Acle Kahney

I also have an Ibanez RGD 2127 which I just use live now for the songs from One This one has a 26.5? scale

In the US and on the DVD we’d replace the Mesa with a Peavey 6505+ which sounds great. Love the sound of them.

At the moment my main guitar is a 7 string Mayones Regius. It’s a through neck 27? scale

I have an Ibanez RGD 1527 which is now my backup gutiar. It’s basically an older version of the 2127 but mine is pretty beat up after so much touring.

I recently upgraded to a Prism Orpheus which has amazing AD/DA but the drivers are not quite as great as the RME

At the moment my main guitar is a 7 string Mayones Regius. It’s a through neck 27? scale, swamp ash with Bareknuckle Aftermaths in both the bridge and neck

When you buy the Acle's drum mixing tutorial, you see that the Waves PuigTec EQ's are a staple of his kick sound. They mimic the famous pultec trick for clear and punchy low end.

For a long time I used the POD XT Pro for recorded tones. I still use it now for that signiture “Milton Cleans” sparkly, glassy, sterile clean tone which I’ve used since the Fell Silent days.

Acle Kahney uses a Mesa/Boogie Dual Rectifier Solo Head for rhythm guitar, as detailed in his MetalSucks feature.

Mesa Boogie Dual/Triple rectifier for rhythm through a 4×12.

As for some of the other gear and outboard… UBK Clariphonic parallel EQ and an API 2500 for the master buss.

I also have an Ibanez RGD 2127 which I just use live now for the songs from One This one has a 26.5? scale, a Lundgren M7 in the bridge and a stock neck pickup

When we first started jamming we’d use a Sound Sculpture MIDI “AB Cadabra” to switch between using a POD for the cleans, direct to the PA,

We’d usually run a Boss NS-2 before it to tighten it up

2 Lindell Audio 7X-500's can be seen in this image contained in a 6-slot API lunchbox.

Now we use Axe-FX Ultras. It keeps the tone consistent between recordings and live and it’s a hell of a lot easier and more reliable.

Our Axe-FXs are chained up via MIDI into an RME Fireface 800 and into a laptop

As for some of the other gear and outboard… UBK Clariphonic parallel EQ and an API 2500 for the master buss. SSL X Desk for summing, Avalon 737 channel strip, Axe-FX 2

As for some of the other gear and outboard… UBK Clariphonic parallel EQ and an API 2500 for the master buss. SSL X Desk for summing, Avalon 737 channel strip, Axe-FX 2, Kemper Profiling Amp & ISP Decimator Pro Rack G.

Acle mentions that he used the Viper for some cleans on Tesseract's Altered State album.

The Setius AK1 is Acle's custom Mayones guitar and he is seen demonstrating it in this video.

Acle is clearly seen using this plugin in this clip from his drum mixing tutorial.

Acle uses this in his drum mixing tutorial as listed on his website.

Acle lists the Kush Audio Clariphonic EQ VST as one of the plugins he used for mixing his kemper profile examples.

On Acle's studio website 4dsounds.com, an image containing the SPL Vitalizer Mk2-T can be seen.

In the minute 1:23 , you can see in the background the Peavey 6505+ with a Mesa OS 4x12 Cabinet

Mesa Boogie Dual/Triple rectifier for rhythm through a 4×12.

We’d usually run a Boss G-EQ7

At the moment we bring our own HH Tessen monitoring with us since most venues monitors are fucking shit. We hoping eventually to upgrade to the in-ear monitor route.

Kemper Profiling amps also sent us a Kemper to try out halfway through recording, which sounds great. We used it for the rhythm sounds on one of our new songs “Eclipse.”