Jonathan Meiburg

During his KEXP performance, Meiburg used the vintage Harmony Jupiter.

In this photo of Shearwater's pedalboards, in the Meiburg's pedalboard (which is the upper one), one of the pedals that can be seen is the EHX Bad Stone phase shifter.

In this photo of Shearwater's pedalboards, in the Meiburg's pedalboard (which is the upper one), one of the pedals that can be seen is the ZVex Mastotron.

In this photo of Shearwater's pedalboards, in the Meiburg's pedalboard (which is the upper one), one of the pedals that can be seen is the EarthQuaker Disaster Transport Jr.

In this photo of Shearwater's pedalboards, in the Meiburg's pedalboard (which is the upper one), one of the pedals that can be seen is the Fulltone Full Drive 2 MOSFET.

In this photo, shared by Shearwater, Meiburg can be seen playing the black CBS-era Fender Stratocaster.

In this photo of Shearwater's pedalboards, the Moog MF Delay can be seen in the Meiburg's pedalboard. (the upper one)

In this photo of Shearwater's pedalboards, in the Meiburg's pedalboard (which is the upper one), one of the pedals that can be seen is the Xotic EP Booster.

In this photo of Shearwater's pedalboards, in the Meiburg's pedalboard (which is the upper one), one of the pedals that can be seen is the EHX Freeze Sound Retainer.

In this photo of Shearwater's pedalboards, in the Meiburg's pedalboard (which is the upper one), one of the pedals that can be seen is the TC Electronic Hall Of Fame reverb.

In this photo of Shearwater's pedalboards, in the Meiburg's pedalboard (which is the upper one), one of the pedals that can be seen is the TC Electronic PolyTune.

"That Korg Lambda, which is a beautiful and underrated synthesizer, made in 1980. We used it a ton. It's the first sound you hear on the record and it's hidden all over the place. I'm not quite sure what they were thinking when they made this keyboard. It's very unassuming, it looks like a little electronic organ. It has a big wooden surface so that you can put something else on top of it. They must have been trying to make a synthesizer that didn't look intimidating. It has all of these organ switches on it that say "brass," "voice," "organ" and things like that. It's a beautiful synth that makes really musical sounds. I loved it."

"Another one we loved was using the ARP Solina String Synth. We took the vibrato off of it and used it almost like a sine wave generator, but there was something more to it somehow. We ran that through a two-tape delay and then this Master Room spring echo, which is from the '80s."