Pricing and availability
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Average Price: $1,569
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$200
$801+
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Based on price data from 4 merchants for "Ampeg V-4B". Prices shown reflect NEW condition. Tracking began Apr 2, 2026.
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Description
With a rich history dating back to 1971, the Ampeg V-4B is a timeless all-tube bass amplifier head that has stood the test of time, offering 100 watts of pure tube-driven power. This reissue stays true to its vintage roots while integrating modern features that ensure it remains a favorite among bassists today. Designed to deliver classic Ampeg tone, the V-4B is equipped with a robust preamp section featuring 2 x 12AX7 tubes and a power section loaded with 4 x 6L6GCs, ensuring your sound is both bold and detailed.
The intuitive front panel provides a no-nonsense approach with Gain, Bass, Midrange, and Treble EQ controls, complemented by ultra-low and ultra-high boost switches for enhanced tonal flexibility. Its versatile connectivity options include a built-in DI output with a ground lift for seamless integration into any setup, whether you're in the studio or on stage. The V-4B's compatibility with various speaker configurations, thanks to its 2-, 4-, and 8-ohm outputs, offers immense flexibility, allowing you to expand your rig effortlessly.
This iconic amplifier head not only exudes vintage charm with its classic styling and chassis suspension system but also meets the demands of modern-day musicians with its FX loop and slave output features. Whether you're aiming for a clean, punchy tone or a gritty, overdriven sound, the Ampeg V-4B delivers with precision and power.
Key Features:
- 100-watt all-tube bass amplifier head
- 2 x 12AX7 preamp tubes, 1 x 12AX7 and 1 x 12AU7 driver tubes, 4 x 6L6GC power amp tubes
- 3-band EQ with switchable mid frequencies
- Ultra-low and ultra-high boost controls
- Built-in DI output with ground lift
- Configurable speaker outputs: 2-, 4-, 8-ohm
- Preamp Out and Power Amp In jacks for FX loop
- Classic Ampeg design with modern enhancements
Owner's manual
Ampeg V-4B User ManualProduct specs
| Type | Tube |
| Number of Channels | 1 |
| Total Power | 100W |
| EQ | 3-band, Lo/Hi Boost Switches |
| Preamp Tubes | 2 x 12AX7 |
| Power Tubes | 4 x 6L6GC |
| Inputs | 2 x 1/4" |
| Outputs | 5 x 1/4" (speakers), 1 x XLR, 1 x 1/4" (slave) |
| Effects Loop | Yes |
| Power Source | Standard IEC AC cable |
| Height | 11" |
| Width | 24" |
| Depth | 11" |
| Weight | 41 lbs. |
FAQs
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What kind of tone can I expect from the Ampeg V-4B Bass Head?
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The Ampeg V-4B Bass Head delivers classic Ampeg tones with a warm, rich, and punchy sound, perfect for rock, blues, and jazz. Its all-tube design provides a vintage character with powerful low-end response and clear mids.
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Is the Ampeg V-4B suitable for live performances?
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Yes, the Ampeg V-4B's 100-watt power output and robust tube design make it ideal for live performances, offering enough volume and presence to cut through a mix on stage.
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Does the Ampeg V-4B Bass Head work well with effects pedals?
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The Ampeg V-4B includes an effects loop, allowing seamless integration with effects pedals. Its all-tube circuitry ensures that the core tone remains warm and dynamic even with pedals engaged.
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How does the Ampeg V-4B handle different speaker cabinets?
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The Ampeg V-4B offers multiple speaker outputs, including 5 x 1/4" jacks, making it compatible with various cabinet configurations. It can drive multiple cabinets for a versatile setup.
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What is the weight and size of the Ampeg V-4B Bass Head?
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The Ampeg V-4B measures 24" in width, 11" in height, and 11" in depth, weighing 41 pounds. Its compact size makes it relatively portable for a tube amp head.
Videos
N Stuff Music
Ampeg V-4B 100W All-Tube Bass Head
Reviews
PROS
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Classic Ampeg tube sound, warm and rich harmonics
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Versatile for both bass and guitar, handles pedals well
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Powerful output suitable for medium to large gigs
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Wide sonic bandwidth with deep lows and smooth highs
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Portable at around 40 pounds, easier to move than larger models
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Works amazingly with synthesizers for diverse musicians
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Effective with a variety of basses and guitars, enhancing their tone
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Impressive volume control, loud without losing quality
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Positive impact on recorded bass tone quality
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Durable and reliable for continuous use
CONS
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Requires regular maintenance due to tube design
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Can run hot, potentially needing additional cooling solutions
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Some quality control issues, like improperly mounted tubes
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Heavy and potentially cumbersome for frequent transport
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Loudness can be overwhelming in small spaces
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Some reports of build quality concerns, affecting long-term reliability
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Generates a lot of heat, which could be a concern in tight spaces
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Presence of fan noise mentioned, though not universally problematic
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Ampeg V-4B.
Build quality
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The reissue is 20lbs lighter than the vintage model and fits modern cabs better due to its narrower design.
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User experience
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Owners report that the 100-watt V-4B reissue is loud enough for most gigs unless playing large stadiums.
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Some users found a 2x12 cab insufficient with the V-4B, opting for models like the SVT4PRO with a 410HLF for more power.
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Owners often find the 100-watt output sufficient with larger cabs like an 8x10, but potentially lacking when paired with a 4x10 for very loud bands.
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Use cases and applications
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Users playing with a 6x10 Ampeg cab find the V-4B sufficiently loud for stoner and grunge music styles.
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The V-4B serves as an excellent pedal platform for guitar, offering versatile dialing options for various tones.
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For guitar use, matching cabinet impedance is crucial; the V-4B supports a maximum of 8 ohms, limiting single 16-ohm 4x12 cab use.
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Guitarists find the V-4B maintains a stiff, less spongy sound, with cleans offering a piano-like harmonic bloom.
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For live performances, it's noted that engineers often prioritize DI over miking the V-4B, suggesting a preamp/cab sim pedal might be more practical for stage use.
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Comparisons
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Previous vintage owners note the reissue maintains vintage tone but resolves previous issues like obsolete tubes and excessive weight.
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The Ampeg V-4B has a distinct gritty tone, exemplified in Queens of the Stone Age's "Songs for the Deaf."
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The V-4B differs from the V4 with a low boost instead of high boost and reverb, making it more bass-focused.
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The 90s V4BH is noted to have a rounder, more SVT-like preamp compared to the current reissue, which closely mirrors vintage tones.
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Critic Reviews
5.0 out of 5
Based on 2 Reviews and 19 Ratings
77
I own a modified 1971 V4B, modded to accept KT66 power tubes
I have owned a modified 1971 V4B that has been retubed with KT66 power tubes. The simple, yet versatile control layout and great innate tone make this one of the greatest bass amps of owned to date. The two channels are great for running a wet and dry effect signal as well. The amp is paired with two custom LDS cabs, each fitted 1x15 and 2x6 custom hemp cone speakers made by PMR. Every bass player can find something to love about this amp!
41026
commanding
this was the loudest amp I've ever owned... like a louder VT40 without reverb. Not voiced specifically for bass, at least my70s version wasn't. Good bass amp, great guitar amp if you wanted a loud clean sound. A clean sound so commanding it eats a twin for lunch. Only a Hiwatt or Sunn 2000s squeezes more out of 4 power tubes. Slightly different preamp tube compliment than a vt40 so easier to retube as I recall. But pulling 2 power tubes its still louder and cleaner than a vt40 or v2. A beast. I would owner another one.
Artist usage
Add artist
Kurt used this throughout the European tour in 1989. This is not his amp and it was owned by Gary Thorstensen from the band Tad. (notice in the image how there is no guitar plugged into the Fender Twin Reverb)
A vintage three-switch V-4B was used for Songs for the Deaf, as mentioned by Eric Valentine in this September 14, 2019 "Making Records with Eric Valentine" video at 30:45. The amp is shown in an October 29, 2001 photo (pictured) at 31:38.
So then, there's the main guitar and this was sort of an interesting moment in the guitar recording on the project because we had been using a bunch of crazy stuff, you know? Josh was primarily into using bass amps for his guitars and so we used these Ampeg V-4Bs that he brought in. That's what was used when we were tracking the band, tracking the basics with the band. And then we took this trip to Black Market Music and we got a bunch of just crazy, shitty old transistor Peavey amps. So they're like these Peavey Musician amps and stuff like that. I have some pictures that I can show you of the amps that illustrate that. [shows October 29, 2001 photo] So this is one of the miking setups, this was after... There was a moment when we had to leave Barefoot and go to another studio called The Site (...) So, these pictures are from that part of the session. This miking setup was probably used for the overdub guitar that you're gonna hear on this song ["No One Knows"]. But this right here, this is the V-4B. This is another Ampeg amp, this is a VT-40... and you can see it peekin' through, this is one o' these shitty Peavey transistor amps that we bought.
In an interview conducted by Rick Beato titled "In the Room with Aerosmith's Joe Perry & Brad Whitford," Joe Perry discusses using Ampeg V-4B amplifiers in the studio because the Rolling Stones were using them. This conversation occurs around the 14:00 mark.
In this live photo from Peter Hook and the Light’s official Instagram account from a gig at Scarborough Spa on May 10, 2025, Peter is playing through an Ampeg V-4B
Clay Parton is associated with the Ampeg V-4B bass amplifier head, as seen on the album cover for "What You’re Doing To Me," although the amplifier depicted is actually an Ampeg V-9.
In an interview with Rick Beato, Brad Whitford mentioned around the 14-minute mark that they had to use Ampeg V-4B amplifiers in the studio because "the Stones were using them."
In this video we can see tha Ampeg Stacks Basses model Ampeg V-4B Bass Head Bundle.
Conor Deegan III is confirmed to use the Ampeg V-4B Reissue bass head, as it can be clearly identified in live performance footage from the Romance era, including clips from Reading and Leeds 2024 and Glastonbury 2024, as provided by BBC Music. The reissue model is distinguishable by its smaller form factor and updated look compared to the original, as well as specific features such as two inputs, one channel, three rocker switches, five knobs, and a green indicator LED positioned between the standby and power switches.
Album Usage
The Ampeg V-4B has been featured on the following albums:
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Ampeg V-4B, it is most commonly used with the following gear.
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