Reita

Reita uses the Tech 21 Sansamp PSA1.1 preamp, as noted on his profile in the ESP Artist Series.

Reita, bassist of The Gazette, uses the ESP RF-00 electric bass, as featured on the ESP Guitars website in their Artist Series section.

Reita uses the MXR M80 Bass D.I.+ pedal, as noted on his profile in the ESP Artist Series.

In an article by the GazettE México Street Team, Reita is noted for using the Barbarossa Cronus Distortion pedal as part of his bass setup, as detailed in Bass Magazine's Effect Board File.

Reita uses the Laney Nexus Tube bass amplifier head, as featured on the ESP Artist Series page.

Reita uses the Trace Elliot AH1200-12 Head, as detailed in the GazettE México Street Team's coverage of Bass Magazine.

Reita uses his signature bass picks, crafted by ESP JP, as confirmed by his profile on the ESP Guitars website.

This is the black version of ESP RF00. Reita used this on live shows for standard tuning songs

In September of 2020 The official bass magazine's website updated Reita's profile with another interview and included an updated list of his gear. On that list the Darkglass microtubes 900 amp head is listed. Reita has been known to use seperate heads (laney nexus fet and trace elliot ah600-12) for his monitor and to front of house but apparently he's updated both to this amp. https://bassmagazine.jp/player/bf-reita/

Reita, bassist for The Gazette, uses the ESP RF-00SL electric bass, as featured on the ESP Guitars artist series page.

Reita uses the SWR Megoliath 8x10 Bass Cabinet, as featured on his ESP Artist Series page.

Reita uses the MXR M87 Bass Compressor, as confirmed on the ESP Artist Series page.

Reita uses the MXR KFK 10 Band EQ, as featured on the ESP Artist Series page.

Reita uses the A Designs REDDI Tube Direct Box, as featured on his ESP Guitars artist page.

Reita, bassist of the GazettE, is documented using the Two Notes Torpedo Live Digital Loadbox and Speaker Simulator, as detailed in a feature by the GazettE México Street Team.

Reita from The Gazette used the Basson B810 bass amplifier cabinets during the band's early years. The video for "Filth in the Beauty," uploaded by thiagouryutk on YouTube, showcases his use of these amps. Following the closure of Basson's headquarters in California, Reita discontinued using them in subsequent videos.

In a September 2015 article from The Gazette Uruguay, Reita is mentioned using the Provolt9 guitar pedal power supply.

Long scale version of Reita's signature RF-01 bass bye ESP JP

Reita is shown using the Avalon U5 in a photo featured on page 26 of Glare Magazine Vol. 1.

Reita used Zon Sonus Customs 5 during the recording of the Beautiful Deformity album. In an interview with Bass Magazine, Reita mentioned that for studio work he often chose basses that better suited the specific sound of the album. DIM was experimental and dark, with an emphasis on tight lows and sharp attacks.

In an interview with BASS Magazine, Reita revealed that he used a Music Man StingRay throughout the entire recording process of the album "DOGMA".

According to "THE GAZETTE SOUND ANALYZE BOOK – REITA", Reita used the Two Notes Opus Amp Simulator for recording "Falling."