Alex Turner used this tape machine when recording the Arctic Monkeys new album Tranquility Base Hotel + Casino

At the end of this 2001 interview, the duo give a brief run down of their gear, listing both the A77 and B77.

Two modified ones were used for No Pussyfooting, as stated in this interview.

This page lists Robert Fripp’s gear.

"The machines used: Roland Space Echo RE-201, Mackie 802-VLZ3 (mixer), FMR RNLA (compressor) Revox A77 (tape recording, saturation), MFB Synth II (stabs) MFB 522 (drums) Enjoy:)"

... This is the story of Tangerine Dream’s Ricochet.... The array of electronic equipment used by Tangerine Dream on that tour was formidable indeed. For its time it looked nothing short of a futuristic world controlled by machines. For the die hard rig fanatics, an approximate list of the machines used by the three members of the group at the Coventry Cathedral show included:

A Revox A77 was used on Chris Carter's The Space Between, according to the liner notes.

Used for recording the first All diese Gewalt album

... This is the story of Tangerine Dream’s Ricochet.... The array of electronic equipment used by Tangerine Dream on that tour was formidable indeed. For its time it looked nothing short of a futuristic world controlled by machines. For the die hard rig fanatics, an approximate list of the machines used by the three members of the group at the Coventry Cathedral show included:

"I normally master onto an old Revox A77, though if I was mastering onto cassette, I'd use a Hitachi DE7, as they've got a really close three-head system, which is much better for monitoring input/output. One of my prizes is a Sony Walkman Professional which I use for playback. And I've got an Aphex Aural Exciter. That's good for giving bass drums a big clout."

"@TheGamerPrime Korg 770, Yahama DX21, Roland Juno 6, Akai S900, Yamaha RX21, Fostex 8-track desk and tape deck, Revox A77 tape deck....:)"

Dominic confirming the synthesizers and equipment for Doctor Who.

"Private Plane was written and recorded over a 3 day period in my tiny flat in Finsbury Park, London. It was recorded on a TEAC A3440 4-track recorder and a little ALICE mixing board.

The only FX used were a WATKINS COPYCAT tape echo unit, ELECTRO HARMONIX DrQ filter, an old ROLAND drum machine (the preset variety) and a STYLOPHONE 350S.

The process was simply a case of laying the tracks down one at a time, applying FX as I went along, and then mixing them all down onto a REVOX A77 mastering machine."