Mark Morgan
score composer
Mark Morgan's Gear
"At the time I was using a NED Synclavier as my workstation controlling a few midi synths and modules like a Nord 2, Virus, PPG 2.3, Jupiter 6 and a rackmount synth called a Morpheus by EMU. The Morpheus, like a lot of the rackmount modules in the ‘90s, had this little screen with tons of pages to figure out which made programming painful, but once I figured out the programming architecture it yielded some interesting clangy metal sounds and some strange ambiences, which became a big part of the palette and sound of Fallout."
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"At the time I was using a NED Synclavier as my workstation controlling a few midi synths and modules like a Nord 2, Virus, PPG 2.3, Jupiter 6 and a rackmount synth called a Morpheus by EMU. The Morpheus, like a lot of the rackmount modules in the ‘90s, had this little screen with tons of pages to figure out which made programming painful, but once I figured out the programming architecture it yielded some interesting clangy metal sounds and some strange ambiences, which became a big part of the palette and sound of Fallout."
Find it on:
"At the time I was using a NED Synclavier as my workstation controlling a few midi synths and modules like a Nord 2, Virus, PPG 2.3, Jupiter 6 and a rackmount synth called a Morpheus by EMU. The Morpheus, like a lot of the rackmount modules in the ‘90s, had this little screen with tons of pages to figure out which made programming painful, but once I figured out the programming architecture it yielded some interesting clangy metal sounds and some strange ambiences, which became a big part of the palette and sound of Fallout."
Find it on:
"At the time I was using a NED Synclavier as my workstation controlling a few midi synths and modules like a Nord 2, Virus, PPG 2.3, Jupiter 6 and a rackmount synth called a Morpheus by EMU. The Morpheus, like a lot of the rackmount modules in the ‘90s, had this little screen with tons of pages to figure out which made programming painful, but once I figured out the programming architecture it yielded some interesting clangy metal sounds and some strange ambiences, which became a big part of the palette and sound of Fallout."
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Mark Morgan is confirmed to have used the E-mu Emax synthesizer during a performance with Starship, as evidenced at the 2-minute and 21-second mark of the video "Mickey Thomas Starship.1989.AH.It's Not Enough.mpg," uploaded by Pickanik on YouTube.
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Discography
