Yasunori Mitsuda
Yasunori Mitsuda's Gear
"This module not only comes with alot of nice preset sounds, but you can also add sounds by inserting an Expansion Board. I often use this to 'test out' different sounds and see what kind of sounds would best match the song. But one point that I don't like about this module is that there are often some tiny little bit noises included at the end of each sound."
"This is another sampler, but I mainly use this thing to sample my own sounds (like recording my own guitar or percussion). The edit features are really easy to use, and I value this thing alot."
In the "STUDIO SETTING CHART" from Procyon Studio, Yasunori Mitsuda expresses his appreciation for the Korg TR-Rack, noting its impressive accordion and percussion sounds. He also highlights the module's intriguing pad and analog synth sounds, which he finds useful for adding a unique edge to his compositions.
"It's sad but I don't ever use this module anymore. I guess that the days of ADPCM synths are over. I used this module in a lot of different songs, through my career, so I'm pretty satisfied with it."
MOTU Digital Performer 3.0 is shown in a chart depicting Yasunori's studio circa 2002.
In an article by Filmmusicfestival, it is noted that Yasunori Mitsuda uses a Roland RD-700 synthesizer.
The equipment list on his website includes the following Roland JV expansion boards:
SR-JV80-01 "POP" SR-JV80-02 "ORCHESTRAL" SR-JV80-03 "PIANO" SR-JV80-04 "VINTAGE SYNTH" SR-JV80-05 "WORLD" SR-JV80-07 "SUPER SOUND SET" SR-JV80-08 "KEYBOARD OF THE '60s & '70s" SR-JV80-09 "SESSION" SR-JV80-10 "BASS & DRUMS" SR-JV80-11 "TECHNO COLLECTION" SR-JV80-12 "HIP HOP COLLECTION" SR-JV80-13 "VOCAL COLLECTION" SR-JV80-14 "WORLD COLLECTION ASIA" SR-JV80-15 "ORCHESTRAL 2"
SampleTank 2.5XL is included in the equipment list on his website.
The Orchestral ROM is used frequently in Mitsuda's songs from the Chrono Trigger soundtrack.
"The design was so spectacular on this thing, that I bought it out of pure instinct (laughs). This thing's great for fooling around with and creating your own sounds, and although it's a 'virtual' analog synth, I think it's the only analog synth in my studio."
"This S6000 is a sample product that I got my hands on before the actual product release date. The only difference was that the OS on this was a beta version, and that was about it (and that didn't really matter too much to me because you can always update the OS later). I like this sampler because you can register a lot of different samples in it, and it's very easy to use."
"I bought this rack just for the piano sound, but lately I've found an even better piano sound, so I don't use it too much anymore. Also, the bad point about this module is that it tends to pick up SMPTE noise. This is mainly due to weak power supply and it's usually fixed by changing outlets, but having to change outlets each time I use this for a recording is tiresome, to say the least."
"Yet another sampler. It may make me look like I'm just full of samplers, but the reason why I value samplers so much is because they sound so much better than regular sound modules and also, you can add new sounds just by getting more samples or creating your own. I doubt that I'll ever go back to regular sound modules, unless they come up with some extraordinary ground breaking equipment."
"I love the harp sounds on this module. Actually, it's almost as if I have this thing just for this harp sound. The other sounds have too much of an 'edge' to them and besides, I already have some better orchestra sounds on my sampler."
Yasunori Mitsuda uses the Yamaha EX5R Rackmount MIDI Module, as detailed in the "STUDIO SETTING CHART" from Procyon Studio's archived page. Mitsuda appreciates the module's filter for its versatility in sound transformation, despite finding Yamaha's complex interface challenging during the composition process.
Pro Tools is shown in a chart depicting Yasunori's studio circa 2002.
"I completely changed it just recently, actually. I use Digital Performer on the Macintosh as my sequencer, and Tascam GigaStudio 160 for my sounds. "
"The Super Famicom era was almost entirely sampler-based. I used an Akai S-3200, an E-MU EIII, stuff like that."
This is one of the many SR-JV80 expansion boards in the equipment list on Mitsuda's old site.
This is one of the many SR-JV80 boards in the equipment list on Mitsuda's old site.
Almost all SR-JV80 boards used to be in the equipment list on Mitsuda's site, including this one.
Included in the equipment list on his website.
The equipment list on his website includes the following Roland JV expansion boards:
SR-JV80-01 "POP" SR-JV80-02 "ORCHESTRAL" SR-JV80-03 "PIANO" SR-JV80-04 "VINTAGE SYNTH" SR-JV80-05 "WORLD" SR-JV80-07 "SUPER SOUND SET" SR-JV80-08 "KEYBOARD OF THE '60s & '70s" SR-JV80-09 "SESSION" SR-JV80-10 "BASS & DRUMS" SR-JV80-11 "TECHNO COLLECTION" SR-JV80-12 "HIP HOP COLLECTION" SR-JV80-13 "VOCAL COLLECTION" SR-JV80-14 "WORLD COLLECTION ASIA" SR-JV80-15 "ORCHESTRAL 2"
The equipment list on his website includes the following Roland JV expansion boards:
SR-JV80-01 "POP" SR-JV80-02 "ORCHESTRAL" SR-JV80-03 "PIANO" SR-JV80-04 "VINTAGE SYNTH" SR-JV80-05 "WORLD" SR-JV80-07 "SUPER SOUND SET" SR-JV80-08 "KEYBOARD OF THE '60s & '70s" SR-JV80-09 "SESSION" SR-JV80-10 "BASS & DRUMS" SR-JV80-11 "TECHNO COLLECTION" SR-JV80-12 "HIP HOP COLLECTION" SR-JV80-13 "VOCAL COLLECTION" SR-JV80-14 "WORLD COLLECTION ASIA" SR-JV80-15 "ORCHESTRAL 2"
Logic Studio is included in the equipment list on his website.
Find it on:
Included in the equipment list on his website,
The equipment list on his website includes the following Roland JV expansion boards:
SR-JV80-01 "POP" SR-JV80-02 "ORCHESTRAL" SR-JV80-03 "PIANO" SR-JV80-04 "VINTAGE SYNTH" SR-JV80-05 "WORLD" SR-JV80-07 "SUPER SOUND SET" SR-JV80-08 "KEYBOARD OF THE '60s & '70s" SR-JV80-09 "SESSION" SR-JV80-10 "BASS & DRUMS" SR-JV80-11 "TECHNO COLLECTION" SR-JV80-12 "HIP HOP COLLECTION" SR-JV80-13 "VOCAL COLLECTION" SR-JV80-14 "WORLD COLLECTION ASIA" SR-JV80-15 "ORCHESTRAL 2"
Listed in this equipment page on Mitsuda's old site.
The equipment list on his website includes the following Roland JV expansion boards:
SR-JV80-01 "POP" SR-JV80-02 "ORCHESTRAL" SR-JV80-03 "PIANO" SR-JV80-04 "VINTAGE SYNTH" SR-JV80-05 "WORLD" SR-JV80-07 "SUPER SOUND SET" SR-JV80-08 "KEYBOARD OF THE '60s & '70s" SR-JV80-09 "SESSION" SR-JV80-10 "BASS & DRUMS" SR-JV80-11 "TECHNO COLLECTION" SR-JV80-12 "HIP HOP COLLECTION" SR-JV80-13 "VOCAL COLLECTION" SR-JV80-14 "WORLD COLLECTION ASIA" SR-JV80-15 "ORCHESTRAL 2"
This is a community-built gear list for Yasunori Mitsuda.
- Find relevant music gear like Software Plugins and VSTs, Keyboards and Synthesizers, Instruments, Studio Equipment, Headphones, and other instruments and add it to Yasunori Mitsuda.
- The best places to look for gear usage are typically on the artist's social media, YouTube, live performance images, and interviews.
- To receive email updates when Yasunori Mitsuda is seen with new gear, follow the artist.
-
Added to Equipboard on by
gboyGear IQ 2213
-
Updated
Discography
CHRONO TRIGGER & CHRONO CROSS ARRANGEMENT ALBUM / To Far Away Times
1995
CHRONO CROSS 20th Anniversary Live Tour 2019 RADICAL DREAMERS Yasunori Mitsuda & Millennial Fair Live Audio at NAKANO SUNPLAZA 2020 (Video Game Chrono Cross Concert Album)
1999
an cinniuint (Tsugunai: Atonement) [Original Soundtrack]
2001
Sailing to the World (The Seventh Seal) [Original Soundtrack]
2002
The Boxed Garden (Graffiti Kingdom) [Original Soundtrack]
2004
Xenogears Original Soundtrack
2012
Another Eden Original Soundtrack
2017
ANOTHER EDEN ORIGINAL SOUNDTRACK 2
2018
Re:volvers8 ORIGINAL SOUNDTRACK
2018
Across the Worlds - Chrono Cross Wayô Piano Collection
2021
TVアニメ『月とライカと吸血姫』オリジナルサウンドトラック
2022
Edge Of Eternity (Original Soundtrack, Vol. I)
2022