KSHMR

In a tutorial video featured on This Is EDM, KSHMR is seen using Steinberg Cubase on his monitor, showcasing his production techniques.

KSHMR's tips on how to make sounds in your mix sound fuller:

• The kick should have a nice attack on the top end as well as the low. It may help to add a clap (with the lows and mids cut out and a fair amount of reverb) on top of every kick
• Putting groups of the synths on a bus (e.g. main synths, bass synths, etc), or a simply grouping them as with ableton, and then compressing and eq'ing that group helps as well
• There are plug ins such as OTT and FabFilter's Pro G which can help to make synths sound bigger using upward compression

Original source www.welcometokshmr.com.

On this page, on Splice.com, KSHMR provides information about his track "Burn," created with DallasK, including the plugins used. KiloHearts Faturator is one of those plugins.

Nexus was one of the plugins used to make the track "Burn" with DallasK; according to this post to Splice.

In this video, on the making of Jammu, by KSHMR, one can see Kontakt 5 at around 00:37.

In a video on his Facebook page, KSHMR uses a sample from Vengeance Dirty Electro Vol. 3 at the 0:02 mark.

KSHMR utilized the Dada Life Sausage Fattener Plugin during the creation of "Secrets," as detailed in a SPLICE project overview.

KSHMR opens Xfer Serum at 00:51 in this video, of the making of Jammu.

At 1:48 in this video of the making of Jammu, by KSHMR, Universal Audio SPL Transient Designer can be seen.

He tweeted this! He also replied to a comment that he uses it for vocals!

In the making of the track "Memories (Drop)," KSHMR uses iZotope Ozone 9, as detailed on Splice.

The IK Multimedia TRackS bundle 3 is used in the making of Memories (drop)

In the YouTube video "Lessons of KSHMR: Orchestral and Ethnic Instruments Part 2," KSHMR demonstrates the use of Ethno World 6.

It’s all about getting something to sound the most inspiring as quickly as possible, to keep the momentum going. You would think that more advanced producers would want infinite parameters in their tools. But in truth, I’ll use something like Renaissance Compressor – I’m a big fan of optical compressors. Either that or the Renaissance Vox comp – it has a way of placing vocals perfectly in the mix without the compression being noticeable or harsh. Very transparent and smooth. I probably use it more than any comp; I can get good results fast and keep it moving.

He used it for the chords in this video (1:13)

Sonalksis SV-517 was one of the plugins KSHMR used to make the track "Burn" with DallasK. This information is included on this page, on Splice.com.

As listed on this page, on Splice.com, Sylenth1 was one of the plugins used to make the track "Burn" with DallasK.

Maserati GTi was one of the plugins KSHMR used to make the track "Burn" with DallasK, as listed on Splice.com, here.

Sugar Bytes WOW was one of the plugins used to make the track "Burn" with DallasK, according to this submission on Splice.

On Splice.com, KSHMR provides information about his track "Secrets," created with Tiesto, including the plugins used. FabFilter Saturn is one of those plugins.

KSHMR posted one of his tracks to Splice, "Secrets (Drop)". As you can see the Camel Audio CamelCrusher Distortion Plugin was used on this track.

The Xfer LFO Tool Plugin was used on the track "Secrets (Drop)" by KSHMR and Tiësto. Source.

KSMR opens Reveal Sound Spire at 1:07 in this video of the making of Jammu.

In a tweet directed at Henry Fong, KSHMR discusses a production technique involving sidechaining reverb. The tweet includes an image showing the ValhallaVintageVerb plugin in the Ableton chain, highlighting its use in his setup.

in the video of music production of jammu it has been shown that he has used kontakt player

This sample pack is made by KSHMR and used in many tracks of his.

At 4:38 KSHMR can be seen using Nectar on the vocals of Wildcard

I am proud to give you Sounds of KSHMR Vol 2. I've included over 1500 samples this time -- four times the size of Vol 1 -- in order to supply producers of every genre with the best tools available.You will find essentials like Kicks, Toms and Snares -- all processed and key-labeled. But things get much more interesting. For example:

• Animals: 38 animal sounds, processed and tuned to key.
• Drum Loops: from Indian Percussion to crowds stomping in a gym.
• Ethnic Instruments: unusual instruments from all over the world, playing melodies I've written myself.
• Guitar Loops: three folders filled with chord progressions on Acoustic and Electric guitar.
• Vocals: over 100 vocal shots, beds and loops to add a human element to your production. And much more.

A few things I want you to bear in mind while using the pack:

Key Labels I’ve used them extensively throughout the pack, even on snares and claps. Take it with a grain of salt, not everything has to be perfectly in key all the time.

The “Arabic” Scale There are a lot of scales associated with the Middle East. The one I refer to throughout the pack goes as follows, using the root of C: C —> C# —> E—> F —> G —> G# —> A# —> C If these seems confusing, consider the F harmonic minor scale. The notes are the same. We are simply starting on the C, thus achieving the “Arabic” feel.

The Animals FX Folder Have fun with this. The results might surprise you.

Sounds of KSHMR Vol 2 is, in my opinion, among the most powerful and comprehensive tools ever offered to modern producers. It took a lot of time and I lost a lot of sleep, but I couldn't be more proud of the result. Best of luck in all your creative journeys.

Respect, KSHMR

KSHMR uses the Kaval, from Ethnaudio Breath of Anatholia on one of his videos of "Lessons of KSHMR"

You can see CLA-2A Stereo and Mono on one of his "Lessons of KSHMR" videos