, Korg MS-20, Roland SH-09 and a rare Rhodes Chroma — to add textures to a demo track or to supplement the Clavia Nord Lead 3 that Flowers uses as his main synth.

"Yamaha DX7s and TX7 (rack module)" is included in the list of equipment at Stuart Price's studio.

"I love the Yamaha TX7, the Casio CZ-101, the ARP 2600, Ensoniq Mirage, Roland MKS-50, and the EMS VCS3. I like to have them around mainly for inspiration. In my experience, turning away and just focusing on a different object in front of you can yield good results."

"I love the Yamaha TX7, the Casio CZ-101, the ARP 2600, Ensoniq Mirage, Roland MKS-50, and the EMS VCS3. I like to have them around mainly for inspiration. In my experience, turning away and just focusing on a different object in front of you can yield good results."

In this picture of his studio, you can see an Access Virus TI Polar on the left side of the screen

In terms of synths, Price’s favourites include his Clavia Nord Lead 3 (“I’ll go to the grave clutching that”) and the decidedly old–school Yamaha TX7 (module version of the DX7) and Casio CZ101.

In terms of synths, Price’s favourites include his Clavia Nord Lead 3 (“I’ll go to the grave clutching that”) and the decidedly old–school Yamaha TX7 (module version of the DX7) and Casio CZ101.

At his home studio (dubbed “50” for the street address where he lives), Price would often access his bank of vintage synths — including a Moog Polymoog, Korg MS-20, Roland SH-09 and a rare Rhodes Chroma — to add textures to a demo track or to supplement the Clavia Nord Lead 3 that Flowers uses as his main synth.

At his home studio (dubbed “50” for the street address where he lives), Price would often access his bank of vintage synths — including a Moog Polymoog, Korg MS-20, Roland SH-09 and a rare Rhodes Chroma — to add textures to a demo track or to supplement the Clavia Nord Lead 3 that Flowers uses as his main synth.

At his home studio (dubbed “50” for the street address where he lives), Price would often access his bank of vintage synths — including a Moog Polymoog, Korg MS-20, Roland SH-09 and a rare Rhodes Chroma — to add textures to a demo track or to supplement the Clavia Nord Lead 3 that Flowers uses as his main synth.

"Korg MS-20 synth, SQ-10 sequencer, EX-8000 module" is included in the list of equipment at Stuart Price's studio.

Stuart Price is confirmed to use the Access Virus TI2 Polar synthesizer, as demonstrated by a photograph in which he is seen in the studio with Madonna, with the synthesizer clearly visible in the background.