JHope

Between 0:25-0:26, you can see the back of a Telefunken U47 microphone. You can visibly see the serial number plate. It could also be a vintage Neumann U47, on which the Telefunken is based on.

In the first photo, you can see these headphones on top of his Komplete Kontrol MKI.

Used for BTS' vocals on "Fake Love", as stated by producer James Reynolds in this August 2018 Sound on Sound interview.

‘All Vocals’ bus: Overloud Tapedesk, DMG Audio EQuilibrium & Kazrog KClip.

“This is pretty much my standard chain. I have the Tapedesk as my first plug-in. I love mixing into this, because I love the saturation that it gives to vocals. This is followed by the EQuilibrium, which notches out some high end. The Eiosis Air EQ Premium is next and does something slightly more interesting, because I am automating it with the green automation line. I use the automation to turn the Strength slider fully up for the pre-choruses and the choruses, which adds real excitement to all the vocals in these areas. Then there’s the Pro-DS de-esser set to a pretty high threshold, because I have already de-essed on the individual tracks. It’s just to catch anything else that I may have missed. Finally the KClip is just catching any remaining peaks.”

Used for BTS' vocals on "Fake Love", as stated by producer James Reynolds in this August 2018 Sound on Sound interview.

‘All Vocals’ bus: Overloud Tapedesk, DMG Audio EQuilibrium & Kazrog KClip.

“This is pretty much my standard chain. I have the Tapedesk as my first plug-in. I love mixing into this, because I love the saturation that it gives to vocals. This is followed by the EQuilibrium, which notches out some high end. The Eiosis Air EQ Premium is next and does something slightly more interesting, because I am automating it with the green automation line. I use the automation to turn the Strength slider fully up for the pre-choruses and the choruses, which adds real excitement to all the vocals in these areas. Then there’s the Pro-DS de-esser set to a pretty high threshold, because I have already de-essed on the individual tracks. It’s just to catch anything else that I may have missed. Finally the KClip is just catching any remaining peaks.”

Used for BTS' vocals on "Fake Love", as stated by producer James Reynolds in this August 2018 Sound on Sound interview.

‘All Vocals’ bus: Overloud Tapedesk, DMG Audio EQuilibrium & Kazrog KClip.

“This is pretty much my standard chain. I have the Tapedesk as my first plug-in. I love mixing into this, because I love the saturation that it gives to vocals. This is followed by the EQuilibrium, which notches out some high end. The Eiosis Air EQ Premium is next and does something slightly more interesting, because I am automating it with the green automation line. I use the automation to turn the Strength slider fully up for the pre-choruses and the choruses, which adds real excitement to all the vocals in these areas. Then there’s the Pro-DS de-esser set to a pretty high threshold, because I have already de-essed on the individual tracks. It’s just to catch anything else that I may have missed. Finally the KClip is just catching any remaining peaks.”

Used for BTS' vocals on "Fake Love", as stated by producer James Reynolds in this August 2018 Sound on Sound interview.

‘All Vocals’ bus: Overloud Tapedesk, DMG Audio EQuilibrium & Kazrog KClip.

“This is pretty much my standard chain. I have the Tapedesk as my first plug-in. I love mixing into this, because I love the saturation that it gives to vocals. This is followed by the EQuilibrium, which notches out some high end. The Eiosis Air EQ Premium is next and does something slightly more interesting, because I am automating it with the green automation line. I use the automation to turn the Strength slider fully up for the pre-choruses and the choruses, which adds real excitement to all the vocals in these areas. Then there’s the Pro-DS de-esser set to a pretty high threshold, because I have already de-essed on the individual tracks. It’s just to catch anything else that I may have missed. Finally the KClip is just catching any remaining peaks.”

Used for BTS' vocals on "Fake Love", as stated by producer James Reynolds in this August 2018 Sound on Sound interview.

‘All Vocals’ bus: Overloud Tapedesk, DMG Audio EQuilibrium & Kazrog KClip.

“This is pretty much my standard chain. I have the Tapedesk as my first plug-in. I love mixing into this, because I love the saturation that it gives to vocals. This is followed by the EQuilibrium, which notches out some high end. The Eiosis Air EQ Premium is next and does something slightly more interesting, because I am automating it with the green automation line. I use the automation to turn the Strength slider fully up for the pre-choruses and the choruses, which adds real excitement to all the vocals in these areas. Then there’s the Pro-DS de-esser set to a pretty high threshold, because I have already de-essed on the individual tracks. It’s just to catch anything else that I may have missed. Finally the KClip is just catching any remaining peaks.”

In J-Hope's studio, you can see the Komplete Kontrol MKI. You can see the knobs, interface, and touchstrips (instead of mod and pitch wheels on the MKII) unique to the MKI.

at 6:29, you can see his Maschine Mikro MKII.

You can see the box of the maschine studio, on the down left side of the screen.

The monitors can be clearly seen at 1:10

At 6:29, you can see JHope using IK iLoud Micro Monitors (along with fellow members SUGA and RM).

at 0:23, you can briefly see this monitor controller.

We can clearly see cubase interface behind him

You can clearly see his mouse at 0:49.

You can clearly see his keyboard at 0:49.