Eddie Jobson

In the user-uploaded photo, Eddie Jobson's setup includes two Moog Minimoog Model D synthesizers positioned above a Hammond organ on the left.

"I was also lucky enough to time the formation of UK with the first introduction of the Yamaha CS80 polyphonic synthesizer, so that helped give me a distinctive new sound with which to start writing the UK material. There’s no question that instrument inspired the writing of “Alaska,” “In The Dead of Night,” “Danger Money,” “Carrying No Cross,” and years later, the entire Green Album." - Interview - Keyboardmag.com

"Obviously, for the UK CS80 sounds, I started with Arturia’s CS-80 V to capture the character of the original sound, but more often than not, I have added a Spectrasonics Omnisphere timbre underneath to give the sound more power and warmth, not to mention stereo width."

"Obviously, for the UK CS80 sounds, I started with Arturia’s CS-80 V to capture the character of the original sound, but more often than not, I have added a Spectrasonics Omnisphere timbre underneath to give the sound more power and warmth, not to mention stereo width."

On his right hand in this photo he's playing a Hammond C3

Eddie Jobson used a Synclavier to compose his solo album Theme Of Secrets.

Hans [Tobeason, longtime friend and tech for Eddie Jobson] introduced me to the development of the VAX77 folding keyboard, and to Van Chandler at Infinite Response. As I'd just recently gone back to live performances, we loved the idea of the folding MIDI controller, and it had polyphonic aftertouch, which was a big plus for me. But I found the velocity a little hard to control in the keyboard's early form. So we spent many weeks working with Van to modify the feel of the keys, to make it more touch responsive and controllable. We had to add quite a bit of mass to the keys, but we ended up with a keyboard that is weighted enough for piano playing, but still light enough for Hammond slides.

In this interview, Eddie Jobson lists the MXR Phase 90 as among the pedals he played his electric violin through earlier on in his career.

The Big Muff is among the pedals Eddie Jobson used on his violin earlier on in his career, as mentioned in this interview.

As he mentions in this interview, Eddie Jobson used a Dunlop Cry Baby wah pedal on his violin earlier in his career prior to switching to modern software.

Eddie Jobson can be seen in this photo playing a Barcus-Berry electric violin, which he often used earlier in his career.

Throughout the 1970s, Eddie Jobson’s signature violin of choice was an electric violin made of plexiglass.