Mathew Jonson

In this video, in which Mathew Jonson highlights his live performance setup, his Roland TR-808 is visible throughout, and there is a good shot of it at 7:57, on the right.

The Cwejman S1 MK2 is visible in Mathew Jonson's studio tour feature for FACT magazine at 0:08.

The TB-303 is visible in Mathew Jonson's studio tour feature for Fact Magazine at 0:36.

The TR-606 is visible in Mathew Jonson's studio tour feature for Fact Magazine at 0:36.

Mathew Jonson introduces the SDS 800 in his studio tour feature for Fact Magazine at 0:43.

At 7:56 the Roland SH-101 synthesizer is visible in this Mathew Jonson presentation done with Red Bull Music Academy.

In his My Studio feature for Attack Magazine, Mathew Jonson writes: "Lots of rack synths over there too: MKS-80, MKS-30, MKS-7, MKS-70…"

In his My Studio feature for Attack Magazine, Mathew Jonson writes: "Lots of rack synths over there too: MKS-80, MKS-30, MKS-7, MKS-70…"

In his My Studio feature for Attack Magazine, Mathew Jonson writes: "Lots of rack synths over there too: MKS-80, MKS-30, MKS-7, MKS-70…"

In his My Studio feature for Attack Magazine, Mathew Jonson writes: "I have lots of processing... Also effects: Eventide Orville, DP4, A10, D5000."

In his My Studio feature for Attack Magazine, Mathew Jonson writes: "This is my Fender Rhodes Stage Mark II. That and my Yamaha CS-60 and D85 are my three favourite instruments. None have MIDI or CV so you just have to play them. I find more enjoyment sitting down at any of these than using the entire rest of my studio."

In his My Studio feature for Attack Magazine, Mathew Jonson writes: "This is my Fender Rhodes Stage Mark II. That and my Yamaha CS-60 and D85 are my three favourite instruments. None have MIDI or CV so you just have to play them. I find more enjoyment sitting down at any of these than using the entire rest of my studio."

In his My Studio feature for Attack Magazine, Mathew Jonson writes: "This is my Fender Rhodes Stage Mark II. That and my Yamaha CS-60 and D85 are my three favourite instruments. None have MIDI or CV so you just have to play them. I find more enjoyment sitting down at any of these than using the entire rest of my studio."

In his My Studio feature for Attack Magazine, Mathew Jonson writes: "The Yamaha CS-30 is from outer space. I don’t know how anyone could use this for making normal sounds really because the tuning is so bad… or maybe I just have to open it up and recalibrate it. I got it for nothing on eBay and when I opened up the case it was filled with dirt. Maybe it was a leftover from a flood or something. Anyways, it actually works – I’m just not sure what it’s been doing the last 20 years."

In his My Studio feature for Attack Magazine, Mathew Jonson writes: "The Prophet-5 probably speaks for itself. It’s the most used synth in the studio these days.

In his My Studio feature for Attack Magazine, Mathew Jonson writes:

"The Roland System 100m was featured on ‘Symphony For The Apocalypse: New Age Revolution’, ‘The Girl From LBC’ and ‘Learning To Fly’. It’s probably the best bass in the studio."

In his My Studio feature for Attack Magazine, Mathew Jonson writes:

"This is my Trident and OB-12. Both amazing for pads and ambient sounds. The OB-12 is totally buggy and can explode the speakers with just small changes in parameters so I don’t really let my friends use it. It is super powerful though, aside from all the glitches. The Trident is probably best described as majestic. Literally it sounds like the angels flying down from the sky."

In his My Studio feature for Attack Magazine, Mathew Jonson writes:

"This is my Trident and OB-12. Both amazing for pads and ambient sounds. The OB-12 is totally buggy and can explode the speakers with just small changes in parameters so I don’t really let my friends use it. It is super powerful though, aside from all the glitches. The Trident is probably best described as majestic. Literally it sounds like the angels flying down from the sky."

In this image from his My Studio feature for Attack Magazine, Mathew Jonson's 727 is visible.

In this image from his My Studio feature for Attack Magazine, Mathew Jonson's 909 is visible.

In his Studio Tour Feature for FACT Magazine, Mathew Jonson introduces his System 100 at 1:30.

In his Studio Tour Feature for FACT Magazine, Mathew Jonson introduces his RES-4 at 1:52.

In his Studio Tour Feature for FACT Magazine, Mathew Jonson introduces his ADSR-VC2 at 1:52.

In his Studio Tour Feature for FACT Magazine, Mathew Jonson's Waldorf Microwave can be seen at at 2:48.

In his Studio Tour Feature for FACT Magazine, Mathew Jonson's Vintage Keys can be seen at at 2:48.

In his Studio Tour Feature for FACT Magazine, Mathew Jonson's JD-990 can be seen at at 2:48.

"The JD-990 is a really beautiful pad machine. It sounds a lot better than the JD-800 in my opinion."

In his Studio Tour Feature for FACT Magazine, Mathew Jonson's Lio-8 can be seen at at 4:11.

"This is the best sound card I have ever heard."

In his Studio Tour Feature for FACT Magazine, Mathew Jonson's Manley Variable Mu compressor can be seen at at 4:11.

In his Studio Tour Feature for FACT Magazine, Mathew Jonson introduces his CS-15 at 4:51.

In his Studio Tour Feature for FACT Magazine, Mathew Jonson introduces his Jupiter 6 at 4:51.