user635341's Activity

14-channel Compact Mixer

When you need more channels, more routing, and more tonal control without the size, 1402VLZ4 is a top choice. With all the pro features and studio-grade sound quality, 1402VLZ4 is ready to rock.

• 6 Boutique-quality Onyx mic preamps with ultra-wide 60dB gain range
• Phantom power for condenser mics
• 3-band EQ (80Hz, 2.5kHz, 12kHz)
• 18 dB/oct 75Hz low-cut filter on mic input channels
• High-resolution 12-segment stereo meters
• “Built-Like-A-Tank” rugged steel chassis with powder-coat finish
• High-visibility, high-contrast controls deliver convenient “at-a-glance” visual feedback
• Rack-mountable design using optional rack ear kit

The RAT2 covers all the bases: distortion, sustain, fuzz, overdrive - from the sweet raunchy to the grinding raunchy to the raunchy raunchy, RAT2 lets you pick yer poison! Has glow in the dark controls for distortion amount, filter cutoff and volume level.

From: https://www.ratdistortion.com/product/108/rat-2-foot-pedal

"The beauty of the RAT2 lies in its versatility. Used as a primary distortion, it excels at arena rock rhythm tones and soaring leads. Do you have a powerful amp with too much headroom for the gig? Let the RAT2 be your dirty channel. Maybe you already love your amp’s distortion. Use the RAT2 as a boost for solos and get the extra kick you need.

The RAT2 features the legendary RAT filter control. Turn it to the right to roll off brittle high-end frequencies. Having trouble cutting through the mix? Turn it to the left and allow the natural brightness of your instrument to shine through.

Distortion dials in the perfect amount of gain – from mild overdrive to full out fuzzy assault, and the volume control lets you dial it in just perfectly against your bypassed clean tone."

The beauty of the RAT2 lies in its versatility. Used as a primary distortion, it excels at arena rock rhythm tones and soaring leads. Do you have a powerful amp with too much headroom for the gig? Let the RAT2 be your dirty channel. Maybe you already love your amp’s distortion. Use the RAT2 as a boost for solos and get the extra kick you need.

The RAT2 features the legendary RAT filter control. Turn it to the right to roll off brittle high-end frequencies. Having trouble cutting through the mix? Turn it to the left and allow the natural brightness of your instrument to shine through.

Distortion dials in the perfect amount of gain – from mild overdrive to full out fuzzy assault, and the volume control lets you dial it in just perfectly against your bypassed clean tone.

ppooll (formerly lloopp) is an audio & video DSP (digital signal processing) environment for max/MSP.

ppooll can be linked with your own patches. advanced users may even make their own ppooll acts.

essentially, ppooll is a modular network of max patches with an internal mode of communication and GUI.

the project has seen years of revisions by many contributors; as such, ppooll remains in a continuous state of development.

we welcome contributions and suggestions from all users.

ppooll is freeware, open-source, and copyleft.

Apollo Twin reinvents desktop recording by delivering legendary analog studio sound, feel, and flow to music creators everywhere. This 2x6 Thunderbolt audio interface for Mac combines the same impeccable 24/192kHz audio conversion of Universal Audio's acclaimed Apollo series with onboard Realtime UAD SOLO or DUO Processing. So you can record your music in real time (at near-zero latency) through the full range of UAD plug-ins - from Neve, Studer, Manley, Lexicon, API and more* - putting racks of vintage EQs, compressors, tape machines, reverbs, and guitar amps at your fingertips.

A Universal Audio breakthrough, Apollo Twin's Unison technology gives you the tone of the world's most sought-after tube and solid state mic preamps - including their all-important impedance, gain stage "sweet spots," and component-level circuit behaviors. Based on unprecedented hardware-software integration between Apollo's mic preamps and its onboard UAD plug-in processing, Unison lets you record through stunning emulations like the bundled UA 610-B Tube Preamp plug-in.

Apollo Twin's smart feature set includes two class-leading mic/line preamps, two analog line outputs, two digitally controlled analog monitor outputs for full resolution at all listening levels, and up to eight additional channels of digital input via Optical connection. The Twin's onboard UAD SOLO or DUO Processing lets you use UAD plug-ins both during realtime tracking and for mixing within Pro Tools, Cubase, Logic, Ableton Live and more.

With its ergonomic desktop design, rugged aluminum construction, and front panel headphone and instrument connections, Apollo Twin has all the right tools, all in the right place.

Apollo Twin reinvents desktop recording by delivering legendary analog studio sound, feel, and flow to music creators everywhere. This 2x6 Thunderbolt audio interface for Mac combines the same impeccable 24/192kHz audio conversion of Universal Audio's acclaimed Apollo series with onboard Realtime UAD SOLO or DUO Processing. So you can record your music in real time (at near-zero latency) through the full range of UAD plug-ins - from Neve, Studer, Manley, Lexicon, API and more* - putting racks of vintage EQs, compressors, tape machines, reverbs, and guitar amps at your fingertips.

A Universal Audio breakthrough, Apollo Twin's Unison technology gives you the tone of the world's most sought-after tube and solid state mic preamps - including their all-important impedance, gain stage "sweet spots," and component-level circuit behaviors. Based on unprecedented hardware-software integration between Apollo's mic preamps and its onboard UAD plug-in processing, Unison lets you record through stunning emulations like the bundled UA 610-B Tube Preamp plug-in.

Apollo Twin's smart feature set includes two class-leading mic/line preamps, two analog line outputs, two digitally controlled analog monitor outputs for full resolution at all listening levels, and up to eight additional channels of digital input via Optical connection. The Twin's onboard UAD SOLO or DUO Processing lets you use UAD plug-ins both during realtime tracking and for mixing within Pro Tools, Cubase, Logic, Ableton Live and more.

With its ergonomic desktop design, rugged aluminum construction, and front panel headphone and instrument connections, Apollo Twin has all the right tools, all in the right place.

The LA-610 MkII combines a hand-built in the USA, all-tube, vintage mic preamp design — heard on classic albums by Coldplay, The Beach Boys, and Van Halen — with authentic Teletronix T4 opto-compression circuitry.

This classic channel strip design, with its warm preamp tone and smooth, natural-sounding compression, is updated with modern, user-requested features like true compressor bypass, larger metering, increased output, and an auto-switching power supply.

The Reamp® JCR is a high-performance passive Reamper that gives you the ability to take a pre-recorded track and send it through a guitar amp or pedal chain, allowing you to explore new sonic textures and experiment with microphone placement, amp and pedal settings without limit. The JCR utilizes the original Reamp circuit designed by recording industry legend John Cuniberti, providing exceptional audio quality that preserves every detail of the original recording while optimizing it to feed amplifiers and effects pedals.

Pro Bassman Sound and Style, the Bassman 500 combines Fender's world-standard "blackface" tube preamp with a lightweight 500 watt Class D power amp. Its dual-channel design uses modern technology to maximize classic technology, with classic Fender '60s "blackface" styling and a wealth of innovative features on the front and rear panels. A vintage channel that delivers the full, warm sound of classic Fender amps with passive tone stack and an overdrive channel that delivers the aggressive and responsive sound of a modern active tone stack (choose between channels with included footswitch). The Bassman 500 mates perfectly with Bassman Pro Series Neo speaker cabinets and Rumble V3 410/115 cabinets.

Huge bass tone is one thing. Huge bass tone with the grittiest, most viscerally satisfying and aggressive overdrive you’ve ever heard is quite another.

For bassists everywhere who must have the best in modern Bassman style and performance, the Bassman 115 Neo cabinet delivers the booming bass sound you'd expect from a 1x15" enclosure, with sparkling vintage Fender looks and a remarkably lightweight design.

Powerful, innovative and versatile for stage and studio alike, the Bassman 100T is a professional-level 100-watt tube head with enormous Fender bass sound and sparkling vintage Fender looks. Its dual-channel design uses modern technology to maximize classic technology, with classic Fender late-'60s/early-'70s "blackface" styling and a wealth of innovative features on the front and rear panels.

Features include a tube preamp (two 12AX7s) and power amp (one 12AT7 and four 6L6s); Vintage channel that delivers the full, warm sound of a classic Fender passive tone stack; Overdrive channel that delivers the aggressive and responsive sound of a modern active tone stack (choose between channels with included footswitch); rear-panel Fender Automatic Bias system that constantly monitors and re-biases tubes for perfect performance and alerts you when service is required; XLR output that delivers overdriven power amp tone (great for recording); rear-panel Output Power switch that lets you play or record at full 100-watt power, quieter 25-watt power, or silently via internal power soak (which captures the signal post-power amp); impedance switch (8, 4 or 2 ohms) and master volume with push/pull mute.

We created ReTubeVerb with enthusiasm and great devotion to become an uncompromising unification of valve-technology and mechanical reverberation.

Vermona has years of experience designing valve-based circuits. This led to a layout which preserves the character of the input source and, at the same time, refines it with that typical soft compression only real tubes can deliver. The particular characteristics of the spring can be efficiently adapted to your sonic needs by a musical three band equalizer.

ReTubeVerb’s construction matches its sonic excellence. The unit shines in beauty but even more by its robustness and its daily usability.

Each ReTubeVerb unit is hand-assembled in our electroacoustic manufactory along with extensive and careful quality control. ReTubeVerb is not a mass-product but a masterpiece for audiophile connoisseurs.

The emphasis with the Soundcraft EPM is very firmly on quality build and audio performance, with an easy to understand control surface uncluttered by unnecessary facilities, and Soundcraft have brought new technologies and ideas to this very cost-effective range.

The emphasis with the Soundcraft EPM is very firmly on quality build and audio performance, with an easy to understand control surface uncluttered by unnecessary facilities, and Soundcraft have brought new technologies and ideas to this very cost-effective range. Surface mount technology is used throughout, using close-tolerance components for high accuracy and repeatable settings for EQ and gain controls. The highly-transparent GB30 Mic amp (designed by Graham Blyth for the company’s 30th anniversary, and also used on the larger LX7ii and GB Series consoles) features high-resolution adjustment over a wide gain range of 55dB, and provides a stunning +22dB headroom through the console. True professional 48-volt phantom power caters for condenser microphones of all types.

A unique feature of the signal monitoring is the PEAK led. This uses multipoint signal take-offs to watch for overload in several parts of the channel strip, and the led lights more brightly as the signal approaches the peak point. For smooth and accurate channel control, the EPM has 60mm high quality faders as used on other Soundcraft desks. The monitor output and headphone output work in parallel so that performers can still listen on phones while an engineer is listening on studio monitors.

BIM is a 12-bit stereo delay unit inspired by some studio delay processors built in the early 80s. These monophonic processors have been renowned for the quality and musicality of their sound. The processing was mainly analog (companders, limiters, low-pass filters, feedback path,…), and the signal was converted to digital just for the delay section, using 12-bit AD/DA converters and some RAM memory chips.

The advantage of this technology is particularly obvious when the sound is feedbacked many times through the whole analog and 12-bit circuitry. You’ll hear a sweet degradation and dark damping that the 100% digital delay boxes can’t offer. When we designed BIM, we wanted to create a unique, modern and versatile effects processor based on this 80’s technology.

We managed to mix the fabulous sound of an old 12-bit digital delay with modern features such as stereo processing, extra FXs, many user presets, MIDI control, tap tempo, compact size… therefore BIM is the best of both worlds!

BIM is the perfect companion for the musician, producer, sound engineer or live performer who is looking for a unique, warm and musical delay processor.

The all-rounder has 8 push-encoders without detents, 9 faders and 8 buttons, all switchable to 8 controller groups that allow to control a total amount of 264 control parameters. A 4-digit-display and 8 leds show the current values of all controls.

Various kinds of midi commands like program change, pitchbend, aftertouch and control change in relative and absolute mode with different acceleration amounts are possible. All these properties are fully programmable on the devices very fast and easy for each control separately.

The encoders can work as high resolution 14bit controllers too (control change or pitchbend) which makes them suitable for sensitive parameters like resonating filter cutoffs or similar things.

Use the internal 18 setups to save your individual settings. Backup and restore of all settings by sysex dumps is possible too.

The little box is also a great extension for your Ableton Live setup.

There you can control all the continues parameters like track volumes, rack macros, send amounts, track pannings and switchable patameters like clip launch/stop, mute, solo, rec arm, monitor and track select. A special control surface script for Ableton Live 8/9 with all necessary mappings is enclosed in the package. With that script you can also use two UC4 devices to control up to 16 tracks simultaneously.

For bassists everywhere at all levels, Rumble bass combos are re-engineered to be astoundingly compact, portable and lightweight, with seismic Fender bass tone and stage-worthy features.

On sight alone, you might not believe that the stylish diminutive Rumble 200 combo actually pumps 200 watts of pure bass muscle and finesse, but it does exactly that. Lighter and louder than ever, it's built with great features including classic Fender styling, 15" Eminence® speaker and compression horn, overdrive circuit, versatile three-button voicing and more.

For bassists everywhere at all levels, Rumble bass combos are re-engineered to be astoundingly compact, portable and lightweight, with seismic Fender bass tone and stage-worthy features.

On sight alone, you might not believe that the stylish diminutive Rumble 200 combo actually pumps 200 watts of pure bass muscle and finesse, but it does exactly that. Lighter and louder than ever, it's built with great features including classic Fender styling, 15" Eminence® speaker and compression horn, overdrive circuit, versatile three-button voicing and more.

Slimmed down to micro size, this MIDI keyboard is ready to play.

The microKEY25 features excellent portability, allowing you to enjoy playing and producing with a great-feeling keyboard even when you're away from home. It features an expressive Joystick, as traditionally found on larger controllers, and provides simultaneous control of multiple parameters at the same time, along with control of the built-in tempo-synced arpeggiator function. That's not all; the microKEY25 can be powered directly from your iPad via the Camera Connection Kit, and it can be immediately used to control MIDI-capable apps such as Korg's iMS-20. The microKEY25 also includes a download code for FREE Korg M1Le software, giving you all of the preset sounds and all of the PCM waveforms of the original M1, and a browser/search function that makes it easy to find that "perfect sound."

Also included are licenses* for Applied Acoustics Systems' Strum Acoustic Session, Lounge Lizard Session, and Ultra Analog Session as well as a license for Toontrack's software drum sound module EzDrummer Lite,* and a discount coupon* for Ableton's "Live," "Live Suite," and "Live LE" DAW software, widely popular for its sophisticated functionality.

Slimmed down to micro size, this MIDI keyboard is ready to play.

The microKEY25 features excellent portability, allowing you to enjoy playing and producing with a great-feeling keyboard even when you're away from home. It features an expressive Joystick, as traditionally found on larger controllers, and provides simultaneous control of multiple parameters at the same time, along with control of the built-in tempo-synced arpeggiator function. That's not all; the microKEY25 can be powered directly from your iPad via the Camera Connection Kit, and it can be immediately used to control MIDI-capable apps such as Korg's iMS-20. The microKEY25 also includes a download code for FREE Korg M1Le software, giving you all of the preset sounds and all of the PCM waveforms of the original M1, and a browser/search function that makes it easy to find that "perfect sound."

Also included are licenses* for Applied Acoustics Systems' Strum Acoustic Session, Lounge Lizard Session, and Ultra Analog Session as well as a license for Toontrack's software drum sound module EzDrummer Lite,* and a discount coupon* for Ableton's "Live," "Live Suite," and "Live LE" DAW software, widely popular for its sophisticated functionality.

The Ampeg V-4B 100W All-Tube Bass Head is a remarkable reissue of the legendary 1971 original, delivering the pure tube tone and unmistakable grind that earned the classic a place in bass history. And with a careful selection of modern features, the V-4B provides Ampeg all-tube tone in a portable design perfect for today’s players.

The Seaboard Block Studio Edition from ROLI is the brands highly versatile and compact version of their world-renowned Seaboard. Boasting a level of expression which belies its reduced dimensions, it gives you the platform to go and create craft detailed, layered soundscapes; it’s the perfect production companion. Fully compatible with the leading DAW’s and software suites, you’ll be delivering supreme sounding sonics in no time at all!

Mix in tight spaces.

Building upon the successful nanoSERIES2 format, the new nanoSTUDIO line features comprehensive control, expanded functionality, Bluetooth and USB MIDI connectivity. A full complement of 8 long-throw faders, 8 encoders, 16 switches, a full transport control w/ jog wheel and 5 recallable panel snapshots; all presented in a go-anywhere design no bigger than an A4-sized notebook. Wireless Bluetooth LE or traditional USB MIDI connectivity.

Mix in tight spaces.

Building upon the successful nanoSERIES2 format, the new nanoSTUDIO line features comprehensive control, expanded functionality, Bluetooth and USB MIDI connectivity. A full complement of 8 long-throw faders, 8 encoders, 16 switches, a full transport control w/ jog wheel and 5 recallable panel snapshots; all presented in a go-anywhere design no bigger than an A4-sized notebook. Wireless Bluetooth LE or traditional USB MIDI connectivity.

The X-TOUCH COMPACT Universal USB/MIDI Controller gives you precise control over your favorite DAW, instruments, effects and lighting systems with the fluidity of 9 touch-sensitive and fully- automated motorized faders, 16 rotary encoders with LED collars – and 39 illuminated buttons. Free yourself from the mouse-click paradigm with X-TOUCH's preconfigured presets – or customize your own configurations to master the art of on-the-fly adjustments as ever before!