Holger Czukay

There is a clear shot of Czukay playing a Fender Mustang Bass at 1:02 in this live performance of "Spoon" by Can.

This photo shows Czukay with a Fender Stratocaster.

In this forum, there is a photo of Czukay playing a Fender Jazz Bass.

Holger Czukay is credited with Ensoniq ASR 10.

In this photo, he is seen with a Fender Electric XII 12-String Guitar.

Holger Czukay can be seen playing a Framus Triumph Electric Upright Bass in this photo.

In a picture featured in the article "Weird Science" from the September 1993 issue of Sound On Sound, a Sequential Circuits Prophet VS is visible in Holger Czukay's home studio.

Holger Czukay used dictaphones for sampling throughout his career, most notably employing an IBM Dictation Machine during the recording of David Sylvian's Brilliant Trees. This is supported by footage and details provided by Peter Kirn on CDM Create Digital Music.

Holger Czukay confirmed his use of the Telefunken M10a Two-Track Reel-to-Reel Console in an interview with Electronics & Music Maker from 1982. In it, he states, "I am working in three studios at the same time. Everything starts in my own studio — it's a simple 2-track studio with very old machines. I've been using the Telefunken M10 which I consider to be one of the best machines ever constructed! It's a Rolls Royce recorder, with just two speeds, but it weighs a ton."

In an interview published in Electronics & Music Maker in May 1982, Holger Czukay confirmed that he used a Korg vocoder during the recording of "Persian Love" from his solo album Movies.

Holger Czukay occasionally played the French horn throughout his career, as noted in the May 1982 issue of Electronics & Music Maker.

In the making of his album Peak of Normal, Holger Czukay used an Eventide Clock Works Harmonizer, as confirmed in the May 1982 issue of Electronics & Music Maker.

In the article "The Man Behind The Radio!" from Sound On Sound (April 1988), Holger Czukay mentions having a Fairlight in his studio.