In a 2007 feature by Computer Music, Venetian Snares is shown using the E-mu Morpheus sound module, as depicted in a user-uploaded photo on Bensecret.

can be seen in this post from September 15, 2022

In this video at 0:43 we can see E-mu Morpheus

In this picture of Kondo's sound studio from 2006, the Morpheus is sitting in the right space in the middle of the rack.

The digital hybrids that came along, like the EMU Morpheus, had some great sounds – really way-out and spacey. Sometimes new machines have sounds that are so unconventional that people are scared to use them.

In the video titled "Hey Good Looking Part 3 of 3" on Vimeo, at around 11:35, LTJ Bukem can be seen with many rack synthesizers in his studio, including the E-mu Morpheus.

"I already have a number of synth modules, many of which I use mainly for specific sounds. The Kurzweil K2500R has got great sounds and is a good all‑round workhorse, while the Korg 01R gets used for more ethereal parts. I've also got a Wavestation SR that has a few interesting textural sounds in it, and to be honest, I've actually named tracks after its patch names! My Emu Morpheus is usually left set to its Vibes patch."

Tim Simenon used the E-mu Morpheus synthesizer in the production of Depeche Mode's "Ultra" album, as discussed on the Gearslutz forum.

The tenth photo shows his studio and is captioned: "Marius de Vries now does most of his programming work in his own room at London's Strongroom studios. The large rack at left contains, from top, Alesis DM Pro drum module, Korg O1R/W sound module, Roland MKS80 Super Jupiter synth with MPG80 programmer, Studio Electronics MIDIMoog synth, two Akai S3200 samplers, Emu Vintage Keys and Morpheus sound modules, Kurzweil K2000R sound module, Roland MKS50 and JV1080 sound modules."

The Synclavier system may be at the heart of the studio, patched through a Soundcraft Sapphyre LC mixer, but that's not it for "MIDI boxes", as Mark refers to them: the studio also accommodates a Roland S760 sampler, Kurzweil MicroPiano module, an Emu Proteus 1, 2 (source of the famous X‑Files whistle, in combination, apparently, with a sample of Snow's wife whistling!) and 3, Emu Morpheus, Korg M1R and Wavestation SR. But these are adjuncts to the core sound produced by the Synclavier and its large library: "I have all these great samples on the Synclavier's magneto drives." Mark doesn't do much sampling of his own: "There are so many sample disks available that I have people transfer them onto Synclavier format." And is there anything else he'd like to add to the studio? "Well, the only thing that means anything to me is new sounds or new combinations of sounds. All I care about is if somebody has a great new sound library. That's what I'm looking for. Since my background is music, rather than electronics and technology, I just know as much as I have to. There are so many other composers who know about sampling rates and all that technical stuff, but none of that really interests me. So apart from new sounds, I could maybe upgrade the RAM and the number of voices on the Synclavier..."

In a photo posted on his official Facebook page, Franck Roger's rack setup includes the E-mu Morpheus sound module.

Included in the list of equipment used by Dan Forden in the liner notes of one of the Mortal Kombat soundtracks.