NED Synclavier II is in this photo.

In a live performance of "We Work the Black Seam Together," Sting uses the NED Synclavier II, showcasing its role in the pre-production phase of his solo career. This is documented in a YouTube video by bedz2big.

Frank used the Synclavier on his last albums, mostly triggered via guitar.

In the video titled "Depeche Mode, Berlin 1984, Recording Sessions" by Daniel Haro, at 2:55, Martin L. Gore is seen attempting to play the sequence to the song "Lie to Me" on a NED Synclavier II.

In a 1986 interview featured on YouTube by Dario Alenczyk, Pat Metheny discusses his use of the NED Synclavier II.

• an NED Synclavier provided resynthesized voices on the tracks Electric Cafe and Music Non Stop.

Nile Rodgers used the NED Synclavier II during the production of Duran Duran's song "The Reflex." As stated by John Taylor of Duran Duran, "Little did we know he’d just got this instrument called the Synclavier, which was basically a sampling keyboard, and he was able to sample vocal parts, tune them and play them back in." This information is sourced from an interview published by Duran Duran, authored by Katy Krassner.

In this 1984 photo, a New England Digital Synclavier II is visible in the background. Probably used on Woman In Red.

In the section of the source URL's page called THEN: "The Vintage Keys of Thriller" by Michael Boddicker, the studio engineers working with MIchael Jackson are said to have used a Synclavier.

Quote: "The “Beat It” digital gong. Tom Bähler played a demo sound that came with his Synclavier — literally a factory patch, right out of the box." Although referred to simply as a "Synclavier", the accompanying image is apparently of a Synclavier II.

A NED Synclavier can be seen on the left of Tony, standing on top.

Used on Lite Me Up and more, as specified in Herbie Hancock’s Electronic Instrument Glossary from September 14, 2016.

Synclavier Digital – First made in 1979, this digital polyphonic sampling synthesizer was known as the top of the line and could cost as much as $200,000. It featured a full-size weighted keyboard with sixty-four note polyphony. Herbie first used this instrument on his 1982 album Lite Me Up.

"There is quite a lot of synth on the album though, including the Roland JX-8P, the Yamaha DX7, some Emulator sounds sampled into the PPG, and even a Synclavier which we had for a short time. It's a good machine, but it takes too long to get into and it's much too expensive. I'm interested in the idea of replacing the conventional studio with the 'tapeless studio', and if Synclavier get the long-term sampling onto hard disk working perfectly, you'll be able to do that even for the vocals. But the system best suits someone like Paul Hardcastle who's doing a lot of well-paid production work with it - my production work is done as a favour for the other bands on the label."