Alan Braxe

At 5:50 in this video with Alan Braxe, you can clearly see a Alesis 3630 being used.

At 6:00 in this video, one can spot Alan Braxe's PCM 42.

At 0:28 in this video Alan Braxe introduces the SP 1200. He says, "I think it's a fantastic machine. Really easy to use."

In a studio tour video by MusicRadar Tech on YouTube, Alan Braxe is shown using the Tapco S8 Studio Monitors.

At 4:27, Alan Braxe mentions the ASR 10.

At 5:50 in this video with Alan Braxe, you can clearly see a Roland S-760.

I bought the Octatrack about five months ago and I’m not in full control of it yet because it’s quite complex. You can do a lot of things but what I find really interesting are the parameter locks on the sequencer. I’m mainly starting to use it as a MIDI sequencer because you can control every parameter of hardware synths with it. In one minute you can build a pattern and control notes, filter settings, decay, attack, MIDI continuous controllers on every step of the bar. It’s really cool

The converter is important too: the Universal Audio 2192. Conversion is the key. If the way you convert your analogue signal to digital isn’t good, you’re losing everything.

At 6:50 you can see Alan showing off his MPC60, commenting on it's sequencer being amazing and that you can "put down beats in 10 minutes" with it.

Alan Braxe talks about his SH2 in the beginning of the clip. "This one is really good for bass, leads and all kinds of plastic sounds"

In a studio tour video by MusicRadar Tech, Alan Braxe is seen using the Doepfer MAQ 16/3 MIDI Analogue Sequencer.

In a studio tour video by MusicRadar Tech, Alan Braxe showcases his use of the Universal Audio 2-1176 Twin Vintage Limiting Amplifier.

In this video with Alan Braxe, you can see a PCM 70 being used at 5:50.

The Oberheim Xpander can be seen on the still shot of this video (before pressing play), in Alan Braxe's studio, on the left.

Alan Braxe: I’ve been using Ableton for five years and I’d love to move to Pro Tools but I’m working on an important project and I’m a bit scared because of the learning curve of Pro Tools, so I keep on working on Ableton.

There is a ssl x desk in his studio.

SSL bus compressor, Chandler Germanium pre-amp, API 2500 and Kush Audio Clariphonic EQ

SSL bus compressor, Chandler Germanium pre-amp, API 2500 and Kush Audio Clariphonic EQ

In an interview with Attack Magazine, Alan Braxe mentions using the Chandler Limited Germanium Drive among other gear in his setup, highlighting its role in shaping his distinctive sound.

SSL bus compressor, Chandler Germanium pre-amp, API 2500 and Kush Audio Clariphonic EQ

I also think the Moog [MF-104M] delay unit is amazing. There’s a MIDI input on the pedal and the LFO and delay time can be synced in MIDI.

In a photo provided by Mp3xl, Alan Braxe is shown using the Pioneer CDJ-1000 during a mixing session.

In a studio tour video by MusicRadar Tech on YouTube, Alan Braxe is shown utilizing the Mackie Big Knob Studio Command System for studio monitor management.

In a studio tour video by MusicRadar Tech on YouTube, Alan Braxe showcases his use of the Studio Electronics Omega 8 synthesizer.

Brent Averill 1272 in video

In a studio tour featured by MusicRadar Tech on YouTube, Alan Braxe showcases his use of the RME Fireface 800 FireWire Computer Recording Interface.

Answering a question about the synths used in his 2002 track 'Palladium', Alan comments: "all synth sounds by moog opus III".

Alan posted an image of his Oberheim Prommer on Facebook, stating: "When you want gritty sounds, there is no better option than the venerable E-mu SP-1200. But if you want it downright filthy, there is the Oberheim Prommer, where you can spend 15 minutes programming and transferring a single drum sound on an EPROM chip...The drums on "Palladium" were made this way, all the way back in 2002."

His Sequential Circuits DrumTraks can be seen directly above his Oberheim Prommer in this photo posted to his Facebook page.

at 3:39 you can see the fx pedal.