Étienne de Crécy

Etienne de Crécy - We, Computers Live Studio Session

Etienne de Crécy - We, Computers Live Studio Session

Etienne de Crécy - We, Computers Live Studio Session

Etienne de Crécy - We, Computers Live Studio Session

Etienne de Crécy - We, Computers Live Studio Session

Etienne de Crécy - We, Computers Live Studio Session

Etienne de Crécy - We, Computers Live Studio Session

Etienne de Crécy - We, Computers Live Studio Session

Etienne de Crécy - We, Computers Live Studio Session

Etienne de Crécy - We, Computers Live Studio Session

The FUTURE RETRO Mobius sequencer is used for this tutorial, in Étienne de Crécy's Studio, in 2015 (seen at 0:16).

In Étienne de Crécy's studio – 2015 0:05 : "I'm going to show you how to make a basic beat with the DMX"

In Étienne de Crécy's studio – 2015 0:38 : "We got this voice with just a small EQ, and then weekend go through the AMS"

Etienne de Crecy's Studio – 2015 In the background of the desk, next to the Mobius Sequencer

Etienne de Crecy's studio – 2016 2 : 45 Etienne de Crécy : "je me suis concentré avec une TR-808 et une TB-303"

The cirklon is the heart of his sequencing

The speaker can be seen 0:51 into this video, filmed in the studio of Étienne de Crécy, in 2015

Etienne de Crécy - We, Computers Live Studio Session

Etienne de Crécy - We, Computers Live Studio Session

Etienne de Crécy - We, Computers Live Studio Session

Etienne de Crécy - We, Computers Live Studio Session

The Roland Juno-60 is a popular 61-key polyphonic synthesizer introduced by Roland Corporation in September 1982 as a successor to the Roland Juno-6 (that's similar to Roland Juno-60) (1982), which had been on the market since February that year. Like its predecessor, the Juno-60 is essentially an analog synthesizer with digitally controlled oscillators.

Roland was losing market share with the Juno-6 in competition against the Korg Polysix. Related in features and price-class, the Polysix featured programmable patch memory, which the Juno-6 lacked. Programmability and external control (via Roland's proprietary Digital Communications Bus (DCB)) were added to the Juno-6, which was then re-introduced as the Juno-60 (which sonically and architecturally did not change notably from its predecessor). Production of the Juno-6 ceased in August 1983.

The ENSONIQ SQ-80 is used by Étienne de Crécy in his studio, in 2015 (appears at 0:25).

Etienne de Crecy's studio – 2012 5:05 "donc ce synthé-là c'est le MS-10, c'est un synthé KORG, un synthé assez légendaire" "here is the MS-10, from KORG, a quiet legendary synth"

Etienne de Crecy's studio – 2015 The FR-777 is next to the ROLAND TB-03, just on the left of Etienne de Crecy

Etienne de Crecy's studio – 2015 9:23 : the Bass Station II appears only 2 seconds

Etienne de Crecy's studio – 2016 The MOOG Source synthesizer can be seen 0:23 into this video, in the foreground