Surachai

"Hardware can do all sorts of things and hit the mark within their own vocabulary, but when ABSYNTH and REAKTOR came along, it was like, “what’s happening?” Yes, this is a synthesizer, but the potential is literally limitless."

(about "Asymmetry Codex") "Arrangement & Mixing" "After all the patterns and stems were recorded to audio, I arranged them into Pro Tools. All of the editing was done with dozens of plug-ins including: Valhalla DSP, INA-GRM, Sound Toys, Izotope, Soundhack, UAD and a few Richard told me to keep under wraps."

"...I also use Metaphysical Function from the Reaktor User Library as a standalone thing. That’s not new at all but still sounds better than a lot of gear today."

"You also have KONTAKT or MASSIVE with a million banks of presets that you can tweak according to whatever you’re working on. For a lot of working composers or musicians, the turnaround times mean you don’t need months to do things. It’s about what you have to hand, and one of your answers better be Native Instruments."

"You also have KONTAKT or MASSIVE with a million banks of presets that you can tweak according to whatever you’re working on. For a lot of working composers or musicians, the turnaround times mean you don’t need months to do things. It’s about what you have to hand, and one of your answers better be Native Instruments."

"(mastering) I found FabFilter’s ProMB a very useful tool for this particular project as I was able to control just the specific aspects that needed control, without getting in the way of the rest of the spectrum. This helped me tame the beasts within, giving them a more balanced end result while maintaining as much of their natural character as possible."

"...Channels 1 & 2 – Harvestman Piston Honda MKII > Tip Top Audio ZDSP running Valhalla Shimmer DSP chip..."