Pup – THE UNRAVELING OF PUPTHEBAND

As far as amplification goes, on the last record, I used a modified Fender Vibrolux reissue. We ran it super hot in the studio — sometimes running it for eight to ten hours a day — but I found that, while the response I was getting was great in a controlled studio environment, the 2×10? speakers just weren’t powerful enough in a live setting.

Mentioned as a part of the rig used on 2022 album "THE UNRAVELING OF PUPTHEBAND" in November 2022 issue of Guitar World.

Mentioned as a part of the rig used on 2022 album "THE UNRAVELING OF PUPTHEBAND" in November 2022 issue of Guitar World.

SS: Speaking of pedals, I’ve been slowly honing in my base setup for the next round of touring. The current live rig consists of a Boss TU-3, a Keeley-modified Ibanez TS-9, a Fulltone ’70 fuzz, an Electroharmonix Pitchfork, a Malekko 616 Analog Delay, an Electroharmonix Freeze, and an Ernie Ball Volume Pedal Jr.

Mentioned as a part of the rig used on 2022 album "THE UNRAVELING OF PUPTHEBAND" in November 2022 issue of Guitar World.

Steve's pedalboard is shown throughout the video with the El Capistan visible in the bottom left corner of the board. Mentioned as a part of the rig used on 2022 album "THE UNRAVELING OF PUPTHEBAND" in November 2022 issue of Guitar World.

The Tym Big Mud can be seen throughout the video in the centre of his pedalboard. Steve goes into detail about the pedal at 3:28. Mentioned as a part of the rig used on 2022 album "THE UNRAVELING OF PUPTHEBAND" in November 2022 issue of Guitar World.

In this photo of Sladkowski's pedalboard (posted on his Instagram, now deleted), Lehle Stereo Volume pedal can be seen. Mentioned as a part of the rig used on 2022 album "THE UNRAVELING OF PUPTHEBAND" in November 2022 issue of Guitar World.

Mentioned as a part of the rig used on 2022 album "THE UNRAVELING OF PUPTHEBAND" in November 2022 issue of Guitar World.

Mentioned as a part of the rig used on 2022 album "THE UNRAVELING OF PUPTHEBAND" in November 2022 issue of Guitar World.

Mentioned as a part of the rig used on 2022 album "THE UNRAVELING OF PUPTHEBAND" in November 2022 issue of Guitar World.

Mentioned as a part of the rig used on 2022 album "THE UNRAVELING OF PUPTHEBAND" in November 2022 issue of Guitar World.

Used on Pup's 2022 album, "THE UNRAVELING OF PUPTHEBAND", namely on the song "Waiting" (according to the November 2022 Guitar World interview).

At times, Sladkowski would play through the same pedal chain as the studio’s Moog synth, or make loops in his bedroom, then pipe them into the live room. Other times, he’d double electric parts with a hollowbody, as on the massive “Waiting,” which includes a ’62 Gibson ES-125 shadowing his normal Jazzmaster, lending the verses additional rhythmic punch, room sound and color as the tension climbs.

Babcock mentioned that he uses Strymon Sunset in this Twitter reply. Mentioned as a part of the rig used on 2022 album "THE UNRAVELING OF PUPTHEBAND" in November 2022 issue of Guitar World.

Mentioned as a part of the rig used on 2022 album "THE UNRAVELING OF PUPTHEBAND" in November 2022 issue of Guitar World.

Mentioned as a part of the rig used on 2022 album "THE UNRAVELING OF PUPTHEBAND" in November 2022 issue of Guitar World.

Mentioned as a part of the rig used on 2022 album "THE UNRAVELING OF PUPTHEBAND" in November 2022 issue of Guitar World.

Babcock explained via Twitter his signal chain, which included the Dr. Z MAZ 18 Jr. amp. Mentioned as a part of the rig used on 2022 album "THE UNRAVELING OF PUPTHEBAND" in November 2022 issue of Guitar World.

Mentioned as a part of the rig used on 2022 album "THE UNRAVELING OF PUPTHEBAND" in November 2022 issue of Guitar World.