Dan Briggs

Dan has owned and played this bass since he was 16. This bass was what he modled his signature bass after. he used this bass live and in the studio until His signature bass was made.

Briggs took a more svelte approach for his pedalboard on the Coma Ecliptic tour. His stomp station includes a Boss TU-2 tuner, a Wamper Faux Tape Echo (used for a constant warbling tone), an Electro-Harmonix Bass Micro Synth (ideal for “Tom Sawyer”-ish bass-synth washiness), a Boss DD-3 Digital Delay, Boss TR-2 Tremolo, Boss PS-3 Digital Pitch Shifter/Delay (Briggs’ favorite pedal, which he currently uses as a chorus), and a Darkglass Electronics Duality Fuzz (which replaced a Keeley-modded Ibanez Tube Screamer because the Duality has a mix knob that allows Briggs to keep a more natural tone of low-end fury)

According to Premier Guitar, he plays this signature bass. It is modeled after the same bass he owned when he was 16.

He uses the same amp head over a decade, according to Premier Guitar's rig rundown.

BTBAM Guitarist Dustie Shows off Dan's Bass rig in this Instagram post. This cab was custom made for dan by the team at Port City amps

"Day 7: This telecaster deluxe is making everything better!"

Used in the band Orbs

in This Post btbam guitarist Dustie shows off Dan's bass rig. In this rig Dan has a Fender Bassman head. He switched to this head after using a sunn amp for years

Dan's signature basses where fitted with a pair of EMG SSD Humbuckers by the Spector team. All of his Spector basses have had Emg bass pickups in them

"I started using Reason when I was in college in 2003, and really it was to use the ReDrum"

In the video for Future is Behind Us, Dan is shown with a Moog Sub Phatty. The logo, color, and length of the synth make me believe its a Phatty and not 37. He plays it in the latter half of the video though this screen is most clear of what it is. Also, in Dan's instagram account he shows a picture from he's live setup at Garden Grove where the Phatty is clearly visible

"Briggs took a more svelte approach for his pedalboard on the Coma Ecliptic tour. His stomp station includes a Boss TU-2 tuner, a Wamper Faux Tape Echo (used for a constant warbling tone), an Electro-Harmonix Bass Micro Synth (ideal for “Tom Sawyer”-ish bass-synth washiness), a Boss DD-3 Digital Delay, Boss TR-2 Tremolo, Boss PS-3 Digital Pitch Shifter/Delay (Briggs’ favorite pedal, which he currently uses as a chorus), and a Darkglass Electronics Duality Fuzz (which replaced a Keeley-modded Ibanez Tube Screamer because the Duality has a mix knob that allows Briggs to keep a more natural tone of low-end fury)"

He can be seen tracking part of Swim to the Moon with one at 28:03

He is shown with the synth the whole live show, korg ms1 microsampler

On his Pedal board Dan has a Dunlop mini cry baby bass wah pedal

On his pedal board, Dan has a Darkglass duality fuzz pedal

In an Instagram post by Dan Briggs, he showcases his Dunable Yeti guitar during a playthrough of Orbs' song "Not That Kind of Ouroboros."

Dann uses a Senheiser MD 421 mic on his bass cab. BTBAM uses all Senheiser mics live

"... it was to use the ReDrum and I would import it into my session in Sonar."

Briggs took a more svelte approach for his pedalboard on the Coma Ecliptic tour. His stomp station includes a Boss TU-2 tuner, a Wamper Faux Tape Echo (used for a constant warbling tone), an Electro-Harmonix Bass Micro Synth (ideal for “Tom Sawyer”-ish bass-synth washiness), a Boss DD-3 Digital Delay, Boss TR-2 Tremolo, Boss PS-3 Digital Pitch Shifter/Delay (Briggs’ favorite pedal, which he currently uses as a chorus), and a Darkglass Electronics Duality Fuzz (which replaced a Keeley-modded Ibanez Tube Screamer because the Duality has a mix knob that allows Briggs to keep a more natural tone of low-end fury)

Briggs took a more svelte approach for his pedalboard on the Coma Ecliptic tour. His stomp station includes a Boss TU-2 tuner, a Wamper Faux Tape Echo (used for a constant warbling tone), an Electro-Harmonix Bass Micro Synth (ideal for “Tom Sawyer”-ish bass-synth washiness), a Boss DD-3 Digital Delay, Boss TR-2 Tremolo, Boss PS-3 Digital Pitch Shifter/Delay (Briggs’ favorite pedal, which he currently uses as a chorus), and a Darkglass Electronics Duality Fuzz (which replaced a Keeley-modded Ibanez Tube Screamer because the Duality has a mix knob that allows Briggs to keep a more natural tone of low-end fury)

Briggs took a more svelte approach for his pedalboard on the Coma Ecliptic tour. His stomp station includes a Boss TU-2 tuner, a Wamper Faux Tape Echo (used for a constant warbling tone), an Electro-Harmonix Bass Micro Synth (ideal for “Tom Sawyer”-ish bass-synth washiness), a Boss DD-3 Digital Delay, Boss TR-2 Tremolo, Boss PS-3 Digital Pitch Shifter/Delay (Briggs’ favorite pedal, which he currently uses as a chorus), and a Darkglass Electronics Duality Fuzz (which replaced a Keeley-modded Ibanez Tube Screamer because the Duality has a mix knob that allows Briggs to keep a more natural tone of low-end fury)

Briggs took a more svelte approach for his pedalboard on the Coma Ecliptic tour. His stomp station includes a Boss TU-2 tuner, a Wamper Faux Tape Echo (used for a constant warbling tone), an Electro-Harmonix Bass Micro Synth (ideal for “Tom Sawyer”-ish bass-synth washiness), a Boss DD-3 Digital Delay, Boss TR-2 Tremolo, Boss PS-3 Digital Pitch Shifter/Delay (Briggs’ favorite pedal, which he currently uses as a chorus), and a Darkglass Electronics Duality Fuzz (which replaced a Keeley-modded Ibanez Tube Screamer because the Duality has a mix knob that allows Briggs to keep a more natural tone of low-end fury)

Briggs took a more svelte approach for his pedalboard on the Coma Ecliptic tour. His stomp station includes a Boss TU-2 tuner, a Wamper Faux Tape Echo (used for a constant warbling tone), an Electro-Harmonix Bass Micro Synth (ideal for “Tom Sawyer”-ish bass-synth washiness), a Boss DD-3 Digital Delay, Boss TR-2 Tremolo, Boss PS-3 Digital Pitch Shifter/Delay (Briggs’ favorite pedal, which he currently uses as a chorus), and a Darkglass Electronics Duality Fuzz (which replaced a Keeley-modded Ibanez Tube Screamer because the Duality has a mix knob that allows Briggs to keep a more natural tone of low-end fury)

Seen and used at 3:54.

Seen at 3:54, just to the left of the DL4

Can be seen at 3:48

"And then just a standard Ampeg 8X10..."

Discussed at 1:02

in this post, Dan shows off his pedal board. in his pedal setup he has a tc flashback delay

Dan Briggs features a TC Electronic PolyTune 2 Blacklight Tuner on his pedalboard, as shown in his Instagram post detailing his setup for the upcoming tour with The Dear Hunter and Leprous.

Dan Can Be seen playing his PRS Santana signature guitar in this Instagram Video