Paul McCartney is associated with the Fender Deluxe Reverb (original issue, 1963-1981) as detailed in the Hog Hill Mill Blog's "Amplifiers & Pedals" post.

In this article they say Auerbach uses two Fender Deluxe Reverb amplifiers for The Arcs. Auerbach also used a silverface Deluxe Reverb while recording Black Keys' 2019 album, "Let's Rock", according to 2019 Music Radar interview.

Then I used a Deluxe Reverb - a silverface Deluxe Reverb. I prefer the silverface for rock ’n’ roll-type stuff. Blackfaces are really nice and pretty and they’re really versatile, but I don’t need to be versatile. Not all of the time, anyway!

I ended up using two Deluxes. I had one Deluxe Reverb and one brown Deluxe," says Joe. We wonder if Joe was referring to a reissue Deluxe Reverb that might have happened to be at the studio, or one of his rare closet classics. He immediately snaps, "Think about that critically and ask yourself again, 'Who are you talking to?'" Point taken, Joe! /.../ "When I was a kid, I had a black [panel] Deluxe Reverb. I think this is probably one of the ones that I had for 25 years," he clarifies. "The black and brown circuits are totally different, so you get that kind of sweet/salt mix. The brown Deluxe does the real thick midrange stuff and the black does the low and the high. That's kind of always been my M.O. It's never just one amp. You're mid-stacking with amps that don't necessarily do the same thing. The bigger, thicker tones you hear on the solo, that's the high-powered Twin. The more jangly stuff was the Deluxes."

Taylor York is associated with the Fender Deluxe Reverb (original issue, 1963-1981), as mentioned in an Equipboard article.

In an Instagram photo, Elliott Smith is seen with a Fender Vibrolux Reverb amplifier, identifiable by the number of knobs on the first channel and the bright switch. The blue text format near the light also matches other silverface Vibrolux models. [Instagram link]

Used in the early days, prior to ABB, paired with his Fenders. The amp had JBL speakers.

Used for C'est Chic, particularly on "Le Freak", as stated by this February 3, 2020 Guitar World article.

The Neve console’s 31102 mic preamp/EQ channel strip generously reduces bass (to provide extra room for Bernard Edwards’ booty-shaking bass low-end thump), while a miked Deluxe Reverb recorded simultaneously on a second track mixed below the direct track preserves body.

(...) Original gear

Guitar: 1960 Fender Stratocaster with maple 1959 neck and hardtail bridge (neck pickup only), Master Volume: 10, Neck Tone: 10

Direct input: Neve 8068 console with 31102 channel strips (Mic Preamp Level: -30dB, High Frequency: 12kHz, HF Level: +6dB, Mid Frequency: 4.8kHz, MF level: +4dB, Hi Q: On, Low Frequency: 220Hz, LF Level: -6dB, High Pass Filter: 160Hz, Low Pass Filter: off)

Amp: c. 1968-77 Fender Deluxe Reverb (Normal Channel input 1, Volume: 4, Treble: 7, Bass: 5) with Oxford 12K5 12-inch speaker

Effects (outboard): Neve 33609 compressor (settings unknown), Pultec EQP 1A3 2-Band EQ (settings unknown)

Strings/Tuning: D’Addario XL120 .009-.042/Standard

Pick: Fender Thin

1964 Fender Deluxe Reverb (Blackface)

The amp on the record is a ’64 Deluxe Reverb I bought about ten years ago at a music store in New York. I liked the way it sounded, but noticed it was really soft. Then, it just sort of died. I took it to a repairman, and he said, “This thing has been in a flood. You’re screwed.” I thought, “Oh, man,” and it sat in my basement for a few years. Then, last year, I brought it to a different guy for a second opinion. He replaced the transformer with another vintage one of the same type. Now, the amp is up and running and sounds great. I usually set the volume just above 3, for a touch of breakup. Fender’s reissue Deluxes are good, too, by the way.

In this video he uses a Fender Deluxe Reverb

Peter Green has been seen in photos using a Silverface Fender Deluxe Reverb during the album "Fleetwood Mac in Chicago" in 1969.

This Fender Deluxe Reverb Amp was owned by Brian Setzer

This amp is in really great shape. The tolex has a few minor scuffs here and there but nothing major. The grill cloth is a bit dirty from age but no major tears. The amp functions completely as intended and sounds amazing. Super splashy reverb and the amp breaks up with perfection. The plug is currently a 2 prong with no ground. Comes with vintage foot switch.

I used a Deluxe Reverb as well. That was different for us. There are also times when we’ve played with just the two of us live. We’ve incorporated a Fender Twin with each setup, so you have an extra push over the cliff.