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Based on price data from 3 merchants for "Mesa/Boogie Triple Rectifier 150W Solo Head (Multi-Watt)". Prices shown reflect NEW condition. Tracking began Apr 2, 2026.
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Description
There are three distinct generations of Mesa Boogie Triple Rectifiers: 1) 2-channel solo heads (1992-1999) 2) 3-channel solo heads “Multi Channel” (2000-2010) 3) 3-channel solo heads “Multi-Watt” (2010-now)
This item is for the 3rd generation “Multi-Watt” Triple Rectifiers.
In 2010, Mesa Boogie released a new variant of the three channel Rectifiers, allowing to switch each channel separately to either full power or limit its power to 50W. Full power for a Triple Rectifier is 150W (Dual is 100W).
The Mesa/Boogie Triple Rectifier 150-Watt Tube Head is a titan of tone, providing a versatile range of sounds from crystal clear cleans to devastating distortion. This powerful amplifier head is perfect for modern guitarists seeking the perfect blend of innovation and tradition. It is powered by flexible 6L6 power tubes and five 12AX7 preamp tubes that drive three independent channels, each with their unique modes to sculpt your sound.
With a whopping 150 watts, this amplifier head delivers a robust low end, rich harmonics, and a focused midrange that can stand out in any mix. No matter your playing style, the Triple Rectifier can help you discover your signature sound.
The Triple Rectifier offers three separate channels, each with their unique modes. Channel 1 provides sparkling clean tones, while Channel 2 brings singing lead tones and chunky rhythms. Channel 3, however, is where the Triple Rectifier truly shines, unleashing high-gain fury for your heaviest riffs.
Key Features:
- Three independent channels with six controls each for bass, mid, treble, presence, master, and gain.
- Channel 1 provides clean tones or bluesy grit.
- Channel 2 offers vintage Raw or Modern modes for lead tones and chunky rhythms.
- Channel 3 delivers high-gain fury with vintage Modern and Vintage Lead modes.
- Each channel features Multi-Watt Power Switch (50/150 Watt) for different venue sizes.
- The amp's tone stack reconfigures at lower wattages to maintain consistent performance at any volume level.
- Tube compliments include 6x6L6 (or 6xEL-34), 5x12AX7, and 3x5U4.
- The Bias Select switch (6L6/EL34) offers Fixed Bias for consistent, maintenance-free performance.
- Includes a footswitch pedal for on-the-fly channel switching.
- The SOLO and OUTPUT knobs are only active when the FX Loop is engaged, giving you extra control over the sound.
- Channel Assignable Dual Rectification with Recto Tracking further enhances the sound quality.
Product specs
| Type | Tube |
| Number of Channels | 3 |
| Total Power | 150W/50W |
| Preamp Tubes | 5 x 12AX7 |
| Power Tubes | 6 x 6L6, 3 x 5U4 (Rectifier) |
| EQ | 3-band |
| Inputs | 1 x 1/4" |
| Outputs | 5 x 1/4" (4/8/16 ohms), 2 x 1/4" (slave, tuner) |
| Effects Loop | Yes |
| Footswitch I/O | 1 x 7-pin DIN (channel, mute, solo, FX loop), 4 x 1/4" (ch 2/3, solo, FX loop) |
| Footswitch Included | Yes, 6-button |
| Construction Material | Birch Plywood with Black Tolex |
| Power Source | Standard IEC AC cable |
| Height | 10" |
| Width | 25.5" |
| Depth | 9.8" |
| Weight | 48 lbs. |
FAQs
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What are the main tonal characteristics of the Mesa/Boogie Triple Rectifier 150W Solo Head?
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The Mesa/Boogie Triple Rectifier is renowned for its aggressive, high-gain tones, making it ideal for rock and metal genres. It offers a versatile sound palette with its three channels, ranging from clean to heavily distorted tones.
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Can the Mesa/Boogie Triple Rectifier 150W Solo Head be used for both small gigs and large venues?
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Yes, the Multi-Watt feature allows you to switch between 50W and 150W, providing flexibility for different venue sizes. This helps achieve optimal sound levels whether you're playing in a small club or a large concert hall.
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Does the Mesa/Boogie Triple Rectifier work well with effects pedals?
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Yes, it includes an effects loop, which makes it compatible with a wide range of effects pedals. This allows you to integrate your pedalboard seamlessly for enhanced sound customization.
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What kind of footswitch does the Mesa/Boogie Triple Rectifier 150W Solo Head come with?
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The amp comes with a 6-button footswitch that allows you to control channel switching, mute, solo, and the effects loop, offering convenient control over your sound during performances.
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What kind of tubes does the Mesa/Boogie Triple Rectifier use?
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It uses 5 x 12AX7 preamp tubes, 6 x 6L6 power tubes, and 3 x 5U4 rectifier tubes, contributing to its powerful and distinctive tube-driven sound.
Videos
Kris Barocsi
Mesa Boogie Triple Rectifier - PRS Custom 24 - DEMO - /good sound!/
Mesa Boogie Triple Rectifier - PRS Custom 24 - DEMO - /good sound!/
Kris Barocsi
Mesa Boogie Triple Rectifier - Playthrough
Ola Englund
Mesa Boogie Triple Rectifier - Metal
Ola Englund
Mesa Boogie Triple Rectifier - Metal (Feared Cover)
Riffs, Beards & Gear
Mesa Triple Rectifier 3 Channel - 150 Watts of Chug Power
Kyle Bull
Mesa Boogie Triple Rectifier / Sounds Amazing!!
Hollywood Rare Guitars
Mesa Boogie Reborn Triple Rectifier boosted
Mark Starr
Reviews
PROS
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Hand-wired in California ensures quality craftsmanship
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Versatile 3-channel configuration for a variety of tones
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Signature high-gain sounds ideal for metal and hard rock
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Rich tube tone with punchy and smooth sound characteristics
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Built-in solo boost feature for standout moments
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Durable construction withstands rigorous use
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Wide tone sweep and voicing switches for precise sound shaping
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Can switch between solid-state and tube rectification for tonal variation
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Offers both vintage and modern voicings for flexibility
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150 watts of power provides ample volume for any setting
CONS
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Clean channel considered weaker compared to other channels
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Static buildup issue in the switching circuit can cause loud pops
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Effects loop performance is inconsistent across channels
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Some find the amp overly dark sounding
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High maintenance cost due to tube servicing
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Not ideal for players seeking exceptional clean tones
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Mesa/Boogie Triple Rectifier 150W Solo Head (Multi-Watt).
Features and functionality
User experience
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Owners highlight the importance of experimenting with the amp's EQ, particularly adjusting mids, to find a unique tone.
Source -
A detailed manual with sample settings aids in navigating the amp's extensive tonal capabilities, reducing the learning curve.
Source -
Owners report that the Triple Rectifier can dial in decent tone at low volumes, but it improves significantly when cranked slightly above the minimum.
Source -
Some owners modify the layout of their Rectifier heads to change the channel order, finding the standard right-to-left signal flow counterintuitive.
Source
Comparisons
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The decision between the Dual and Triple Rectifier often hinges on the multi-watt feature, with many preferring the added power options of the Triple.
Source -
Some owners feel the Triple Rectifier offers superior tonal quality at any volume compared to the Dual Rectifier.
Source -
The Road King II is often recommended for its superior clean tones, attributed to its incorporation of Lonestar cleans, compared to the Triple Rectifier.
Source
Setup and maintenance
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The Triple Rectifier requires more frequent retubing due to its 10-tube configuration, adding maintenance costs compared to the Dual Rectifier.
Source
Use cases and applications
Mods and upgrades
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Adding an attenuator like the Ironman II can enhance low-volume tone, acting as a master volume control without compromising sound quality.
Source -
Some users suggest modding the Triple Rectifier for improved clean channels, like the Voodoo mod, though it voids the warranty.
Source -
The Triple Rectifier is commonly paired with different cabs, like MESA V30 4x12, to explore tonal improvements, especially for clean sounds.
Source
5.0 out of 5
Based on 14 Reviews and 66 Ratings
377
Loud, very LOUD!
My main amp head. This thing is a literal beast. It's so LOUD I had to use smaller amp cabinet for rehearsal at home. The best sounding amp I've ever heard so far and a lot better than the Dual Recto IMO. Reasonable price. Good job, Mesa!
41029
ugh
Okay, the triple rec is based heavily on Soldano's SLO100 preamp topology only with a gob of voicing switches added to each channel and an individual tone stack for each channel that is also a Soldano Tweed Bassman type of 3 band cathode follower thing. The tone controls have a wide sweep, the voicing switches do quite a bit and each channel already ahs its own unique voicing and gain structure. The power amp relies on a pile of 6L6es and you can change the rectification around between solid state for punch, dual 5U4s for some sag and 1 5U4 for ridiculous plate-starvin' compression when you dig in. There's an effects loop and a ton of other features that can be baffling to weed through.
Here's my review though... the clean tone on this amp is worthless. Its your typically weak channel switching clean. No matter how you voice it, how you set the power amp and rectification, the clean sound will be weak. The crunch channel has a bit too much gain in every voicing mode and the tone controls are hard to dial in. Its an overcompressed sound no matter what you try to do with it. Its good for certain types of rhythm playing. The Red channel, the 3rd super gainy one? It takes the SLO100 thing way over the top. In the 90s post-grunge world guys were using this crazy gain channel for rhythm all the time and it was a time of awful, sludgey guitars. Its so gainy you might as well just get a 1 channel fender head and play through a big muff.
Okay, I am being harsh. The red channel does this modern lead sound that is fairly unique. But its played out and still not cool enough to garner 'classic' status like a dimed out Marshall super lead. If you are thinking of a triple rec, skip all the features and get something that was voiced right the 1st time and make that voice your own. Think Soldano or maybe Bogner.
5339
I like these more than ac30s personally but im a boogie fanboy
41029
apples and oranges, not tryin to compare them, but given the choice between any boogie and say a Soldano? Soldano. Also, I'm about to go off here; servicing the rectifier series in the event soemthign fails (and it will, probably the switching) is a complete nightmare. The triple rec, for all its bells and whistles, is not even the worst offender of the mesa line in this regard, but its rough. Hard to access, parts crammed in tight as can be, 8 million jfets in the non audio part of the circuit that tend to go bad when exposed to heat and vibration.... ahem, tube amp. Randall smith brought us the originalcascading gain stage design and for that he has my eternal respect, but otherwise? even the best sounding mesa (and even ia dmit they've made some sweet amps over the years) have massive engineering flaws that I shouldn't have to put up with.... even my 62 ac30 is more reliable and THAT has engineering flaws and is old enough to be my dad... well, maybe someone's dad, my dad's a lot odler than that. but you get it. A brand new amp should be running worry free with nothing but tube changes for a decade. I've owned vintage fenders thatw ere going strong on the original tubes, speakers and all the original componentry for 50 years. I'll go through and check them out, but they're designed right. That's my beef with mesa (and every non-reissue marshall since the 900 series). The tripel rec is not to my taste tonally but its capable of a few sounds that are all tis own if they're your thing.... but I have seen so many broken ones. I won't even try to repair mesas anymore, I just ll people to conact mesa or get a reliable amp.
41029
and for the record I'm a huge fan of the rectoverb and the trem one, the single channels, they're well spaced easily accessible designs and the stripped down feature set isn't failure prone
5339
Fair i have been gigging fairly heavily with one and a jcm900 a while now and blew a valve on it and damaged the circuit and blew a jcm valve and its a nightmare so im using my modded superlead reissue that was my main during the 90s because I cannot be arsed to fix the boogie right now and I forgot how ridiculously good that head was so i'm using that until i fix the triple rec because I just love that boogie sound personally I really like a lot of other amps sc30s fender twins jcms and slps but i always loved the boogies dirty sound which i run usually in tandem with a 900.
5339
but I also found my self that the tremoverb never had enough filth for me but whatever you like man.
41029
I like clarity
103
I'm using the multi-watt reborn version of the triple rectifier and the clean tone has been much improved. I believe it's basically the clean from the lonestar, although I could be mistaken. The older version of the clean definitely left a lot to be desired.
41029
the lonestr preamp is only a whicker different than the rectifier... all of the non-mark amps are basically soldano preamps
92
Gonna have to disagree with you on a lot of this. The clean channel sounds fantastic on mine. Better than the clean on the Single and Dual. It is not hard to get a full and sparkling clean tone with a lot of headroom with this amp. As for the gain channels there is a ton of versatility and it’s all in how you EQ it. I always use an overdrive boosting the gain channels to tighten things up. Anyone complaining about the amp being too bassy or sludgy should try that. Also the modern red mode is definitely the bassiest setting as it has no negative feedback. I use the vintage mode on channel two mainly and I can still get tons of screaming gain if I want, but the voicing is much tighter. I’ve owned the Single, Rectoverb, Dual three channel Multiwatt, and Roadster and the 3 channel Triple Solo head is my favorite of them all. Amazing amp.
92
Gonna have to disagree with you on a lot of this. The clean channel sounds fantastic on mine. Better than the clean on the Single and Dual. It is not hard to get a full and sparkling clean tone with a lot of headroom with this amp. As for the gain channels there is a ton of versatility and it’s all in how you EQ it. I always use an overdrive boosting the gain channels to tighten things up. Anyone complaining about the amp being too bassy or sludgy should try that. Also the modern red mode is definitely the bassiest setting as it has no negative feedback. I use the vintage mode on channel two mainly and I can still get tons of screaming gain if I want, but the voicing is much tighter. I’ve owned the Single, Rectoverb, Dual three channel Multiwatt, and Roadster and the 3 channel Triple Solo head is my favorite of them all. Amazing amp.
92
Gonna have to disagree with you on a lot of this. The clean channel sounds fantastic on mine. Better than the clean on the Single and Dual. It is not hard to get a full and sparkling clean tone with a lot of headroom with this amp. As for the gain channels there is a ton of versatility and it’s all in how you EQ it. I always use an overdrive boosting the gain channels to tighten things up. Anyone complaining about the amp being too bassy or sludgy should try that. Also the modern red mode is definitely the bassiest setting as it has no negative feedback. I use the vintage mode on channel two mainly and I can still get tons of screaming gain if I want, but the voicing is much tighter. I’ve owned the Single, Rectoverb, Dual three channel Multiwatt, and Roadster and the 3 channel Triple Solo head is my favorite of them all. Amazing amp.
92
Gonna have to disagree with you on a lot of this. The clean channel sounds fantastic on mine. Better than the clean on the Single and Dual. It is not hard to get a full and sparkling clean tone with a lot of headroom with this amp. As for the gain channels there is a ton of versatility and it’s all in how you EQ it. I always use an overdrive boosting the gain channels to tighten things up. Anyone complaining about the amp being too bassy or sludgy should try that. Also the modern red mode is definitely the bassiest setting as it has no negative feedback. I use the vintage mode on channel two mainly and I can still get tons of screaming gain if I want, but the voicing is much tighter. I’ve owned the Single, Rectoverb, Dual three channel Multiwatt, and Roadster and the 3 channel Triple Solo head is my favorite of them all. Amazing amp.
92
Gonna have to disagree with you on a lot of this. The clean channel sounds fantastic on mine. Better than the clean on the Single and Dual. It is not hard to get a full and sparkling clean tone with a lot of headroom with this amp. As for the gain channels there is a ton of versatility and it’s all in how you EQ it. I always use an overdrive boosting the gain channels to tighten things up. Anyone complaining about the amp being too bassy or sludgy should try that. Also the modern red mode is definitely the bassiest setting as it has no negative feedback. I use the vintage mode on channel two mainly and I can still get tons of screaming gain if I want, but the voicing is much tighter. I’ve owned the Single, Rectoverb, Dual three channel Multiwatt, and Roadster and the 3 channel Triple Solo head is my favorite of them all. Amazing amp.
1391
The gold standard
EDIT: review was for MultiChannel not Multi-Watt (now on separate page)
There is no substitute for tubes. This thing has a signature tone that you either like or not. It’s become the standard for metal tones, but is so versatile that it also allows superlead-like tones with the middle channel in “vintage” and the bass eq and gain turned down. I love it.
Preferred Settings + Usage:
I use this one in lower tunings like drop C, drop B and drop A, with a VHT Fatbottom and an Orange 212 CB.
1086
Workhorse of an amp
I got this one used at Guitar Center. I have to say that this is the most powerful amp I have played to date. It is capable of crushing metal tones but also of clear cutting leads and cleans that cut through the mix. After several previous amps I definitely think that Mesas overall fit my tone and playing style the most.
41029
2 words: maintenance whore
Fire Breather
It is what it is, a monster of an amp with tons and tons of gain on tap. Plug in, crank it up, it's fantastic. I would like a better clean sound and I hear the newer ones deliver that somewhat but my old one from the late 90's doesn't.
Otherwise, it's heavy as hell, very quiet when you're not playing and very very reliable. I'm glad I bought one when I was a kid and was smart enough to hold onto it in the following decade and a half.
103
Reference metal head
Best metal amplifier i've ever tried, very versatile, solid and loud as hell
57
Fantastic amp
Very versatile amp. I can get anything from a RCHP tone to Metallica out of this head. Just make sure to have a smaller amp for home use as this thing is obnoxiously loud.
Artist usage
Add artist
John Frusciante clearly seen playing through a mesa/boogie triple rectifier head.
The official Metallica website has a list of equipment used by each band member during their 2010 tours. For the front-man and rhythm guitarist of Metallica, James Hetfield, They list the Mesa/Boogie Triple Rectifier Guitar Amp Head.
According to Guitar-Rigs.com, Hammet used the Triple Rectifier.
Thomas DeLonge used the Mesa/Boogie Triple Rectifier 150-Watt Tube Head during the iconic "All the Small Things" era with Blink-182, as noted by Mesa/Boogie's official site.
This photo of Buckethead playing live at the Barrymore Theatre in Madison, WI in 2008 shows he uses a pair of Mesa/Boogie Triple Rectifier Amp Heads. The one to the right of the photo sits on top of an angled Marshall speaker cabinet.
In the YouTube video by YtheCreator77, at the 20-second mark, Daron Malakian can be seen using a Mesa/Boogie Triple Rectifier 150-Watt Tube Head while addressing a technical issue during a System Of A Down concert.
A user-uploaded photo on Guitar Geek shows Wes Borland using three Mesa/Boogie Triple Rectifier 150-Watt Tube Heads.
The Palmer splitter sends one signal to this Mesa/Boogie Triple Rectifier head that drives a Mesa/Boogie 4x12 Rectifier Standard Oversize cab.
He uses this amp pretty often, and is seen behind him in this video. He actually played through this amp in many more videos.
Brian uses two Mesa Boogie Triple Rectifiers, according to Guitar Geek.
On the official site of Mesa Boogie, it lists a Triple Rectifier Amp among Richard Zven Kruspe's gear.
Album Usage
The Mesa/Boogie Triple Rectifier 150W Solo Head (Multi-Watt) has been featured on the following albums:
Ciano (Ao Vivo)
Fresno (2016)
Ghosts in the Machine 2
Switched (2013)
Cryptopsy
Cryptopsy (2012)
Kairos
Sepultura (2011)
Evisceration Plague
Cannibal Corpse (2009)
When Love Met Destruction
Motionless In White (2009)
Ghosts in the Machine
Switched (2006)
Ciano
Fresno (2006)
Subject to Change
Switched (2006)
The Negation
Decapitated (2004)
Damnation
Opeth (2003)
Helvete
Nasum (2003)
Deliverance
Opeth (2002)
And Then You'll Beg
Cryptopsy (2000)
Bloodthirst
Cannibal Corpse (1999)
The Gathering
Testament (1999)
Demonic
Testament (1997)
Low
Testament (1994)
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Mesa/Boogie Triple Rectifier 150W Solo Head (Multi-Watt), it is most commonly used with the following gear.
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