Nathan Larson
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Role
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Nathan Larson's Gear
This 2016 interview with Nathan features some of his guitars and effects, used mainly in studio.
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https://www.flickr.com/photos/43927712@N00/9827898533/ This picture of Nathan's Pedaltrain jr. pedalboard circa 2013 features an Arion Stereo Chorus, a Boss Heavy Metal HM-2, a Boss Chromatic Tuner.
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This 2016 interview with Nathan features some of his guitars and effects, used mainly in studio.
Find it on:
This 2016 interview with Nathan features some of his guitars and effects, used mainly in studio.
Nathan Larson: 'I also had the Hoof Reaper in the chain but the show's producers couldn't handle the rock so I was forced to sideline it. In this case I played a '70s Guild S-100. This would all run at a very low level through a reissue Orange amp.'
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This 2016 interview with Nathan features some of his guitars and effects, used mainly in studio.
Nathan Larson: 'I also had the Hoof Reaper in the chain but the show's producers couldn't handle the rock so I was forced to sideline it. In this case I played a '70s Guild S-100. This would all run at a very low level through a reissue Orange amp.'
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This 2016 interview with Nathan features some of his guitars and effects, used mainly in studio.
Nathan Larson: 'I've used the Cloven Hoof pedal with my old Prophet 5 synth to generate a kind of Suicide organ plus bass sound. It was perfect.'
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This 2016 interview with Nathan features some of his guitars and effects, used mainly in studio.
Nathan Larson: 'Also used the Spatial Delivery with an old Korg Lambda string machine (in addition to a Fulltone Tape Echo and a Digitech Whammy pedal) to make a freaky string pad.'
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This 2016 interview with Nathan features some of his guitars and effects, used mainly in studio.
Nathan Larson: 'One of the nuttier combos: this can be heard on the score for the film The Skeleton Twins - a Teenage Engineering OP-1 going through a Rainbow Machine, a Pitch Bay, and the Arpanoid.'
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This 2016 interview with Nathan features some of his guitars and effects, used mainly in studio.
Nathan Larson: 'One of the nuttier combos: this can be heard on the score for the film The Skeleton Twins - a Teenage Engineering OP-1 going through a Rainbow Machine, a Pitch Bay, and the Arpanoid.'
Find it on:
https://www.flickr.com/photos/43927712@N00/9827898533/
This picture of Nathan's Pedaltrain jr. pedalboard circa 2013 features an Arion Stereo Chorus, a Boss Heavy Metal HM-2, a Boss Chromatic Tuner.
Find it on:
This 2016 interview with Nathan features some of his guitars and effects, used mainly in studio.
Find it on:
This 2016 interview with Nathan features some of his guitars and effects, used mainly in studio.
Nathan Larson: 'The above photo was my pedal board in the early days of the Seth Meyers Late Night show, which also included the Grand Orbiter, and the Disaster Transport Sr.'
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This 2016 interview with Nathan features some of his guitars and effects, used mainly in studio.
Nathan Larson: 'The above photo was my pedal board in the early days of the Seth Meyers Late Night show, which also included the Grand Orbiter, and the Disaster Transport Sr.'
Find it on:
This 2016 interview with Nathan features some of his guitars and effects, used mainly in studio.
Nathan Larson: 'The above photo was my pedal board in the early days of the Seth Meyers Late Night show, which also included the Grand Orbiter, and the Disaster Transport Sr.'
Find it on:
This 2016 interview with Nathan features some of his guitars and effects, used mainly in studio.
Nathan Larson: 'The above photo was my pedal board in the early days of the Seth Meyers Late Night show, which also included the Grand Orbiter, and the Disaster Transport Sr.'
Find it on:
This 2016 interview with Nathan features some of his guitars and effects, used mainly in studio.
Nathan Larson: 'The above photo was my pedal board in the early days of the Seth Meyers Late Night show, which also included the Grand Orbiter, and the Disaster Transport Sr.'
Find it on:
This 2016 interview with Nathan features some of his guitars and effects, used mainly in studio.
Nathan Larson: 'The above photo was my pedal board in the early days of the Seth Meyers Late Night show, which also included the Grand Orbiter, and the Disaster Transport Sr.'
Find it on:
This 2016 interview with Nathan features some of his guitars and effects, used mainly in studio.
Nathan Larson: 'The above photo was my pedal board in the early days of the Seth Meyers Late Night show, which also included the Grand Orbiter, and the Disaster Transport Sr.'
Find it on:
This 2016 interview with Nathan features some of his guitars and effects, used mainly in studio.
Nathan Larson: 'It ran through the mid 60s blackface Fender Princeton Reverb. Very surprised that this pedal was able to communicate a kind of very slightly pushed Stax kind of sound.'
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This 2016 interview with Nathan features some of his guitars and effects, used mainly in studio.
Nathan Larson: 'I've used the Cloven Hoof pedal with my old Prophet 5 synth to generate a kind of Suicide organ plus bass sound. It was perfect.'
Find it on:
This 2016 interview with Nathan features some of his guitars and effects, used mainly in studio.
Nathan Larson: 'Also used the Spatial Delivery with an old Korg Lambda string machine (in addition to a Fulltone Tape Echo and a Digitech Whammy pedal) to make a freaky string pad.'
Find it on:
This 2016 interview with Nathan features some of his guitars and effects, used mainly in studio.
Nathan Larson: 'Also used the Spatial Delivery with an old Korg Lambda string machine (in addition to a Fulltone Tape Echo and a Digitech Whammy pedal) to make a freaky string pad.'
Find it on:
This 2016 interview with Nathan features some of his guitars and effects, used mainly in studio.
Nathan Larson: 'Also used the Spatial Delivery with an old Korg Lambda string machine (in addition to a Fulltone Tape Echo and a Digitech Whammy pedal) to make a freaky string pad.'
Find it on:
This 2016 interview with Nathan features some of his guitars and effects, used mainly in studio.
Nathan Larson: 'One of the nuttier combos: this can be heard on the score for the film The Skeleton Twins - a Teenage Engineering OP-1 going through a Rainbow Machine, a Pitch Bay, and the Arpanoid.'
Find it on:
This 2016 interview with Nathan features some of his guitars and effects, used mainly in studio.
Nathan Larson: 'When recording keys or guitar for film scores I tend to go direct through an Avalon 747 into a Distressor.'
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This 2016 interview with Nathan features some of his guitars and effects, used mainly in studio.
Nathan Larson: ' As you can see, in addition to the Afterneath there's three excellent Mr. Black pedals, the Dark Echo, the Supermoon, and the Eterna. I played a 70s Gibson 335, again recorded direct.'
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This 2016 interview with Nathan features some of his guitars and effects, used mainly in studio.
Nathan Larson: ' As you can see, in addition to the Afterneath there's three excellent Mr. Black pedals, the Dark Echo, the Supermoon, and the Eterna. I played a 70s Gibson 335, again recorded direct.'
Find it on:
This 2016 interview with Nathan features some of his guitars and effects, used mainly in studio.
Nathan Larson: ' As you can see, in addition to the Afterneath there's three excellent Mr. Black pedals, the Dark Echo, the Supermoon, and the Eterna. I played a 70s Gibson 335, again recorded direct.'
Find it on:
This 2016 interview with Nathan features some of his guitars and effects, used mainly in studio.
Nathan Larson: ' As you can see, in addition to the Afterneath there's three excellent Mr. Black pedals, the Dark Echo, the Supermoon, and the Eterna. I played a 70s Gibson 335, again recorded direct.'
Find it on:
This 2016 interview with Nathan features some of his guitars and effects, used mainly in studio.
Find it on:
This is a community-built gear list for Nathan Larson.
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Discography
Album Credits
-
The Cardigans · 2024
Engineer Producer -
James Iha · 2012
Producer -
The Cardigans · 2003
Engineer Producer
