dom_greenaway

Fantastic with a light to medium overdrive, with the bright switch engaged theres a wonderful crunch to the repeats. turning on the modulation section will instantly warm the tone, and can bring you to an almost memory man style delay. it's also great with clean sounds, a little modulation and a slightly lower mix gives a great warming ambiance to your sound. I'd highly recommend this to anyone after an analog delay.

It's a pretty boring digital delay, in general it lacks any character. However, there is one redeeming factor... You can get some cool noises and glitch effects using the loop function.

I quite liked the reverb, it was a super simple 2 knob reverb not really much more to it. However the delay was a big disappointment, i found it to be very thin and never sat right with either clean or overdriven sounds, i never tried it with anything high gain. I was looking forward to another reverse delay but ended up underwhelmed. The swell mode actually sounded alright but the sensitivity on it left something to be desired. Overall i'd say it's a pretty poor delay that can thankfully be covered by a blanket of reverb.

It's just the best reverb, I haven't found anything it doesn't work on. It seems to just work however you have it set. It's a pretty inspiring pedal from a subtle mood change to a trip through space. I found myself lost in it's sounds for hours.

I think I regret selling it... Kind of want another. I wouldn't say it's the best chorus but it definitely has a vibe of it's own.

I've had this for around 10 or 11 years now and its still going strong, i thought it was dying when it started to turn of whenever i tried to tune the D and B strings, turned out it was actually bad power supply causing issues and it's still going strong.

There is a hell of a lot of sounds available here, from boosted/overdriven tones to springy compression. But I'm not sure that's really what anyone wants in a stompbox compressor... In general compressors are set and forget kind of pedals so spending so much money on a pedal that in most cases you only want to feel and not hear just doesn't feel right. I would say this is a great studio tool, but in fairness a good studio will have things far superior. As much fun as this pedal is, and as great as it sounds it some how always left underwhelmed, tweaking settings and trying to get things to fit in just right. In the end I decided it wasn't for me. It was too toy like, I managed to have some fun with it but it never amounted to anything.

I've had two of these. The first I loved but eventually sold. The second I bought to replace the first but it sounded completely different. The delay wasn't as dark or inspiring and the chorus didn't offer the mood of the first. There are a lot of trim pots inside and my guess is that during production they simply aim to get voltages within a desired range and don't finalise anything by ear.

I'm not sure why but I've never found a digital delay i've liked as much. The DL4 while not really a similar delay was close as far inspiration and the Walrus Mako was fun but still fell short.

It's an overdrive.... It's got mids.... It does what you need it to do. Ohh and it sucks tone when it's off

I used to have the level at minimum and use this as an always on pedal in front of a Princeton reverb. It was the perfect clean boost, the boost was only slight but the smoothing effect it had on the amp was perfect for single coils, it took away any kind of harshness and gave a more pleasing balanced sound.

This one never felt right. I could never get it to sound like a full size Big Muff pedal.

It isn't the most versatile pedal but there are some very useable sounds in it especially for lower gain

I got this when it first came out. I was expecting an upgrade to the DD-20 but it felt more like a DD-3 with extra functions. There's a lot of options with this pedal. At the time they could only be adjusted on the pedal and it wasn't a fun process at all. I imagine now it's a more manageable pedal but at the time it was a nightmare.