Dan Auerbach

"This one is dry. That's like two tweed deluxes in one amp. It's very squishy sounding. It's on all the time. This one has a couple of Eminence Red Coat. I think that's a copy of a Vox," says Dan Auerbach's guitar tech about the Victoria Double Deluxe Amp.

Incorrect. Faceplate reads, "JTM45" at the 01:36 mark.

Dan Auerbach's guitar tech:

This one has some reverb. It has a more Fender, spikey, trebley sound. It's a traditional so it's got a little more chime to it. It's on all the time. This one has two 25-watt Greenbacks and two vintage 30s.

In 2012 Vintage Guitar interview, Fender Quad Reverb was mentioned as one of Auerbach's touring amps.

In this photo of the inside artwork of The Black Keys album: Rubber Factory, the combo amp sitting on the far left is an Ampeg Gemini I, which coincidentally can also be seen on the inside cover of their debut album: The Big Come Up in the photo where Dan is performing a rather impressive jump.The rich, wet reverb and spiky, gritty drive tones of this amp can be heard on both these albums.

In this article they say Auerbach uses two Fender Deluxe Reverb amplifiers for The Arcs. Auerbach also used a silverface Deluxe Reverb while recording Black Keys' 2019 album, "Let's Rock", according to 2019 Music Radar interview.

Then I used a Deluxe Reverb - a silverface Deluxe Reverb. I prefer the silverface for rock ’n’ roll-type stuff. Blackfaces are really nice and pretty and they’re really versatile, but I don’t need to be versatile. Not all of the time, anyway!

What we ended up doing was dragging the guitar amps into the vacant room across the hall and recording in there. I was using my [Fender] Super Reverb then and an Ampeg Gemini.

"The 8x10 Marshall cab still has the same Jensen speakers as before," reads this article on Dan Auerbach's gear, by Premier Guitar.

In this Premier Guitar Rig Rundown with Dan Auerbach´s guitar tech, at 5:18 the back plate of the Challenger Series C is shown clearly.

Dan is using two Sears Silvertone 1484 Twin-Twelve amps on stage at the 2004 Bonnaroo Music Festival. Jun 11, 2004 Bonnaroo Music Festival Manchester, TN, USA

He played through this amp for American Pickers.

In this Premier Guitar Rig Rundown with Dan Auerbach, at 3:43 the back plate of the Commando is shown clearly.

"We wanted to go with 25 Watt Alnico Tubby Tone...They're real deluxe speakers," Dan's guitar tech says at 1:47 in this video.

In this photo recently posted by one of our contributing members you can clearly see Dan plugged into a Gibson 'Skylark' GA-5 amplifier. You can tell its a GA-5 by the distinctive Gibson tweed cosmetics from the 59-61 era coupled with the slanted rear control plate (not unlike the much earlier fender champion amps) unique to the GA-5 as opposed to all other Gibson tweed combos which featured top loaded control panels like Fender's tweed amps.

Dan Auberach's The Arcs @ Terminal 5 NYC 12/9/2015 http://www.brooklynvegan.com/pics-the-arcs-f/

In this 2019 Premier Guitar rig rundown, a TFL5005D Fender Bandmaster is specifically shown and mentioned as an important part of Dan's rig.

Dan Auerbach's Gibson GA-5 Les Paul Junior amp was a part of his personal collection before being sold as a part of the "Dan Auerbach Collection" at Gruhn's Guitars.

Dan Auerbach's Victoria Cherry Bomb 1x15 was a part of his personal collection before being sold as a part of the "Dan Auerbach Collection" at Gruhn's Guitars.

Dan Auerbach's Miller Amp Design Tweed was a part of his personal collection before being sold as a part of the "Dan Auerbach Collection" at Gruhn's Guitars.

Dan Auerbach's Goodsell Super 17 Mark II was a part of his personal collection before being sold as a part of the "Dan Auerbach Collection" at Gruhn's Guitars.

Dan Auerbach's Victoria Electro King was a part of his personal collection before being sold as a part of the "Dan Auerbach Collection" at Gruhn's Guitars.

Used while recording 2011 album "El Camino", according to 2012 Guitar World interview.

My core tone just comes from my amps. For El Camino, I used a Magnatone and an Ampeg V-92 with a JBL D-130 speaker.

Auerbach used D-130 speakers on Ampeg V-92 while recording Black Keys' 2011 album "El Camino", according to 2012 Guitar World interview.

The faceplate of the amp reads, "JTM45," at the 01:36 mark.

Auerbach used late 1960s blackface Fender Princeton while recording his 2017 album, "Waiting on a Song".