Fender Vibrolux Reverb

Used in the recording of the album "Move Like This" as explained by the guitarist.

"I have a '65 Vibrolux that Saul, the guy from Neil Young, like, did some mod to it where it's got more of a gain stage to it, not a distortion, but a gain to it, something that he did..."

According to Immergluck's official website, he uses the 1971 Fender Vibrolux Reverb.

Ira uses a Fender Vibrolux Reverb-Amp Combo, as shown in [this]( http://www.guitargeek.com/ira-kaplan-yo-la-tengo-guitar-rig-and-gear-setup-1996/) Guitar Geek rig diagram.

He can be seen using a Vibrolux Reverb from around 1:15 to 1:30.

"For clean tones, Buckley used a blackface Fender Vibrolux tube combo, and often used a Mesa/Boogie Tremoverb for more saturated overdriven songs."

RLM had a Blackface era 1966 Vibrolux Reverb until he sold it via Reverb.com in 2015.

Dave Minehan, who recorded us, also had me going through a Vox AC30 and a Fender Vibrolux on different tracks in case he wanted to mix in some different tones on various songs. But the SG through a JCM800 has been the basis of my tone since around 1992, and that’s what’s happening here.

Dustin doesn't indicate what he is using it for, but this Tweet says: "Just picked up this little beauty from @Fender '68 Vibrolux. So rad. Sounds and looks amazing. Thanks Matt Farrar!" “It responds really well to pedals; I used to play more where I was pushing the amp a ton with the volume knob on the amp and backing it off with pedals. And a while ago, I just switched to trying to use different overdrives to really push the amp. “So, it’s sitting at 5, just right where as you’re turning it [while] playing, you hear it kind of jump, and it’s really lively there, but it can go a variety of directions. It’s very dynamic, which I like. There’s a Bassman circuit in the amp, and that’s actually what I’m running through.” - [Music Radar](https://www.thegearpage.net/board/index.php?threads/pedalboards-of-the-stars-collection-part-iii.1157325/page-28)

John Flansburgh is seen using a Fender Vibrolux Reverb amplifier (blackface version) during a recording session for their lead single "Can't Keep Johnny Down" off of their 2007 album "Join Us."

At 6:00 in this Rig Rundown for Nicholaus Arson of [The Hives](http://equipboard.com/band/the-hives), his gear is displayed, showing his Fender Vibrolux Reverb-Amp Combo.

According to his [website](http://www.jimcampilongo.com/about/gear.php), Jim Campilongo has two '70's Vibrolux Reverbs.

"61 strat and a mint 66 Vibrolux. You need lots of cash for those bad boys!!!!!" says Peter Burton, in this Instagram post.

When switching to the types of amplifiers she uses, Grace Potter identifies a Fender amplifier that she uses. This one is a Vibrolux.

Nick's Vibrolux is mic'd up in this photo on Instagram

Seen on his Instagram, SWD uses a Fender Vibrolux reverb amp.

""Mark [Hollis] played most of the guitar on the later two albums, which would be his Gretsch Country Gentleman through either a Boogie, an AC30, a Fender Vibrolux, or a Champ, although he played the riff on '˜Desire' on my Vox teardrop 12-string. "

In the video at 0:55, Nigel breifly mentions that he uses a 1970 fender vibrolux reverb as part of his stereo setup that he plays with.

One of the amps in high rotation during recording sessions.

Fender Vibro-Lux combo amplifier is included in this diagram of Edwyn's setup.

In a picture from a gig, Matt is shown to have a Fender Vibrolux Amp.

My rig is super simple. I use Dorothy and a Fender Vibrolux reissue. I use the amp’s tremolo as well as that Boss tremolo, and then I use an Electro-Harmonix LPB-1—just the regular $40 one—and a Boss tuner pedal, and that’s literally it! It sounds great and gets the job done.

According to Premier Guitar, Ellman uses the 1965 Fender Vibrolux Combo.

The Hives' Rig Rundown article states, "Arson uses a Fender Bandmaster and '76 Fender Vibrolux, both on all the time."

As far as amplification goes, on the last record, I used a modified Fender Vibrolux reissue. We ran it super hot in the studio — sometimes running it for eight to ten hours a day — but I found that, while the response I was getting was great in a controlled studio environment, the 2×10? speakers just weren’t powerful enough in a live setting.

"A little jam out on my retro rig. This woulda been the total shizz in the 80's club giggin'. #Fender #VibroluxReverb #DeluxeReverb #ibanezue405 @elliottguitars @thejamesduke #357"

"It’s pretty representative. Essentially, the guitar sounds are mainly through a Vibrolux and then reamped through a Champ. Not all of the things are reamped, but a lot of them are."

On this Instagram post Henri's Fender Vibrolux Reverb can be seen.

Clean tones sound so nice, they feel so clean with my LTD 401 FM & The Fender Stratocaster.