Pricing and availability
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Average Price: $286
High-end/Boutique
$50
$176+
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Standard
High-end
Price History
Based on price data from 6 merchants for "Strymon Sunset Dual Overdrive". Prices shown reflect NEW condition. Tracking began Apr 2, 2026.
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Description
Introducing the Strymon Sunset Dual Overdrive, an unparalleled blend of the most iconic overdrive tones in music history, all in one pedalboard-friendly device. Engineered with meticulous attention to detail, this pedal offers a diverse array of tones, from the classic boost to the hard overdrive. The Sunset Dual Overdrive is a hybrid marvel, utilizing an analog Class A JFET input stage to deliver up to 20dB of pure analog gain, and a powerful SHARC DSP for a rich and complex tonal profile.
The pedal boasts a 2-channel design, each offering two distinct overdrive circuits and a classic boost circuit. This design not only allows you to use any of the six overdrive circuits independently but also enables you to stack one channel into the other or run two overdrives in parallel, creating a harmonically rich and versatile tonal palette.
An additional noise reduction function is available as a secondary feature, ensuring that your sound remains clean and free from unwanted hum or buzz when not playing. The Sunset Dual Overdrive also includes an expression pedal input for advanced functionality, allowing you to control every knob's heel-to-toe range and even use the pedal for smooth volume control.
Key Features:
- Dual Overdrive with six classic overdrive/boost circuits in a single pedal
- Analog Class A JFET input gain stage for vibrant tone and up to 20dB of analog gain
- Advanced SHARC DSP re-creates the harmonic complexity and sonic richness of analog drive
- 2-channel design enables the use of any circuit independently or stack one channel into the other
- Noise Reduction function to eliminate hum and buzz when not playing
- Expression pedal input allowing you to set heel-to-toe range independently for every knob
- Switchable True Bypass or Analog Buffered Bypass operation
- Includes 9V DC power supply
- Designed and made in the USA
Product specs
| Pedal Type | Dual Overdrive |
| Analog/Digital | Analog gain stage with DSP algorithms |
| Inputs | 1 x 1/4" (instrument) |
| Outputs | 1 x 1/4" |
| Other I/O | 1 x 1/4" (expression), 1 x 1/4" (Fav preset switching) |
| True Bypass | Yes, Switchable to Buffered |
| Power Source | 9V DC power supply (included) |
| Height | 1.75" |
| Width | 4" |
| Depth | 4.5" |
FAQs
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What makes the Strymon Sunset Dual Overdrive unique compared to other overdrive pedals?
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The Strymon Sunset Dual Overdrive combines analog gain stages with digital signal processing, offering six distinct overdrive circuits that can be used individually or in combination, providing a versatile range of tones from clean boost to saturated fuzz.
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Can the Strymon Sunset Dual Overdrive be used with both electric and acoustic guitars?
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Yes, the Strymon Sunset Dual Overdrive is designed for use with electric and acoustic guitars, as well as synths and keyboards, making it a versatile choice for various instruments.
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Does the Strymon Sunset Dual Overdrive have true bypass?
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Yes, the Strymon Sunset Dual Overdrive features true bypass, ensuring your signal remains uncolored when the pedal is not in use. It can also be switched to buffered bypass for longer cable runs.
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What type of power supply does the Strymon Sunset Dual Overdrive require?
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The Strymon Sunset Dual Overdrive requires a 9V DC power supply, which is included with the pedal.
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How does the Strymon Sunset handle high-gain settings for genres like metal?
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The Strymon Sunset is capable of producing high-gain tones suitable for metal and modern music styles, delivering a powerful and articulate drive that maintains clarity even at higher gain settings.
Videos
Sweetwater
Strymon Sunset Dual Overdrive Pedal Review
Reviews
PROS
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Replaces multiple pedals with its versatility
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Optional noise gate for high gain without noise
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Dynamic response with balanced mid frequencies
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Wide array of drive/gain/distortion tones
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Presets available for quick tone changes
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Excellent for both guitar and bass players
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High-quality build and sound fidelity
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Clear, distinct sound even at high drive settings
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Offers a range from overdrive to fuzz
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Analog front end with digital flexibility
CONS
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High pitch squeal at high settings for some units
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Input/output jacks too close for standard right-angle plugs
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Limited preset functionality compared to some competitors
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Some users may not like all available tone options
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Does not completely silence with gain/volume at minimum
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Strymon Sunset Dual Overdrive.
Features and functionality
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The Sunset allows for MIDI preset saving and a noise gate function, effectively silencing single coil pickups when set to neutral TBoost.
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The pedal offers a unique volume pedal function through MIDI when set to buffered mode, providing flexibility in live settings.
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The Germanium Boost mode on channel A and 2-stage gain on channel B are noted for adding distinct flavor and punch to a clean signal.
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The Sunset's noise gate is transparent, only noticeable when removed, highlighting its effectiveness in reducing low-level buzz from pickups.
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The Sunset allows routing flexibility, with options to run channels A and B independently, cascade them, or run in parallel, enhancing tonal creativity.
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Comparisons
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The Sunset is compared to the RAT, JHS 808, and Zendrive. It has a thinner low end than the RAT and closely matches the JHS 808 tones.
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The JFET option is described as enhancing clean guitar signals by adding a sparkling quality, distinct from other drive options.
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The Sunset's ability to emulate a RAT is close enough for live situations, but not identical, especially when avoiding max gain to prevent excessive fuzziness.
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Owners note that the Sunset outperforms common analog drives like TS, OCD, and RAT, offering superior tone shaping and flexibility.
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Use cases and applications
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Ideal for gigging with versatile MIDI control, enabling quick sound changes. Not as preferred for studio use due to digital tonal differences.
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Users highlight the pedal's ability to stack channels or run them parallel, offering versatility in modifying clean signals with various voicings.
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The Sunset is praised for its simple control scheme, with three knobs per side making it easy to dial in pleasing tones quickly.
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The Sunset works well in setups where space is limited, as it combines multiple drive options without the need for additional pedals.
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User experience
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Owners report a "cold" and "produced" sound, which may not replace the warmth of analog pedals like the RAT or fuzz pedals in dynamic settings.
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A user transitioning from a PodGo reports the Sunset as their first pedalboard addition, emphasizing its role in creating a diverse sound palette.
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Some users report the Sunset's ability to improve playing technique due to its sound clarity and versatility, which is appreciated by band members.
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Critic Reviews
5.0 out of 5
Based on 5 Reviews and 29 Ratings
Fantastic sounding Swiss army knife.
I had my doubts after spending the sort of coin on this pedal that I did. I had the niggling, it's partly digital, it can't be that great thoughts until I compared some of the models to the analogue counterparts. It didn't sound better than them, it just mimicked them nigh on perfectly. Then I realised. We expect wonders from Strymon, the Klon circuit for instance should surely sound like Klon 2.0 with Tabasco sauce, when it doesn't we are a bit disappointed. That's not what this pedal is about. What this pedal does is give you extremely accurate recreations of nearly all the flavours of gain you could ask for in a small form factor with great functionality, versitality and with a great noise gate as a plus. It's a gain tool kit that isn't necessarily reinventing the wheel soundwise, it's a Swiss army knife of gain for your board. Tool up!
44626
Versatile gain unit
This can always help you to enhance your grit and tone. I usually let the channel A in Germanium or Treble mode to suit an always-on point of drive (Germanium is nice to add some dynamics to cleaner amps –I used this with Fender's and Roland’s amps–, while the Treble is nice to touch a little of the tone through Vox amps –which are already very dynamic). I like to set the channels in parallel so when I activate the B channel it blends in harder tones (for softer requirements I try to deal with the JFET mode but when I need to gain a little more I use the Hard or the 2-Stage modes). I just don’t rate it with five stars because Strymon decided not to go to absolute silence with gain or volume controls at its minimum (as they did with the Riverside).
97
I agree. I have had mine for about a week. It’s been great... so versatile. I’m using it as a replacement for my original Turbo Rat for more gain and a Klone for more of a light gain, focused boost. But also when using the treble into the FET it’s like perfect, edgy clean boost. I’m late to the game and just demoed one at the strymon booth at winter NAMM ‘19. I had to have one.
214
Perfect in my opinion
I bought this and played for 6 hours straight everyday for 4 months. You can't get bored of it (it has so many options). And it's sound quality is elite and awesome. Very recommended.
Preferred Settings + Usage:
Drive- max on both sides Tone- max on both sides Level- about mid way on both sides
1201
Cool.
This is one of the best sounding drive pedals that I’ve had the joy of owning. Strymon knocked it out of the park with how versitle this thing is.
Artist usage
Add artist
This is my newest pedal, I got it pretty recently. It has six different modes for all these different overdrives, which you can mix together at the same time. The overdrives probably change the most in my rig.
Sometimes there’ll be a Keeley Red Dirt here or a modded Tubescreamer or a Boogie model. With all the features of my Boogie, I don’t really need an overdrive pedal. The Majesties also have a 20dB boost on the volume control! So we really don’t need these, but in the spirit of fun, we thought we’d include a little something extra.
Strymon Sunset overdrive is clearly visible on his board during this live session.
Quoted from this interview that also shows Dave's solo career pedalboard:
I use this primarily for leads, there are a lot of settings I still need to explore because I've just kept it on the first one I liked. It's really great for solo playing.
Guitars 2019 Fender Johnny Marr Jaguar ’66 Fender Coronado II Fylde 12-string (loan from Richard Hawley) Amps Fender ’68 Custom Twin Reverb Lazy J (used only at Angelic Studio) THD Electronics Hot Plate Strings & Picks
Ernie Ball Burly Slinkys Dunlop Tortex .60 mm Effects Industrialectric Echo Degrader DigiTech Hardwire RV-7 Stereo Reverb Moose Electronics Reverb Moose Electronics Delay Strymon Sunset Strymon Deco ThorpyFX Chain Home Electro-Harmonix Nano POG Dunlop Volume (X)
Babcock mentioned that he uses Strymon Sunset in this Twitter reply. Mentioned as a part of the rig used on 2022 album "THE UNRAVELING OF PUPTHEBAND" in November 2022 issue of Guitar World.
During the Premier Guitar Rig Rundown video from September the 2nd 2020, Phil is interviewed by Chris Kies and whilst discussing his gain stages he states that he uses the Stymon Sunset as one of his drives.
"Right now on the board I've got the Strymon Sunset which I like for a lot of Different reasons.... The advantage that the Sunset has is that you can get two distortions either series, parallel... you can blend these in..."
Album Usage
The Strymon Sunset Dual Overdrive has been featured on the following albums:
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Strymon Sunset Dual Overdrive, it is most commonly used with the following gear.
Community setups
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About the same price and also great and excellent but I personally prefer the sunset dual overdrive.
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