Chris Bishop

Chris Bishop owns a "Vox Time Machine Delay that was modded" (source). Expanding on this in an Ultimate Guitar review, he said, "That's the one that has the super crazy oscillation. I took the tap out of it; I did some changes to the knobs so that I can hit them with my feet. I use that for building tension between parts.".

"I also have a Way Huge Swollen Pickle and a Z-Vex Fuzz Factory."

• Chris Bishop; Vintage Guitar Magazine interview

In this image, Chris seems to have mounted all his pedals on a Pedaltrain 1.

"I’ve got a Morley Bad Horsie Wah, which is one of the first they ever made. I use it more as a filter effect."

• Chris Bishop; Vintage Guitar Magazine interview

"I also have a Way Huge Swollen Pickle and a Z-Vex Fuzz Factory."

• Chris Bishop; Vintage Guitar Magazine interview

"Then I have an Electro-Harmonix Micro POG and a POG 2. The Micro POG is set for one octave down, while the POG 2 I use strictly for my octave up. I stack them. That’s the holy grail of kick-you-in-your-face tone. When I want to get heavy and knock someone’s balls off, I put that Fuzz Factory on with that sub-octave from my POG."

• Chris Bishop; Vintage Guitar Magazine interview

Due to circumstances with the POG2 breaking, Chris has told Ultimate Guitar that he now uses two Micro POGs for the octave low and high.

"Then I have an Electro-Harmonix Micro POG and a POG 2. The Micro POG is set for one octave down, while the POG 2 I use strictly for my octave up. I stack them. That’s the holy grail of kick-you-in-your-face tone. When I want to get heavy and knock someone’s balls off, I put that Fuzz Factory on with that sub-octave from my POG."

• Chris Bishop; Vintage Guitar Magazine interview

In a second interview later on with Ultimate Guitar, Chris says that he stopped using this pedal later on due it breaking multiple times. It's possible that sometime before May of 2015, he stopped using this pedal.

"My other delay is an Ibanez Echo Shifter. It has a really big knob in the middle that you can use with your foot to move up and down. That’s how I get that whirly psychedelic sound."

• Chris Bishop; Vintage Guitar Magazine interview