Fredrik Åkesson's Delay Effects Pedals
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In this video, the MXR Carbon Copy can be seen on Fredrick Åkesson's rig at (2:45).
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"For amps, we used a Marshall YJM plexi 50w mode bridged over and all knobs pretty much on full. We used the MXR Carbon Copy Analog Delay and the Phase 90. For leads, I used an MXR Micro Amp + to get extra juice, and we also did a lot of experimenting with the Way Huge Supa-Puss Delay, which lets you distort the feedback. That created some really cool psychedelic stuff. For strings, I used Dunlop Electric 10-52s, and for picks, I used 1.5mm Tortex Sharps."
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“This pedal is really interesting. It’s a new delay with a tap-out which I will start using soon, I used to use a Carbon Copy but I’ve switched to this now. It has a longer delay time, it’s a bit clearer but still with a vintage touch - you can dial in the flutter and oldness of the tape, which I like. There’s a lot it can do and it’s perfect for adding into solos.”
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You can see clearly that he uses Flashback delay. Rather second edition because You can see that is is written "mash" near the knob and it has more than one "tone-print".
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In the YouTube video titled "Opeth - 'Paragraph One' - Fredrik Äkesson Playthrough Video," Fredrik Åkesson can be seen using the Keeley Andy Timmons Signature Halo at the 2:25 mark.
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