Michael Kang

As the de-facto lead guitarist, er mando-man, Kang bounces between his Ron Oates Custom 5-string Octave Mandolin or Walker Electric 5-string Octave Mandolin. To amplify his custom 5-strings, he cranks up a Two-Rock Custom Reverb and Groove Tubes D75 Power Amp through a Bogner 2x12 cab. His two-board setup boasts a DigiTech XP100 Whammy Wah, a Electro-Harmonix Micro Metal Muff, a Electro-Harmonix Micro POG, a Electro-Harmonix Micro Synth, a Electro-Harmonix Q-Tron, a Line 6 DL4, a Keeley Phaser, a Fulltone Full-Drive 2, a Keeley-modded Ibanez TS808 Tube Screamer, a Keeley Katana Clean Boost, a Boss TU-2 Chromatic Tuner, a Maxon Compressor, a Ernie Ball Volume Pedal, a Roland GR-33 Guitar Synth, a TC Electronic G-Force, a Sarno Music Solutions Steel Guitar Black Box, and the boxes are powered by a Voodoo Lab Ground Control and a Voodoo Lab Pedal Power 2+. And his uses various Elixir strings and Fender Extra Heavy picks.

As the de-facto lead guitarist, er mando-man, Kang bounces between his Ron Oates Custom 5-string Octave Mandolin or Walker Electric 5-string Octave Mandolin. To amplify his custom 5-strings, he cranks up a Two-Rock Custom Reverb and Groove Tubes D75 Power Amp through a Bogner 2x12 cab. His two-board setup boasts a DigiTech XP100 Whammy Wah, a Electro-Harmonix Micro Metal Muff, a Electro-Harmonix Micro POG, a Electro-Harmonix Micro Synth, a Electro-Harmonix Q-Tron, a Line 6 DL4, a Keeley Phaser, a Fulltone Full-Drive 2, a Keeley-modded Ibanez TS808 Tube Screamer, a Keeley Katana Clean Boost, a Boss TU-2 Chromatic Tuner, a Maxon Compressor, a Ernie Ball Volume Pedal, a Roland GR-33 Guitar Synth, a TC Electronic G-Force, a Sarno Music Solutions Steel Guitar Black Box, and the boxes are powered by a Voodoo Lab Ground Control and a Voodoo Lab Pedal Power 2+. And his uses various Elixir strings and Fender Extra Heavy picks.

The handful of stomps that he relies on includes: Fulltone OCD, Fulltone Fat-Boost, Ernie Ball Volume Pedal, Boss TU-2 Chromatic Tuner, Fulltone Full-Drive 2, Pro Co RAT, Maxon Rotary Phaser, Dunlop Crybaby Wah, Line 6 Echo Park, TC Electronic G-Force. And for strings, picks, and accessories, he currently jams D'Addario EX115 (.010-.049), Rocktron MIDI Mate, Whirlwind Selector A/B, Sunrise acoustic pickup, K&K Pure Classic acoustic pickup, and Avalon U5.

The handful of stomps that he relies on includes: Fulltone OCD, Fulltone Fat-Boost, Ernie Ball Volume Pedal, Boss TU-2 Chromatic Tuner, Fulltone Full-Drive 2, Pro Co RAT, Maxon Rotary Phaser, Dunlop Crybaby Wah, Line 6 Echo Park, TC Electronic G-Force. And for strings, picks, and accessories, he currently jams D'Addario EX115 (.010-.049), Rocktron MIDI Mate, Whirlwind Selector A/B, Sunrise acoustic pickup, K&K Pure Classic acoustic pickup, and Avalon U5.

The handful of stomps that he relies on includes: Fulltone OCD, Fulltone Fat-Boost, Ernie Ball Volume Pedal, Boss TU-2 Chromatic Tuner, Fulltone Full-Drive 2, Pro Co RAT, Maxon Rotary Phaser, Dunlop Crybaby Wah, Line 6 Echo Park, TC Electronic G-Force. And for strings, picks, and accessories, he currently jams D'Addario EX115 (.010-.049), Rocktron MIDI Mate, Whirlwind Selector A/B, Sunrise acoustic pickup, K&K Pure Classic acoustic pickup, and Avalon U5.

The handful of stomps that he relies on includes: Fulltone OCD, Fulltone Fat-Boost, Ernie Ball Volume Pedal, Boss TU-2 Chromatic Tuner, Fulltone Full-Drive 2, Pro Co RAT, Maxon Rotary Phaser, Dunlop Crybaby Wah, Line 6 Echo Park, TC Electronic G-Force. And for strings, picks, and accessories, he currently jams D'Addario EX115 (.010-.049), Rocktron MIDI Mate, Whirlwind Selector A/B, Sunrise acoustic pickup, K&K Pure Classic acoustic pickup, and Avalon U5.

The handful of stomps that he relies on includes: Fulltone OCD, Fulltone Fat-Boost, Ernie Ball Volume Pedal, Boss TU-2 Chromatic Tuner, Fulltone Full-Drive 2, Pro Co RAT, Maxon Rotary Phaser, Dunlop Crybaby Wah, Line 6 Echo Park, TC Electronic G-Force. And for strings, picks, and accessories, he currently jams D'Addario EX115 (.010-.049), Rocktron MIDI Mate, Whirlwind Selector A/B, Sunrise acoustic pickup, K&K Pure Classic acoustic pickup, and Avalon U5.

The handful of stomps that he relies on includes: Fulltone OCD, Fulltone Fat-Boost, Ernie Ball Volume Pedal, Boss TU-2 Chromatic Tuner, Fulltone Full-Drive 2, Pro Co RAT, Maxon Rotary Phaser, Dunlop Crybaby Wah, Line 6 Echo Park, TC Electronic G-Force. And for strings, picks, and accessories, he currently jams D'Addario EX115 (.010-.049), Rocktron MIDI Mate, Whirlwind Selector A/B, Sunrise acoustic pickup, K&K Pure Classic acoustic pickup, and Avalon U5.

The handful of stomps that he relies on includes: Fulltone OCD, Fulltone Fat-Boost, Ernie Ball Volume Pedal, Boss TU-2 Chromatic Tuner, Fulltone Full-Drive 2, Pro Co RAT, Maxon Rotary Phaser, Dunlop Crybaby Wah, Line 6 Echo Park, TC Electronic G-Force. And for strings, picks, and accessories, he currently jams D'Addario EX115 (.010-.049), Rocktron MIDI Mate, Whirlwind Selector A/B, Sunrise acoustic pickup, K&K Pure Classic acoustic pickup, and Avalon U5.

As the de-facto lead guitarist, er mando-man, Kang bounces between his Ron Oates Custom 5-string Octave Mandolin or Walker Electric 5-string Octave Mandolin. To amplify his custom 5-strings, he cranks up a Two-Rock Custom Reverb and Groove Tubes D75 Power Amp through a Bogner 2x12 cab. His two-board setup boasts a DigiTech XP100 Whammy Wah, a Electro-Harmonix Micro Metal Muff, a Electro-Harmonix Micro POG, a Electro-Harmonix Micro Synth, a Electro-Harmonix Q-Tron, a Line 6 DL4, a Keeley Phaser, a Fulltone Full-Drive 2, a Keeley-modded Ibanez TS808 Tube Screamer, a Keeley Katana Clean Boost, a Boss TU-2 Chromatic Tuner, a Maxon Compressor, a Ernie Ball Volume Pedal, a Roland GR-33 Guitar Synth, a TC Electronic G-Force, a Sarno Music Solutions Steel Guitar Black Box, and the boxes are powered by a Voodoo Lab Ground Control and a Voodoo Lab Pedal Power 2+. And his uses various Elixir strings and Fender Extra Heavy picks.

In the Premier Guitar article "String Cheese Incident: Mile-High Melting Pot," Michael Kang of String Cheese Incident is noted for using a Whirlwind Selector A/B Box among his gear. This piece is part of his setup, which includes various guitars, amps, and effects pedals.

As the de-facto lead guitarist, er mando-man, Kang bounces between his Ron Oates Custom 5-string Octave Mandolin or Walker Electric 5-string Octave Mandolin. To amplify his custom 5-strings, he cranks up a Two-Rock Custom Reverb and Groove Tubes D75 Power Amp through a Bogner 2x12 cab. His two-board setup boasts a DigiTech XP100 Whammy Wah, a Electro-Harmonix Micro Metal Muff, a Electro-Harmonix Micro POG, a Electro-Harmonix Micro Synth, a Electro-Harmonix Q-Tron, a Line 6 DL4, a Keeley Phaser, a Fulltone Full-Drive 2, a Keeley-modded Ibanez TS808 Tube Screamer, a Keeley Katana Clean Boost, a Boss TU-2 Chromatic Tuner, a Maxon Compressor, a Ernie Ball Volume Pedal, a Roland GR-33 Guitar Synth, a TC Electronic G-Force, a Sarno Music Solutions Steel Guitar Black Box, and the boxes are powered by a Voodoo Lab Ground Control and a Voodoo Lab Pedal Power 2+. And his uses various Elixir strings and Fender Extra Heavy picks.

As the de-facto lead guitarist, er mando-man, Kang bounces between his Ron Oates Custom 5-string Octave Mandolin or Walker Electric 5-string Octave Mandolin. To amplify his custom 5-strings, he cranks up a Two-Rock Custom Reverb and Groove Tubes D75 Power Amp through a Bogner 2x12 cab. His two-board setup boasts a DigiTech XP100 Whammy Wah, a Electro-Harmonix Micro Metal Muff, a Electro-Harmonix Micro POG, a Electro-Harmonix Micro Synth, a Electro-Harmonix Q-Tron, a Line 6 DL4, a Keeley Phaser, a Fulltone Full-Drive 2, a Keeley-modded Ibanez TS808 Tube Screamer, a Keeley Katana Clean Boost, a Boss TU-2 Chromatic Tuner, a Maxon Compressor, a Ernie Ball Volume Pedal, a Roland GR-33 Guitar Synth, a TC Electronic G-Force, a Sarno Music Solutions Steel Guitar Black Box, and the boxes are powered by a Voodoo Lab Ground Control and a Voodoo Lab Pedal Power 2+. And his uses various Elixir strings and Fender Extra Heavy picks.

As the de-facto lead guitarist, er mando-man, Kang bounces between his Ron Oates Custom 5-string Octave Mandolin or Walker Electric 5-string Octave Mandolin. To amplify his custom 5-strings, he cranks up a Two-Rock Custom Reverb and Groove Tubes D75 Power Amp through a Bogner 2x12 cab. His two-board setup boasts a DigiTech XP100 Whammy Wah, a Electro-Harmonix Micro Metal Muff, a Electro-Harmonix Micro POG, a Electro-Harmonix Micro Synth, a Electro-Harmonix Q-Tron, a Line 6 DL4, a Keeley Phaser, a Fulltone Full-Drive 2, a Keeley-modded Ibanez TS808 Tube Screamer, a Keeley Katana Clean Boost, a Boss TU-2 Chromatic Tuner, a Maxon Compressor, a Ernie Ball Volume Pedal, a Roland GR-33 Guitar Synth, a TC Electronic G-Force, a Sarno Music Solutions Steel Guitar Black Box, and the boxes are powered by a Voodoo Lab Ground Control and a Voodoo Lab Pedal Power 2+. And his uses various Elixir strings and Fender Extra Heavy picks.

As the de-facto lead guitarist, er mando-man, Kang bounces between his Ron Oates Custom 5-string Octave Mandolin or Walker Electric 5-string Octave Mandolin. To amplify his custom 5-strings, he cranks up a Two-Rock Custom Reverb and Groove Tubes D75 Power Amp through a Bogner 2x12 cab. His two-board setup boasts a DigiTech XP100 Whammy Wah, a Electro-Harmonix Micro Metal Muff, a Electro-Harmonix Micro POG, a Electro-Harmonix Micro Synth, a Electro-Harmonix Q-Tron, a Line 6 DL4, a Keeley Phaser, a Fulltone Full-Drive 2, a Keeley-modded Ibanez TS808 Tube Screamer, a Keeley Katana Clean Boost, a Boss TU-2 Chromatic Tuner, a Maxon Compressor, a Ernie Ball Volume Pedal, a Roland GR-33 Guitar Synth, a TC Electronic G-Force, a Sarno Music Solutions Steel Guitar Black Box, and the boxes are powered by a Voodoo Lab Ground Control and a Voodoo Lab Pedal Power 2+. And his uses various Elixir strings and Fender Extra Heavy picks.

As the de-facto lead guitarist, er mando-man, Kang bounces between his Ron Oates Custom 5-string Octave Mandolin or Walker Electric 5-string Octave Mandolin. To amplify his custom 5-strings, he cranks up a Two-Rock Custom Reverb and Groove Tubes D75 Power Amp through a Bogner 2x12 cab. His two-board setup boasts a DigiTech XP100 Whammy Wah, a Electro-Harmonix Micro Metal Muff, a Electro-Harmonix Micro POG, a Electro-Harmonix Micro Synth, a Electro-Harmonix Q-Tron, a Line 6 DL4, a Keeley Phaser, a Fulltone Full-Drive 2, a Keeley-modded Ibanez TS808 Tube Screamer, a Keeley Katana Clean Boost, a Boss TU-2 Chromatic Tuner, a Maxon Compressor, a Ernie Ball Volume Pedal, a Roland GR-33 Guitar Synth, a TC Electronic G-Force, a Sarno Music Solutions Steel Guitar Black Box, and the boxes are powered by a Voodoo Lab Ground Control and a Voodoo Lab Pedal Power 2+. And his uses various Elixir strings and Fender Extra Heavy picks.

As the de-facto lead guitarist, er mando-man, Kang bounces between his Ron Oates Custom 5-string Octave Mandolin or Walker Electric 5-string Octave Mandolin. To amplify his custom 5-strings, he cranks up a Two-Rock Custom Reverb and Groove Tubes D75 Power Amp through a Bogner 2x12 cab. His two-board setup boasts a DigiTech XP100 Whammy Wah, a Electro-Harmonix Micro Metal Muff, a Electro-Harmonix Micro POG, a Electro-Harmonix Micro Synth, a Electro-Harmonix Q-Tron, a Line 6 DL4, a Keeley Phaser, a Fulltone Full-Drive 2, a Keeley-modded Ibanez TS808 Tube Screamer, a Keeley Katana Clean Boost, a Boss TU-2 Chromatic Tuner, a Maxon Compressor, a Ernie Ball Volume Pedal, a Roland GR-33 Guitar Synth, a TC Electronic G-Force, a Sarno Music Solutions Steel Guitar Black Box, and the boxes are powered by a Voodoo Lab Ground Control and a Voodoo Lab Pedal Power 2+. And his uses various Elixir strings and Fender Extra Heavy picks.

As the de-facto lead guitarist, er mando-man, Kang bounces between his Ron Oates Custom 5-string Octave Mandolin or Walker Electric 5-string Octave Mandolin. To amplify his custom 5-strings, he cranks up a Two-Rock Custom Reverb and Groove Tubes D75 Power Amp through a Bogner 2x12 cab. His two-board setup boasts a DigiTech XP100 Whammy Wah, a Electro-Harmonix Micro Metal Muff, a Electro-Harmonix Micro POG, a Electro-Harmonix Micro Synth, a Electro-Harmonix Q-Tron, a Line 6 DL4, a Keeley Phaser, a Fulltone Full-Drive 2, a Keeley-modded Ibanez TS808 Tube Screamer, a Keeley Katana Clean Boost, a Boss TU-2 Chromatic Tuner, a Maxon Compressor, a Ernie Ball Volume Pedal, a Roland GR-33 Guitar Synth, a TC Electronic G-Force, a Sarno Music Solutions Steel Guitar Black Box, and the boxes are powered by a Voodoo Lab Ground Control and a Voodoo Lab Pedal Power 2+. And his uses various Elixir strings and Fender Extra Heavy picks.

As the de-facto lead guitarist, er mando-man, Kang bounces between his Ron Oates Custom 5-string Octave Mandolin or Walker Electric 5-string Octave Mandolin. To amplify his custom 5-strings, he cranks up a Two-Rock Custom Reverb and Groove Tubes D75 Power Amp through a Bogner 2x12 cab. His two-board setup boasts a DigiTech XP100 Whammy Wah, a Electro-Harmonix Micro Metal Muff, a Electro-Harmonix Micro POG, a Electro-Harmonix Micro Synth, a Electro-Harmonix Q-Tron, a Line 6 DL4, a Keeley Phaser, a Fulltone Full-Drive 2, a Keeley-modded Ibanez TS808 Tube Screamer, a Keeley Katana Clean Boost, a Boss TU-2 Chromatic Tuner, a Maxon Compressor, a Ernie Ball Volume Pedal, a Roland GR-33 Guitar Synth, a TC Electronic G-Force, a Sarno Music Solutions Steel Guitar Black Box, and the boxes are powered by a Voodoo Lab Ground Control and a Voodoo Lab Pedal Power 2+. And his uses various Elixir strings and Fender Extra Heavy picks.

As the de-facto lead guitarist, er mando-man, Kang bounces between his Ron Oates Custom 5-string Octave Mandolin or Walker Electric 5-string Octave Mandolin. To amplify his custom 5-strings, he cranks up a Two-Rock Custom Reverb and Groove Tubes D75 Power Amp through a Bogner 2x12 cab. His two-board setup boasts a DigiTech XP100 Whammy Wah, a Electro-Harmonix Micro Metal Muff, a Electro-Harmonix Micro POG, a Electro-Harmonix Micro Synth, a Electro-Harmonix Q-Tron, a Line 6 DL4, a Keeley Phaser, a Fulltone Full-Drive 2, a Keeley-modded Ibanez TS808 Tube Screamer, a Keeley Katana Clean Boost, a Boss TU-2 Chromatic Tuner, a Maxon Compressor, a Ernie Ball Volume Pedal, a Roland GR-33 Guitar Synth, a TC Electronic G-Force, a Sarno Music Solutions Steel Guitar Black Box, and the boxes are powered by a Voodoo Lab Ground Control and a Voodoo Lab Pedal Power 2+. And his uses various Elixir strings and Fender Extra Heavy picks.

As the de-facto lead guitarist, er mando-man, Kang bounces between his Ron Oates Custom 5-string Octave Mandolin or Walker Electric 5-string Octave Mandolin. To amplify his custom 5-strings, he cranks up a Two-Rock Custom Reverb and Groove Tubes D75 Power Amp through a Bogner 2x12 cab. His two-board setup boasts a DigiTech XP100 Whammy Wah, a Electro-Harmonix Micro Metal Muff, a Electro-Harmonix Micro POG, a Electro-Harmonix Micro Synth, a Electro-Harmonix Q-Tron, a Line 6 DL4, a Keeley Phaser, a Fulltone Full-Drive 2, a Keeley-modded Ibanez TS808 Tube Screamer, a Keeley Katana Clean Boost, a Boss TU-2 Chromatic Tuner, a Maxon Compressor, a Ernie Ball Volume Pedal, a Roland GR-33 Guitar Synth, a TC Electronic G-Force, a Sarno Music Solutions Steel Guitar Black Box, and the boxes are powered by a Voodoo Lab Ground Control and a Voodoo Lab Pedal Power 2+. And his uses various Elixir strings and Fender Extra Heavy picks.

As the de-facto lead guitarist, er mando-man, Kang bounces between his Ron Oates Custom 5-string Octave Mandolin or Walker Electric 5-string Octave Mandolin. To amplify his custom 5-strings, he cranks up a Two-Rock Custom Reverb and Groove Tubes D75 Power Amp through a Bogner 2x12 cab. His two-board setup boasts a DigiTech XP100 Whammy Wah, a Electro-Harmonix Micro Metal Muff, a Electro-Harmonix Micro POG, a Electro-Harmonix Micro Synth, a Electro-Harmonix Q-Tron, a Line 6 DL4, a Keeley Phaser, a Fulltone Full-Drive 2, a Keeley-modded Ibanez TS808 Tube Screamer, a Keeley Katana Clean Boost, a Boss TU-2 Chromatic Tuner, a Maxon Compressor, a Ernie Ball Volume Pedal, a Roland GR-33 Guitar Synth, a TC Electronic G-Force, a Sarno Music Solutions Steel Guitar Black Box, and the boxes are powered by a Voodoo Lab Ground Control and a Voodoo Lab Pedal Power 2+. And his uses various Elixir strings and Fender Extra Heavy picks.

As the de-facto lead guitarist, er mando-man, Kang bounces between his Ron Oates Custom 5-string Octave Mandolin or Walker Electric 5-string Octave Mandolin. To amplify his custom 5-strings, he cranks up a Two-Rock Custom Reverb and Groove Tubes D75 Power Amp through a Bogner 2x12 cab. His two-board setup boasts a DigiTech XP100 Whammy Wah, a Electro-Harmonix Micro Metal Muff, a Electro-Harmonix Micro POG, a Electro-Harmonix Micro Synth, a Electro-Harmonix Q-Tron, a Line 6 DL4, a Keeley Phaser, a Fulltone Full-Drive 2, a Keeley-modded Ibanez TS808 Tube Screamer, a Keeley Katana Clean Boost, a Boss TU-2 Chromatic Tuner, a Maxon Compressor, a Ernie Ball Volume Pedal, a Roland GR-33 Guitar Synth, a TC Electronic G-Force, a Sarno Music Solutions Steel Guitar Black Box, and the boxes are powered by a Voodoo Lab Ground Control and a Voodoo Lab Pedal Power 2+. And his uses various Elixir strings and Fender Extra Heavy picks.