Chris Carter

Background: 2x 'Faderfox LV1' MIDI controller fader units Foreground Left: Korg Monotron synthesiser Foreground Right: 'Korg mini-KP' Kaoss Pad effect unit (custom modified) As used by: Chris Carter

A CR-78, among other gear, can be seen in this picture of Chris Carter's studio.

In this picture Chris Carter took of his gear, a Korg ER-1, a KP3 and a Kaossilator can be seen.

In this picture Chris Carter took of his gear, a Korg ER-1, a KP3 and a Kaossilator can be seen.

A TR-808 and a CSQ-600 can be spotted among the gear in this image of Chris Carter's studio at Industrial Records.

The gear is... (Left side - top down): Boss PH-1 phaser pedal, Simmons ClapTrap, Roland SRE-555 Chorus Echo, Roland SH-7 Synth, Boss DR-55 Dr.Rhythm, Roland CSQ 100 sequencer, Roland CR-78 CompuRhythm.

The gear is... (Left side - top down): Boss PH-1 phaser pedal, Simmons ClapTrap, Roland SRE-555 Chorus Echo, Roland SH-7 Synth, Boss DR-55 Dr.Rhythm, Roland CSQ 100 sequencer, Roland CR-78 CompuRhythm.

Chris Carter uses the Korg Electribe ER-1 Rhythm Synthesizer, as highlighted in an article by The Quietus. The article mentions this gear in the foreground, with a MOTU UltraLite Mk3 Hybrid audio interface in the background.

Foreground: Korg ER1 Electribe Rhythm Synthesiser Background: MOTU 'UltraLite Mk3 Hybrid' laptop audio interface As used by: Chris Carter

A Boss DR-660 was used on the album Small Moon, according to the liner notes.

A TR-808 and a CSQ-600 can be spotted among the gear in this image of Chris Carter's studio at Industrial Records.https://s-media-cache-

The gear is... (Left side - top down): Boss PH-1 phaser pedal, Simmons ClapTrap, Roland SRE-555 Chorus Echo, Roland SH-7 Synth, Boss DR-55 Dr.Rhythm, Roland CSQ 100 sequencer, Roland CR-78 CompuRhythm.

Cosey Fanni Tutti's Flickr account has a photo of herself with a Mac Pro; according to the caption, the Mac is Chris Carter's.

This was the first track I 'officially' recorded as part of my CCCL project (aka: Chris Carter's Chemistry Lessons). It was made in 2007 with a Gameboy ASP running a couple of Nanoloop sequences: into a Boss PQ-4 parametric EQ, mono out: into a Boss PN-2 Panner (square-wave pan setting), stereo out: into a Boss RV-5 reverb (Gate setting), stereo out > into a Boss DD-6 digital delay (modified), stereo out: into a Mac G5 recording (via MOTU 828 mkII audio interface) into Apple Soundtrack Pro. All realtime tweakery (mostly the PQ-4 + DD-6) and no post-pro no editing.

This was the first track I 'officially' recorded as part of my CCCL project (aka: Chris Carter's Chemistry Lessons). It was made in 2007 with a Gameboy ASP running a couple of Nanoloop sequences: into a Boss PQ-4 parametric EQ, mono out: into a Boss PN-2 Panner (square-wave pan setting), stereo out: into a Boss RV-5 reverb (Gate setting), stereo out > into a Boss DD-6 digital delay (modified), stereo out: into a Mac G5 recording (via MOTU 828 mkII audio interface) into Apple Soundtrack Pro. All realtime tweakery (mostly the PQ-4 + DD-6) and no post-pro no editing. MO

Chris Carter's article about the Roland MC-8 for Sound on Sound, in which he talks about his experience using it.

"Then we had a couple of [Roland] RE201 Space Echos and I had a WEM Copicat."

An Akai S3000XL was used on the album Small Moon, according to the liner notes.

An Apple Mac G3 was used on the album Small Moon, according to the liner notes.

A Revox A77 was used on Chris Carter's The Space Between, according to the liner notes.