Earl Slick
Earl Slick's Effects Pedals
"Great for long David Gilmour type lines. The reverse delay kicks ass too. I used that for "I'm afraid of Americans" - says Slick in this article.
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Slick says in this article that this pedal in "unbelievably cool"
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“Okay, this is an overdrive, but it throws around a lot of really fat bottom end—it doesn’t have the honking, thin mids I hear in some overdrive pedals—and it definitely gets into the fuzz area of interesting tonal colors.” - says Slick in this article.
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"One of the settings has a subtly weird effect where the delay reverses itself as it trails off—that’s what you hear at the end of ‘Sunday.’” - says Slick in this article.
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“The Wack’d setting is amazing—it really bends your pitch out. I’d always use this instead of conventional chorus—it’s way more twisted.” - says Slick in this article.
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Ibanez DE7 Tone Lok Delay/Echo. “A real analog-sounding delay that I used for slapbacks.” - says Slick in this article.
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"I like how fuzz gets people’s attention. I find most overdrives are boring, and I get most of my overdrive from the amp, anyway. A good example of the Octafuzz is on ‘Battle for Britain.’” - says Slick in this article.
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Then I’ve got an Ibanez CF7 Stereo Chorus/Flanger that does some very cool stuff, and a Voodoo Labs Micro Vibe.
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This is a community-built gear list for Earl Slick.
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Discography
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