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Tech 21 Sansamp PSA1.1

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Tech 21 Sansamp PSA1.1

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15 Artists Use This
Tommy Lee

This is used as pat of the recording studio rack.
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Chris Wolstenholme

Used for distorted vocal by him as well as Bellamy
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Adam Clayton

Adam is using 2 of these during the innocence + experience tour.
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Jeremy Davis

In this picture we can see a SansAmp PSA-1. You can also see this at 4:48 in this rig rundown with [Jeremy](https://www.youtube.com/watch?v=pg6-IFCxZ2w).
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Gene Simmons

The Source URL is a rig rundown by PremierGuitar Magazine. PG caught up with current guitarist Tommy Thayer, along with techs Francis and Michael Berger, to dig into all the axes (in some cases, literally), effects, and amps that the band brought out on their 2014 tour with Def Leppard. "The signal then hits one of two Tech 21 SansAmp PSA 1.1 preamps and is blended with the 1969 for Gene’s in-ear mix."
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Mike Kroeger

At 1:37 you can see a the Tech21 SansAmp PSA 1.1 in his rack.
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Peter Hook

Peter hook's rack units include a red sansamp PSA. Used during new order's reunion tour.
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Ross MacDonald

You can spot the sansamp psa1.1 in the rackmount, over the distressor.
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Reita

preamp Sansamp PSA 1.1
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Mike Kerr

The Sansamp is being used to shape one of the fake guitars signals as seen being adjusted just before the band play 'Better Strangers'.
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Bryan Beller

Heads, Preamps and Power Amps NOTE: Bryan Beller started endorsing Gallien-Krueger as of July 12, 2011. Gallien-Krueger Fusion 550 Gallien-Krueger 2001RB Gallien-Krueger MB Fusion SWR Mo' Bass ART TubePAC Preamp (2) SansAmp PSA-1 Programmable Preamp Peavey DPC1000 Power Amp BGW x3800 Power Amp
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Marco Hietala

On the official website
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Liam Howlett

The SansAmp PSA-1 maintains its superior tone with Tech 21 NYC's exclusive, 100% analog circuitry. Only the programming and memory sections are digital. The results are easy to hear: punchy, responsive, powerful sounds that bring out the best in an instrument—the kind of tones that characterize the original SansAmp Classic, SansAmp Bass DI, SansAmp GT2, and SansAmp Rackmount. The SansAmp PSA-1 can be used for a variety of applications. In the studio, you can record direct to tape, enhance existing tracks in mixdowns, as well as add interesting touches to any instrument. For live performances, it can be used as a pre-amp direct into a power amp with guitar or bass speaker cabinets, as a “monster direct box” to a P.A. system, (or both simultaneously), and as an outboard processor. The SansAmp PSA-1 features MIDI capability for calling up programs and storing program data. There are 49 factory presets and 49 memory locations to store your own custom sounds, plus two bypass programs. When you switch between programs, there is no lag time, or "cutting out." The controls on the SansAmp PSA-1 work very much like those found on a sophisticated amp. You don’t need special training or a degree in physics to operate your unit. Storing and recalling programs is simple: set your tones and push the Save button. Like the SansAmp Rackmount, you just turn a knob and hear the difference immediately --in real time. There are 256 incremental steps in the rotation of each control, so increases and decreases occur in a smooth, gradual, linear fashion. The SansAmp PSA-1 is designed to provide you with the flexibility to find almost any conceivable tonal personality within the tube amplifier sound spectrum.
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Andras Ispan

On the picture (liked), behind the artist the Sansamp RBI and PSA1.1 (silver knobs) are visible on top the TC Blacksmith amp.
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Toni Torres

Toni Torres use Sansamp in his recording studio HCTSOUND
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1 review

canbadder

100

I recorded this video, don't worry the sound is not from the camera, it is captured by SM57 in front of a 2x12 cab with celestion speakers. Check it out. I really like the mesa boogie sounds, you will see me get lost when I play the metallica songs :D

+1

over 2 years ago
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jorge_de_carvalho

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