Alan Parsons

Parsons can be seen in this photo playing a Gibson J-185.

"Keyboards and synths have always played a huge role in Alan’s music, and many Motif sounds are essential to performing his classic hits with the Alan Parsons Live Project, as he proceeded to sit at the Motif XS to demonstrate. He punched up the factory patch Nu Phasing, telling us “This is the Clav sound I use on ‘I Robot.’” Switching to Sweet Flute, he said, “Here’s a sort of signature sound from ‘Pyschobabble’ off of Eye in the Sky,” then played the 12-note chiff flute riff that famously answers the vocal. Of course, his biggest hit was that same album’s title track, led off by Wurlizter electric piano chords. “On the record, of course, it was an actual Wurlitzer, but the sound in the Motif is virtually indistinguishable.”"

I just like to keep things simple. Having said that, my favourite mic pre which is also a limiter/compressor is the Universal Audio 6176... I'm looking at it right now. I'm also a big fan of the original dbx 160.

I've always favoured the Neumann U47. I don't own one, but whenever there's one available I always try and use it for vocals. AKG Dynamics on toms-toms. I normally favour a condenser mic for snare drums like a Neumann 84, which is unusual because most engineers prefer dynamics on snare drums.

I've always favoured the Neumann U47. I don't own one, but whenever there's one available I always try and use it for vocals. AKG Dynamics on toms-toms. I normally favour a condenser mic for snare drums like a Neumann 84, which is unusual because most engineers prefer dynamics on snare drums.

The Mixer can be seen 2:15 into this video

I just like to keep things simple. Having said that, my favourite mic pre which is also a limiter/compressor is the Universal Audio 6176... I'm looking at it right now. I'm also a big fan of the original dbx 160.